Make no mistake: ex-Royal Marine, Konstandinos Erik Scurfield, who was killed on Monday, fighting with the Kurdish People’s Protection Units (YPG) in Syria, was an anti-fascist hero.
His comrade, ex-US soldier Jordan Matson, also a YPG volunteer, wrote on Facebook:
“Kosta as we call him was from the United Kingdom and was born a Greek citizen. He served in both the Greek army and as a British Royal Marine commando up until he came here. He served with me in Jezza and Shengal.
“Kosta volunteered for every attack and guard duty opportunity. He wanted nothing more than to bring the fight to the enemy.
“I’m going to carry on your legacy brother, I will; never forget you. I love you man.
“Save ne a place up there big guy.”
Scurfield had been fighting in an area southwest of the town of Tal Hamis, which Kurdish forces seized from the ISIS/Daesh fascists last week, when (it is thought) the vehicle in which he was travelling was hit by mortar fire.
The death of this hero reminds us of how shamefully the Kurdish forces have been neglected by the West and that, despite their courage and superior fighting skills, they are often simply out-gunned by the well-equipped forces of ISIS/Daesh.
In memory of Kosta, we must demand of our government: Arm The Kurds!
Reblogged from Tendance Coatesy:
Avijit Roy, who has been killed in an attack in Dhaka at the age of 42, was a Bangladeshi-American blogger, published author, and prominent defender of the free-thought movement in Bangladesh.
Mr Roy rose to prominence though his prolific writing on his self-founded site, Mukto-Mona – an internet gathering of mostly South Asia free-thinkers, rationalists, sceptics and humanists founded in 2000.
He was a passionate atheist and an adherent of metaphysical naturalism – the school of thought that rejects the supernatural concepts and explanations that are part of many religions.
He was the author of numerous books, and had many articles published in magazines and journals.
In a conservative country like Bangladesh, his subject matter was often contentious, covering sensitive issues such as homosexuality – which he argued was inherent in nature – religious unbelief and cosmology.
Mr Roy’s followers argue that many of his secular ideas are in the tradition of the great Bengali writer Rabindranath Tagore, who died in 1941 and is often referred to as “Bengal’s Shakespeare”.
Some of the last books Mr Roy wrote, Obisshahser Dorshon (The Philosophy of Disbelief) and Biswasher Virus (The Virus of Faith), were critically well received around the world.
In the Virus of Faith he argues that “faith-based terrorism will wreak havoc on society in epidemic proportions”.
In one of his last published articles in the Free Inquiry magazine, Mr Roy wrote: “To me, religious extremism is like a highly contagious virus. My own recent experiences in this regard verify the horrific reality that such religious extremism is a virus of faith.”
He said in the article that a book he published last year “hit the cranial nerve of Islamic fundamentalists” and led to him being targeted by militant Islamists and terrorists.
It also led, he said, to a man openly issuing death threats against him on Facebook.
“Avijit Roy lives in America and so it is not possible to kill him right now,” Mr Roy quoted one threat against him as saying, “but he will be murdered when he gets back.”
The Independent reports,
Avijit Roy and his wife were returning from a book fair at Dhaka University on Thursday evening when they were attacked.
Witnesses told local media their bicycle rickshaw was stopped by two men who dragged them on to the pavement but police chief Sirajul Islam said the couple were ambushed as they walked towards a roadside tea stall.
Both accounts said at least two men with machetes started hacking at the couple as they lay on the ground.
The attackers then ran away, disappearing into crowds.
Mr Roy, believed to be in his 40s, was pronounced dead during emergency surgery at the Dhaka Medical College hospital and his wife, Rafida Ahmed Banna, lost a finger and is being treated for serious injuries.
Police found her severed finger alongside two machetes and a bag possibly belonging to the attackers at the scene
In Commemoration: Avijit Roy.
News From Bangladesh:
BD News 24.
Avijit’s killing stirs world media Mohammad Abu Bakar Siddique
The brutal killing of writer, blogger Avijit Roy in hand of machete-wielding assailants has created a shockwave in the global media.
The leading news organisations from around the world including BBC, Reuters, the Guardian, The New York Times, NDTV etc condemned the barbarous killing, bringing out detail of the attack.
