At this time of year, those of us without Christian religious convictions attempt to make the best of things by celebrating goodwill and love towards all humanity. For those of us in the jazz community, nothing can express this better than Mr Jackson Tea and his old friend Louis singing and playing ‘Rockin’ Chair': the affection – indeed, love in the truest, platonic, sense – is obvious. It transcends all racial, cultural and other artificial divisions of humanity.
This 1957 TV performance is as near as we’ll ever get to a film of the legendary New York Town Hall performance of ten years earlier: Bobby Hackett (cornet) and Peanuts Hucko (clarinet) are once again present, which is just great; but Jackson and Louis are the timeless stars – wondrous then, now and forever:
EXCLUSIVE: As it begins to dawn on everyone that Sony Pictures was the victim of a cyberterrorist act perpetrated by a hostile foreign nation on American soil, questions will be asked about how and why it happened, ending with Sony cancelling the theatrical release of the satirical comedy The Interview because of its depiction of North Korean dictator Kim Jong-un. One of the issues is this: Why didn’t anybody speak out while Sony Pictures chiefs Amy Pascal and Michael Lynton were embarrassed by emails served up by the media, bolstering the credibility of the hackers’ threat to blow up theaters if The Interview was released?
George Clooney has the answer. The most powerful people in Hollywood were so fearful to place themselves in the cross hairs of hackers that they all refused to sign a simple petition of support that Clooney and his agent, Bryan Lourd, circulated to the top people in film, TV, records and other areas. Not a single person would sign. Here, Clooney discusses the petition and how it is just part of many frightening ramifications that we are all just coming to grips with
DEADLINE: How could this have happened, that terrorists achieved their aim of cancelling a major studio film? We watched it unfold, but how many people realized that Sony legitimately was under attack?
GEORGE CLOONEY: A good portion of the press abdicated its real duty. They played the fiddle while Rome burned. There was a real story going on. With just a little bit of work, you could have found out that it wasn’t just probably North Korea; it was North Korea. The Guardians of Peace is a phrase that Nixon used when he visited China. When asked why he was helping South Korea, he said it was because we are the Guardians of Peace. Here, we’re talking about an actual country deciding what content we’re going to have. This affects not just movies, this affects every part of business that we have. That’s the truth. What happens if a newsroom decides to go with a story, and a country or an individual or corporation decides they don’t like it? Forget the hacking part of it. You have someone threaten to blow up buildings, and all of a sudden everybody has to bow down. Sony didn’t pull the movie because they were scared; they pulled the movie because all the theaters said they were not going to run it. And they said they were not going to run it because they talked to their lawyers and those lawyers said if somebody dies in one of these, then you’re going to be responsible.
On November 24 of this year, Sony Pictures was notified that it was the victim of a cyber attack, the effects of which is the most chilling and devastating of any cyber attack in the history of our country. Personal information including Social Security numbers, email addresses, home addresses, phone numbers and the full texts of emails of tens of thousands of Sony employees was leaked online in an effort to scare and terrorize these workers. The hackers have made both demands and threats. The demand that Sony halt the release of its upcoming comedy The Interview, a satirical film about North Korean dictator Kim Jong Un. Their threats vary from personal—you better behave wisely—to threatening physical harm—not only you but your family is in danger. North Korea has not claimed credit for the attack but has praised the act, calling it a righteous deed and promising merciless measures if the film is released. Meanwhile the hackers insist in their statement that what they’ve done so far is only a small part of our further plan. This is not just an attack on Sony. It involves every studio, every network, every business and every individual in this country. That is why we fully support Sony’s decision not to submit to these hackers’ demands. We know that to give in to these criminals now will open the door for any group that would threaten freedom of expression, privacy and personal liberty. We hope these hackers are brought to justice but until they are, we will not stand in fear. We will stand together.
DEADLINE: That doesn’t sound like a hard paper to sign.
CLOONEY: All that it is basically saying is, we’re not going to give in to a ransom. As we watched one group be completely vilified, nobody stood up. Nobody took that stand. Now, I say this is a situation we are going to have to come to terms with, a new paradigm and a new way of handling our business. Because this could happen to an electric company, a car company, a newsroom. It could happen to anybody.