BBC placed the news on the attack that left the Bangladesh-born US citizen dead and his wife also a blogger Rafida Ahmed Bonna, critically injured, as its lead on the following day, with the headline suggesting “US-Bangladesh blogger Avijit Roy hacked to death.”
The contributions of Avijit, a naturalised US citizen, particularly his activism for scientific knowledge and secularism through online and publications, his receiving threats from militants groups, the attack by the widespread protest against the killing and for arrest of the attackers, and the country’s context were mentioned in the BBC’s report.
The killing of the son of the country’s one of the most prominent professors Ajay Roy was covered Reuters, as “American blogger killed in Bangladesh machete attack,” the New York Times reported “Avijit Roy, Bangladeshi-American Writer, Is Killed by Machete-Wielding Assailants,” besides several other versions with updates.
Roy came to Dhaka for publication of his new books in the book fair around mid-February with his wife, and on the evening they fell under the attack in the TSC area in Dhaka University on the way back from the fair.
Avijit wrote a number of books on mainly philosophy, rationalism and science, in line with his activism, also in online, for secularism and freedom of expression, for which he had been receiving death threats since long, including the recent one when social media fanatics openly declared to kill him on coming home, family told media.
The UK-based the Guardian reported “American atheist blogger hacked to death in Bangladesh” mentioning the previously happened similar attacks on the free thinkers.
“American-Bangladeshi atheist blogger Avijit Roy hacked to death by suspected Islamist extremists,” wrote the UK based the Independent.
The Telegraph wrote: “Atheist US blogger hacked to death in Bangladesh,” while The Times headlined “Atheist US blogger hacked to death in Bangladesh”
CNN titled “Prominent Bangladeshi-American blogger Avijit Roy killed” where it detailed with the facts related to the killing and the shocks emerged from it.
It reported on the very attack in two more stories with title “American writer hacked to death in Bangladesh spoke out against extremists”, and “Blogger’s brutal death for speaking his mind.”
From the murder to the UN condemnation, the media all around the world are coming up with the follow ups as well.
The attack was widely covered in the media of neighboring India and Pakistan.
India’s NDTV and Pakistan’s Dawn among the prominent news media covered the story, his contributions, threats were mentioned.
These news media are also following the developments in Bangladesh and the world, in response to the attack, protest and condemnation that began in Dhaka.
The great musician and human being has finally succumbed: the following article was (obviously) written a few years ago. It’s a fitting tribute to this great musician, and also contains many words of wisdom that would-be jazz musicians should take to heart:
Clark Terry is one of the living legends of this music.
He has played with every big name in jazz over the last half-century from the likes of Count Basie, Duke Ellington, Thelonious Monk, Oscar Peterson, to Ella Fitzgerald…the list could go on forever. With such a rich performing career spanning over six decades, he continues to play with today’s top musicians and inspire up and coming improvisers.
During school, I was lucky enough to have an impromptu lesson with the trumpet master. One night after a rehearsal for a gig, Clark came in unannounced to the practice rooms at our school looking to impart some wisdom to some aspiring musicians. Before I knew it I was sitting inches from Clark Terry’s bell and he was teaching me a tune by ear.
That sound that I had listened to for years on record was coming out of a horn a foot away from me. It was an experience that I will always remember. I don’t know what was more impressive, the fact that I was sitting down with a jazz legend or that Clark, age of 89, came into the music school practice rooms around 10 at night to hang out with students for free.
Pretty amazing, but then again Clark Terry has been dedicated to educating young jazz musicians for decades. He mentored a young Miles Davis and encouraged Quincy Jones as he was starting out as an arranger and trumpet player. With a track record like that, it’s safe to say that he knows a few things about learning this music.
If you’ve ever had the opportunity to hear Clark speak or attend one of his master classes, you have probably heard him talk about his take on jazz articulation or about the history of the music as he lived it. One topic that he often talks about is how to approach learning improvisation. For Clark Terry, the art of learning jazz can be summed up into three words: Imitation, Assimilation, Innovation.
Clark explains this idea in about 20 seconds in the clip below:
Sounds pretty simple and straight-forward, right? The great thing is that this idea actually is simple and easy to comprehend, however when you get down to business, each step entails some serious in-depth study and dedicated practice time.