DEADLINE: You said everyone acts based on self interest. What’s yours?
CLOONEY: I wanted to have the conversation because I’m worried about content. Frankly, I’m at an age where I’m not doing action films or romantic comedies. The movies we make are the ones with challenging content, and I don’t want to see it all just be superhero movies. Nothing wrong with them, but it’s nice for people to have other films out there.
A great day for the long-suffering people of Cuba and a move that may eventually bring about some degree of democracy in the anti-working class Stalinist dictatorship of that benighted island. Obama has shown some real leadership:
Taliban slaughter school children
A mother mourns her son, a student who was killed during the atrocity
Adapted from the South Asia Daily:
The Taliban stormed a military-run school in northwest Pakistan on Tuesday, killing at least 140 people — most of them children (NYT, CNN, BBC). Around 10:00 a.m. local time, six or seven heavily armed Taliban gunmen entered the Army Public School and Degree College in Peshawar, opening fire on some students and taking dozens of others hostage and holding them in the main auditorium; some managed to escape the school compound. As the day wore on, military forces battled with militants still inside the school.
Children who escaped say the militants then went from one classroom to another, shooting indiscriminately.
One boy told reporters he had been with a group of 10 friends who tried to run away and hide. He was the only one to survive.
Others described seeing pupils lying dead in the corridors. One local woman said her friend’s daughter had escaped because her clothing was covered in blood from those around her and she had lain pretending to be dead.
The Taliban claimed responsibility for the attack, saying that it was in retaliation for the military’s offensive against militants in the North Waziristan tribal region. The Pakistani military has been carrying out the offensive, known as Operation Zarb-e-Azb, since June.
Khan postpones protests
Imran Khan, the chairman of the Pakistan Tehreek-e-Insaf opposition party [which has often been accused of appeasing the Taliban – JD] announced on Tuesday that he would delay his party’s countrywide protests — scheduled for Dec. 18 — in light of the attack on the school in Peshawar (Dawn). The protests were aimed at shutting down the country in order to pressure the government to investigate allegations of vote rigging 2013’s general elections.
Too many people on the left and liberal-left are willing to excuse Islamist movements like the Pakistani and Afghani Taliban (or even ISIS, though for some reason they have fewer apologists on the “left”), or use spurious “blowback” explanations to “contextualise” their atrocities into a narrative that effectively excuses their outrages by blaming the west and denying the Islamists any autonomy or independent agency.
This latest outrage is far from unique in targeting school children, though it is exceptional in its scale. One hopes that it might give some leftist idiots and Guardian columnists pause for thought, as well as forcing the present government of Pakistan out of its complacency and denial … but don’t hold your breath.
Cross-posted from That Place:
The Shin Bet and police arrested three radical right-wing activists for their role in a suspected hate-crime attack on a Jerusalem school in which both Jews and Arabs study, it was cleared for publication Thursday.
The suspects in court (Photo: Ido Erez)
Reading about the mother of one of them may give you some idea.
“I was one of you. I was a typical Canadian. I grew up on the hockey rink and spent my teenage years on stage playing guitar. I had no criminal record. I was a bright student and maintained a strong GPA in university. So how could one of your people end up in my place? And why is it that your own people are the ones turning against you at home? The answer is that we have accepted the true call of Santa Claus and his reindeer.”
I met up with my old friend Norman Field yesterday, and – as is invariably the case with this extraordinary autodidact – had a wonderful time. The conversation ranged from nineteenth century European history, to contemporary jazz-scene gossip and Birmingham local history. Along the way we touched upon Thatcher and the Falklands war, the arranging skills of Fud Livingston and the reason(s) why Paul Whiteman and his Orchestra left Victor records and joined Columbia 1928.
Norman is (was?) a fantastic clarinet and sax player but has now – for reasons best known to himself and which I would not presume to cross-examine him over – more or less given up playing in public. Suffice to say that people who know about hot jazz (Keith Nichols, Scott Robinson, Richard Pite, to name but three) regard him as a master and oracle. Scott Robinson, having heard Norman play at the Whitley Bay classic jazz festival a few years ago, described him as a “f****n’ genius.”