Imitation: Listening. Learning lines by ear. Transcribing solos. Absorbing a player’s feel, articulation, and time.
This is where it all begins.
Imitation is an integral first step in learning to improvise, but sadly, it’s often overlooked by beginners because scales and theory are immediately thrown in their faces. While you do need to have a solid understanding of music theory, the truth is that scales and chords, no matter how much you memorize them or run them up and down, aren’t going to magically turn into great stylistic improvisations full of long lines and interesting harmonies. To do that you need a model.
The great thing about jazz is that who you choose to imitate is entirely up to you. Maybe you dig a player’s sound and articulation, maybe an unconventional ii-V7 line catches your ear, or perhaps the way a soloist uses space in their phrases may be something you desire in your personal concept. Imitation is not relegated to only harmonic ideas or even to the players on your own instrument. If you like what you hear, learn it and incorporate it into your playing.
By imitating the players you love, you’ll begin to understand the music on a deeper level and begin to see a personal sound develop in your own approach to improvisation. Questions that can’t be answered by music theory or etude books, like how to play longer lines or how to articulate and swing, will reveal themselves as you start to imitate the masters.
Assimilation means ingraining these stylistic nuances, harmonic devices, and lines that you’ve transcribed into your musical conception. Not just mentally understanding them on the surface level, but truly connecting them to your ear and body. This is where the hours of dedication and work come in.
Get into the practice room and repeat these lines over and over again, hundreds of times, until they are an unconscious part of your musical conception. Take these phrases through all keys, all ranges, and all inversions. Begin slowly and incrementally increase the speed until you can easily play them. Don’t feel satisfied until you can play these lines in your sleep.
This is not an easy step to complete.
Many of us have taken a lick or pattern in one key and inserted it into our solos as an easy and quick way to sound hip. However, if you’re honest with yourself, it’s clear that this approach is really limiting your playing – not transforming it. Stealing a lick from a book of transcribed solos or learning a line in only one key is not going to cut it. You need to learn these lines and ideas from the record and work them out in all 12 keys. Practice them until you have them down cold and can execute them in the blink of an eye.
A great way to quickly internalize the lines and styles that you’re trying to absorb is to sing them. Sing the rhythms, accents, and the exact pitches so they are first ingrained into your ears – you can even do this outside of the practice room. Remember, when you’ve truly assimilated something, it’s ingrained to the point that you’ll never forget it.
Creating a fresh and personal approach to the music. Many young musicians want to skip to this step as soon as they start learning how to improvise. They want to have their own harmonic concept and a unique sound on their instrument right from the get-go. Without a model or in-depth conception of harmony and melody though, it will be much more difficult to create a truly unique approach.
Those who do not want to imitate anything, produce nothing.~Salvador Dalì
Innovation is the direct result of hours upon hours of imitation and assimilation. Take a look at the great innovators that this music has already seen. Each one spent countless hours studying harmony, solos, form, tunes, etc. in order to realize their own personal concept.
Woody Shaw studied the solos of Clifford Brown and Lee Morgan, and incorporated techniques idiomatic to the saxophone into his own improvisation. Coltrane mastered how to play over standards before he delved into the unknown with his quartet. Before you can change history and plot your own course, you have to know a few things about what preceded you.
The steps of imitation, assimilation, and innovation are not limited to “jazz” music. Take any style or concept that resonates with you and incorporate it into your playing through this process. You may like the harmonies of Ravel or the rhythms found in traditional Indian music. Listen to them, figure them out, analyze them, practice them, and finally use them in new and innovative ways in your improvisations.
Clark Terry’s legacy
Clark Terry is one of the masters of this music and a legendary trumpet player, but his legacy in educating young musicians is just as rich as his contributions on trumpet. Even at the age of 90, Clark continues to reach out to younger musicians and share his knowledge of what it takes to learn and live jazz. Everywhere that he goes, he is dedicated to passing on the tradition of this music to the players of today. Check out this video of Clark giving some words of wisdom to one of our friends and former classmates, Justin Kauflin:
The art of learning to improvise lies in three words: Imitation, Assimilation, and Innovation. Take it from Clark Terry, a master who has lived this music and knows what it takes. If you dedicate yourself to this process, you’ll see improvement in your playing immediately and you’ll be on track to becoming the player you’ve always wanted to be.