I should add that Norman made me a clear plastic 78 rpm record (of Jimmy McPartland with the Original Wolverines) in the course of our meeting!
Norman’s commitment to serious jazz research is demonstrated by this article, from his website. It’s reproduced here with his permission:
Louis Armstrong’s ‘Cornet Chop Suey’ (1926): What key is it in?
Above: Armstrong’s Hot Five
By Norman Field
This article could not have been written without the generous help of Michael Kieffer, to whom many thanks. Other acknowledgements will be found at the foot of the text.
Over the years, I had occasionally heard that some doubt existed as to the correct key for Louis Armstrong’s tune of this name. The doubt specifically concerned the original version of it, which he had recorded with the Hot Five for OKeh early in 1926. This problem had apparently been around for some years. It had been discussed in the correspondence columns of Jazz magazines; possibly articles had been written about it, and it had certainly been talked about quite a bit. I understood that well known trumpet players had gone into the problem, and that, surprisingly, there was still no general agreement.
A few years ago, I became interested in selecting the correct pitch for early Jazz and dance band records, and found that by applying a few simple tests, it was – usually – possible to be fairly sure of the correct speed at which to play a 78 rpm record, so that it would come out at the correct pitch.
However, these tests were only valid for Jazz and dance records made in the U.S.A. and Britain in the 1920s through to about the mid-1930s; and even then, only when the band included a piano. It primarily rested with the piano, of course, and the assumption that this would be tuned to a standard pitch. I asked the late John R.T. Davies, the doyen of 78 rpm record restorers, whether this assumption was acceptable. He agreed strongly, pointing out that the major record companies (Victor, HMV, Columbia, Brunswick, Vocalion, Odeon, OKeh &c.) were large concerns, recording the most prominent international artistes, and the use of first-class pianos was to be expected, and therefore, for pitching purposes, that assumption was valid, tenable; indeed, unavoidable.
Of course, there are instances of ‘below-par’ pianos to be found on some Jazz and dance records of this period. However, these are probably pianos that are simply rather out of tune (with themselves), and sound ‘ploingy’ as a result. This is quite a different thing from the piano being tuned to the wrong pitch altogether. (See appendix 1.)
So in general our assumption that the pianos are tuned to standard pitch is valid as a starting point. In any case, if for example, a piano had been allowed to become very flat in pitch, it would be difficult for wind instruments – the clarinet in particular – to ‘get down’ to the pitch of the piano without becoming out of tune with itself. And if a piano had somehow been tuned very sharp, a clarinet would simply not be able to get up to that pitch at all. Overall, the statement: ‘Pianos in recording locations, whether permanent or temporary, were, in general, tuned to standard pitch’ is a reasonable one, and likely to be true far more often than not.
And what actually is this standard pitch? As far as the U.S.A. goes, the note A (the one above middle C on the piano) should be 440 Hz, usually written as A=440. And the standard pitch used in Britain for orchestral and dance music at that time (circa 1900 – 1945) was A=439, a fairly trivial difference, so that the same tests can be used pretty safely for both countries. (See appendix 2.)
As for other countries, and other styles of music, and indeed those artists and ensembles in the U.S.A. and Britain not using a piano, the application of ‘The General Rule Of The Piano’ must – in the first instance – be assumed to be inapplicable and, consequently, conclusions from it non-viable. I am not qualified to comment further on these musics; but certainly commend those who may be interested in them to pursue their own researches on these fascinating topics. Perhaps they will be able to derive some simple tests to help ensure correct pitching of old 78 recordings of e.g. a Javanese gamelin orchestra, or a Cantonese instrumental ensemble? After all, the correct pitching of any and every ‘78 rpm’ record is an essential part of properly preserving, for posterity, the information contained on it.
About three years ago, I heard of the existence of a CD set of early Louis Armstrong classics that included the 1926 Hot Five ‘Cornet Chop Suey’ twice. Once in the key of E flat; and also in the key of F. This was because, in the opinion of the compilers of the set, there was still no general consensus on which key it was in. To include it, therefore, in both keys was certainly very commendable. But I was puzzled that a record could be attributed to two keys so much as a tone apart. Not merely a semitone, but a whole tone: really a very large interval! In theory at least, it should have been fairly easy to decide which was the true one. The trumpet players who disagreed on the key of the piece may have (I don’t know…) played the tune over on their trumpets (or cornets) in both keys. And then used, as a basis for their conclusion, the fingering of their horns indicating one key rather than the other because one key ‘fell more naturally under the fingers’ than the other. At least, I assume that this is what they did. If my assumption is correct, then I have to say that that approach might at times be deceptive. As a clarinet player, time and time again, I have tried to find out exactly what Johnny Dodds or Don Murray played on their clarinets back in the 1920s, and the more I learn, the more I distrust what seems logical on the surface. Also, as the decades pass, it becomes ever more difficult to even attempt to analyse the ‘mindset’ of a 1920s virtuoso player. Certainly, Dodds and Murray were both virtusosi of the clarinet. They could play anything they mentally conceived… and usually did so. Perhaps intuitively, they ‘eliminated the instrument from the equation’: the music that appeared in their consciousness was the music that straightway sounded in the club or the ballroom in which they were playing. There was no intervention of any ‘problem of execution’ on their instrument. If – as I suspect – they (along with most other top musicians) did this, they were rather in advance of their time. They did not need to read treatises on the psychology of musicianship, the bulk of which have proliferated in the last 50 years. They just did it anyway.
If Dodds & Murray could do that, how much more could Louis Armstrong do it? Louis, from his first startling appearances on disc in 1923, was manifestly a very special case. On this basis, Louis’s cornet fingering patterns, I thought, might be rather unsusceptible to logical analysis. I’d found exactly the same in trying to play Dodds’s clarinet solo on ‘Potato Head Blues’ by the Hot Seven on a clarinet in C, in case he was playing one of those, instead of the normal B flat clarinet. Both fingerings, I found, were pretty equally plausible. Read the rest of this entry »
By Juan Cole (reblogged from Informed Comment):
I have argued on many occasions that the language of patriotism and appeal to the Founding Fathers and the constitution must not be allowed to be appropriated by the political right wing in contemporary America, since for the most part right wing principles (privileging religion, exaltation of ‘whiteness’ over universal humanity, and preference for property rights over human rights) are diametrically opposed to the Enlightenment and Deist values of most of the framers of the Unites States.
We will likely hear these false appeals to an imaginary history a great deal with the release of the Senate report on CIA torture. It seems to me self-evident that most of the members of the Constitutional Convention would have voted to release the report and also would have been completely appalled at its contents.
The Bill of Rights of the US Constitution is full of prohibitions on torture, as part of a general 18th century Enlightenment turn against the practice. The French Encyclopedia and its authors had agitated in this direction.
Two types of torture were common during the lifetimes of the Founding Fathers. In France, the judiciary typically had arrestees tortured to make them confess their crime. This way of proceeding rather tilted the scales in the direction of conviction, but against justice. Pre-trial torture was abolished in France in 1780. But torture was still used after the conviction of the accused to make him identify his accomplices.
Thomas Jefferson excitedly wrote back to John Jay from Paris in 1788:
“On the 8th, a bed of justice was held at Versailles, wherein were enregistered the six ordinances which had been passed in Council, on the 1st of May, and which I now send you. . . . By these ordinances, 1, the criminal law is reformed . . . by substitution of an oath, instead of torture on the question préalable , which is used after condemnation, to make the prisoner discover his accomplices; (the torture abolished in 1780, was on the question préparatoire, previous to judgment, in order to make the prisoner accuse himself;) by allowing counsel to the prisoner for this defence; obligating the judges to specify in their judgments the offence for which he is condemned; and respiting execution a month, except in the case of sedition. This reformation is unquestionably good and within the ordinary legislative powers of the crown. That it should remain to be made at this day, proves that the monarch is the last person in his kingdom, who yields to the progress of philanthropy and civilization.”
Jefferson did not approve of torture of either sort.
The torture deployed by the US government in the Bush-Cheney era resembles that used in what the French called the “question préalable.” They were being asked to reveal accomplices and any further plots possibly being planned by those accomplices. The French crown would have argued before 1788 that for reasons of public security it was desirable to make the convicted criminal reveal his associates in crime, just as Bush-Cheney argued that the al-Qaeda murderers must be tortured into giving up confederates. But Jefferson was unpersuaded by such an argument. In fact, he felt that the king had gone on making it long past the time when rational persons were persuaded by it.