Brian Parsons died on Saturday morning, after a long illness (a brain tumour).
Brian had been very politically active in the 1970s and was, briefly, associated with the libertarian-left group Big Flame. He was also a great champion of a wide range of music and pioneered appreciation of what became known as “world music” by means of his Bongo-Go disco (with occasional live sessions), which for many years were a hugely popular feature of Birmingham night-life, at the Moseley Dance Centre. He also supported live jazz and blues: I last saw him about a year ago at a gig featuring the Kinda Dukish Big Band – apparently he’d long been a passionate enthusiast of the music of Duke Ellington and Billy Strayhorn – something I’d never realised.
Meanwhile, he never lost his political commitment and remained a friend of equality and justice all his life.
So long, old friend and comrade!
H/t Terry Lilly
In memeory of Jimmy Ruffin, May 7 1936 – Nov 17 2014
The Council Collective performing the extended version of Soul Deep live on Channel 4’s The Tube, 14th December 1984 at the studios of Tyne-Tees Television in Newcastle Upon Tyne. In aid of the striking miners this single featured Paul Weller, Mick Talbot, Dee C. Lee, Jimmy Ruffin, Junior Giscombe, Dizzy Hites and Vaughan Toulouse.
In memory of Comrade Jim Padmore, who’s died aged just 47. This was selected by Comrade Dave Kirk:
Dave Kirk: I was shocked when I could not find a video of this famous speech in its entirety. So here it is! Tom Joad: Henry Fonda Ma Joad: Jane Darwell
Jim Padmore, a good friend of mine through politics has died at the young age of 47.
He was one of the most commited and educated Marxists i know. He was at every picket line, demo and meeting he could make. Yet its the stuff like after meeting drinks, the books he leant me and getting nostalgic and sun burnt with him at Durham miners Gala last year that i remember.
I will be at his funeral singing the Internationale with Pride in the memory of a great class fighter and a good mate.
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I don’t know anything about him, beyond what the obits say.
The Graun says this:
“He was born Alan Clarke in Oldham, Lancashire. His father was a stained-glass window maker and his mother a secretary. On leaving school at 15, he took a job as a copy boy on the Manchester Evening News, but he wanted to become an actor and performed with amateur companies. He also worked at Huddersfield Rep. When, aged 18, Clarke took the role of Huckleberry Finn in Tom Sawyer at the Liverpool Playhouse (1965), he was one of the few cast members to emerge unscathed from the Guardian critic’s review, which noted that he “plays him with placid deliberation … against the surrounding cacophony, but the style is right”. Clarke then turned professional.”
But – bloody hell – sixty seven! That’s just seven years older than me …
He seemed like a good bloke.
His character in Dalziel And Pascoe introduced me to single malts
We carried a piece honouring Comrade Tom shortly after his death in August. But this appreciation, which also appears in the AWL’s paper Solidarity, is the best and most politically astute article about Tom I’ve yet seen. It is also very moving and the author, Mick O’Sullivan, was probably Tom’s oldest and closest political friend. I’m proud to be able to post it here at Shiraz, with the author’s unhesitating agreement:
I knew Tom as a friend and comrade since the early
Tom was someone who had a hinterland; his interests
spanned good whiskey, particle physics, a love of Sean
O’Casey’s plays, modernist architecture, and an encyclopaedic
knowledge of schisms in the Catholic Church,
which quite frankly bemused me. Tom was a very rounded
person and a very humorous one.
But I want to say something about Tom the public man.
Tom was a Marxist, an atheist and trade unionist who dedicated
his life to the working class and had an unwavering
conviction that socialism was the only hope of humanity.
Tom’s main arena of activity was within the unions and
in particular the T&G [later Unite].
Although he was active in the 1970s, his misfortune was
to come of age when the union movement was in decline.
That, however, was the movement’s gain. It meant much of
his activity was about holding the line; he did this by explaining
to those who had forgotten, and those who had
never known, what a trade union should do, and how a
trade unionist should conduct themselves.
He often made the point to me that there were no shortcuts,
no tricks to this, all we can do is talk and explain.