Bush-Cheney, in fact, look much more like pre-Enlightentment absolute monarchs in their theory of government. Louis XIV may not have said “I am the state,” but his prerogatives were vast, including arbitrary imprisonment and torture. Bush-Cheney, our very own sun kings, connived at creating a class of human beings to whom they could do as they pleased.
When the 5th amendment says of the accused person “nor shall be compelled in any criminal case to be a witness against himself” the word “compelled” is referring to the previous practice of judicial torture of the accused. Accused persons who “take the fifth” are thus exercising a right not to be tortured by the government into confessing to something they may or may not have done.
Likewise, the 8th Amendment, “Excessive bail shall not be required, nor excessive fines imposed, nor cruel and unusual punishments inflicted.” is intended to forbid post-sentencing torture.
The 8th Amendment was pushed for by Patrick Henry and George Mason precisely because they were afraid that the English move away from torture might be reversed by a Federal government that ruled in the manner of continental governments.
“What has distinguished our ancestors?–That they would not admit of tortures, or cruel and barbarous punishment. But Congress may introduce the practice of the civil law, in preference to that of the common law. They may introduce the practice of France, Spain, and Germany.”
It was objected in the debate over the Bill of Rights that it could be ignored. George Mason thought that was a stupid reason not to enact it:
“Mr. Nicholas: . . . But the gentleman says that, by this Constitution, they have power to make laws to define crimes and prescribe punishments; and that, consequently, we are not free from torture. . . . If we had no security against torture but our declaration of rights, we might be tortured to-morrow; for it has been repeatedly infringed and disregarded.
Mr. George Mason replied that the worthy gentleman was mistaken in his assertion that the bill of rights did not prohibit torture; for that one clause expressly provided that no man can give evidence against himself; and that the worthy gentleman must know that, in those countries where torture is used, evidence was extorted from the criminal himself. Another clause of the bill of rights provided that no cruel and unusual punishments shall be inflicted; therefore, torture was included in the prohibition.”
It was the insistence of Founding Fathers such as George Mason and Patrick Henry that resulted in the Bill of Rights being passed to constrain the otherwise absolute power of the Federal government. And one of their primary concerns was to abolish torture.
The 5th and the 8th amendments thus together forbid torture on the “question préparatoire” pre-trial confession under duress) and the question préalable (post-conviction torture).
That the Founding Fathers were against torture is not in question.
Fascists (that is what they are) who support torture will cavil. Is waterboarding torture? Is threatening to sodomize a man with a broomstick torture? Is menacing a prisoner with a pistol torture?
Patrick Henry’s discourse makes all this clear. He was concerned about the government doing anything to detract from the dignity of the English commoner, who had defied the Norman yoke and gained the right not to be coerced through pain into relinquishing liberties.
Fascists will argue that the Constitution does not apply to captured foreign prisoners of war, or that the prisoners were not even P.O.W.s, having been captured out of uniform.
But focusing on the category of the prisoner is contrary to the spirit of the founding fathers. Their question was, ‘what are the prerogatives of the state?’ And their answer was that the state does not have the prerogative to torture. It may not torture anyone, even a convicted murderer.
The framers of the Geneva Convention (to which the US is signatory) were, moreover, determined that all prisoners fall under some provision of international law. René Värk argues:
“the commentary to Article 45 (3) asserts that ‘a person of enemy nationality who is not entitled to prisoner-of-war status is, in principle, a civilian protected by the Fourth Convention, so that there are no gaps in protection’.*32 But, at the same time, it also observes that things are not always so straightforward in armed conflicts; for example, adversaries can have the same nationality, which renders the application of the Fourth Convention impossible, and there can arise numerous difficulties regarding the application of that convention. Thus, as the Fourth Convention is a safety net to persons who do not qualify for protection under the other three Geneva Conventions, Article 45 (3) serves yet again as a safety net for those who do not benefit from more favourable treatment in accordance with the Fourth Convention.”
Those who wish to create a category of persons who may be treated by the government with impunity are behaving as fascists like Franco did in the 1930s, who also typically created classes of persons to whom legal guarantees did not apply.
But if our discussion focuses on the Founding Fathers, it isn’t even necessary to look so closely at the Geneva Conventions.
Thomas Jefferson wrote in the Declaration of Independence, “We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness.”
The phrase “all men” means all persons of any nationality.
We know what the Founding Fathers believed. They believed in universal rights. And they believed in basic principles of human dignity. Above all, they did not think the government had the prerogative of behaving as it pleased. It doesn’t have the prerogative to torture.
“The miner’s family spend only ten pence a week on green vegetables and ten pence half-penny on milk (remember that one of them is a child less than three years old), and nothing on fruit; but they spend one and nine on sugar (about eight pounds of sugar, that is) and a shilling on tea. The half-crown spent on meat might represent a small joint and the materials for a stew; probably as often as not it would represent four or five tins of bully beef. The basis of their diet, therefore, is white bread and margarine, corned beef, sugared tea, and potatoes – an appalling diet. Would it not be better if they spent more money on wholesome things like oranges and wholemeal bread or if they even, like the writer of the letter to the New Statesman, saved on fuel and ate their carrots raw? Yes, it would, but the point is that no ordinary human being is ever going to do such a thing. The ordinary human being would sooner starve than live on brown bread and raw carrots. And the peculiar evil is this, that the less money you have, the less inclined you feel to spend it on wholesome food. A millionaire may enjoy breakfasting off orange juice and Ryvita biscuits; an unemployed man doesn’t. […] When you are unemployed, which is to say when you are underfed, harassed, bored, and miserable, you don’t want to eat dull wholesome food. You want something a little bit ‘tasty’. There is always some cheaply pleasant thing to tempt you. Let’s have three pennorth of chips! Run out and buy us a twopenny ice-cream! Put the kettle on and we’ll have a nice cup of tea. That is how your mind works when you are at the PAC level. White bread-and-marg and sugared tea don’t nourish you to any extent but they are nicer (at least most people think so) than brown bread-and-dripping and cold water. Unemployment is an endless misery that has got to be constantly palliated, and especially with tea, the English-man’s opium. A cup of tea or even an aspirin is much better as a temporary stimulant than a crust of brown bread” – from The Road To Wigan Pier, 1937
Above: about as “anti- imperialist”-foolish as you can get: Rees, Murray and Galloway
By Camilla Bassi
‘The Anti-Imperialism of Fools’
The day after 9/11 I attended a local Socialist Alliance committee meeting in Sheffield, England, as a representative of the revolutionary socialist organisation, the Alliance for Workers’ Liberty.The Socialist Workers’ Party (SWP) comrades present discussed the 9/11 attack as regrettable in terms of the loss of life but as nonetheless understandable.They acknowledged the attack as tactically misguided, yet refused (when pressed to do so) to condemn it. Later, in November 2001, at a public meeting of the Sheffield Socialist Alliance, I shared a platform with a then national committee member of the SWP to debate the US and UK war in Afghanistan. Besides from agreeing on opposition to the imperialist war onslaught, I was alone on the platform in raising opposition to the Islamist Taliban rule and in arguing for labour movement solidarity with forces such as the Revolutionary Association of Women of Afghanistan (RAWA), which resist both imperialism and Islamism and demand a rogressive, democratic secular alternative.
The SWP comrades present, both on the platform and from the floor, alleged a political error on my part and those who argued along with me. Their rationale was that, to fully oppose the War on Terror, we had a duty to oppose the main enemy and greater evil – US and UK imperialism – and this alone. Anything else, they argued, would alienate the masses of disillusioned, angry British Muslim youth that socialists needed to win over.
The SWP’s dual camp of ‘my enemy’s enemy is my friend’ (a socialistic inversion of imperialist war discourse of ‘the status quo versus regression’) came to dominate England’s anti-war movement. They publicly launched their initiative the Stop the War Coalition (StWC) ten days after 9/11, with the aim of mobilising a broad political grouping against the War on Terror.
Since then the SWP vanguard of the StWC has, at critical moments, steered the political course that England’s anti-war protests have taken. Read the rest of this entry »