What I think gave his approach such a sharp edge was his
decision to consistently tell the truth. Now some may say
so what, what’s the big deal about telling the truth? Well,
all I can say is, you try it inside a trade union.
Talking, explaining and saying what needs to be done
next is what Tom did, and others will testify to his importance
within the T&G and its left.
However Tom was also vilified for his views. While we
often joked about this, the wellspring of this enmity towards
him arose from what he stood for.
If you think about it, there were always going to be those
who did not like the fact he was principled, that he fought
against Stalinist influence within the union, that he was incorruptible;
the idea that a trip to Cuba or America would
turn his head and him into someone’s creature was never
going to happen, although I have seen people try. On the
most mundane of levels there were those who resented
him because he always turned up to meetings having read
the paperwork, and they had not.
For all these reasons people kicked against Tom, yet in all
the years I knew him I never once heard him get angry
about such people; his duty was to explain. His political
enemies and comrades were a different matter. He was always
ready to have the argument.
Of course there are many trade unionists with similar
qualities. However no-one exhibited these qualities in quite
the same way or with quite the same mix as Tom.
In our world where we measure our actions and our victories
in a lower case, Tom played a huge role in holding
the movement together and provided real insights in how
we should rebuild it.
I cannot think of anyone who has acquitted themselves
in our cause with greater dedication. As for me
I have lost a dear friend and the staunchest of comrades
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My friend Victor
Guest post by Mick Rice
Above: Saltley Gates mass picket, 1972
Vic Collard was a friend of mine. We met in the late 1960’s when the heady days of revolt embraced the young. I was a “child of 1968” when the French events demonstrated that different politics were possible. Vic was 10 years older than me and a worker intellectual of the finest calibre. As well as being widely read he was also an AEU Shop Steward! There could have only been a handful of AEU Shop Stewards who knew about Marshall McLuhan never mind being conversant with his theories. Vic knew about the Frankfurt School. He was deeply interested in philosophy and psychology. He knew about Wilhelm Reich and Herbert Marcuse.
How much different the world might have been if the Left had concentrated on perfecting the “Orgone Box”! It has, unfortunately, so far, been singularly unsuccessful in promoting world revolution.
Vic once confessed to me about his role in the Second World War. I thought I was going to be entertained by a humorous Spike Milligan type – Adolf Hitler-My role in his Downfall – story. But Vic was ashamed of his behaviour. He had gone out, with a relative, for a walk by the canal. He must have been 5 or 6 years old. Alongside the towpath a group of German prisoners-of-war were clearing overgrown vegetation. Vic, our intrepid Brit, took a run at the first German POW and kicked him in the shins. No doubt thinking the juvenile equivalent of: “Take that you dirty Hun!” The Dandy and other boys’ comics of the time have a lot to answer for as they, of course, were bastions of British Imperialism. Vic had not yet read Marx.
The poor prisoner was probably just a conscripted German worker. However, if Vic felt that he had something to atone for, he certainly made up for it in later years. In the early 1970s the Birmingham East District Committee of the AEU was considering submitting motions to the union’s National Committee. One branch had sent in a motion supporting the boycott of goods to Pinochet’s Chile. If I remember right a Scottish factory with AEU members had already blocked the export of vehicles. Ted Williams, the leading right-winger, was pouring scorn on the motion. “These do-gooders want to interfere with international trade”, he thundered. “They risk putting in jeopardy AEU jobs”. Normally the later point was the ace that floored left-wing opposition as “AEU jobs” was paramount.
Vic played a blinder which completely changed the meeting. “No doubt”, said Vic, “If Brother Williams had been a member of this committee in the 1930s’ he would have been in favour of exporting Gas Chambers to Hitler’s Germany so long as they were made by AEU members”. Yes Vic was great with words and great at thinking on his feet.
Another time the full time officer was singing the praises of equality as he proudly told us he had negotiated an agreement to allow women to work night shifts! Vic had to point out that we wanted equality up and not equality down as working nightshifts was bad for men. It could not be regarded as a giant leap forward for womankind that they were going to be subjected to the same anti-social, unhealthy working patterns!
In the mid 1960’s Vic and his friend Geoff Johnson, were members of the “Labour Loyalist” group. They would go around meetings campaigning for an end to Incomes Policy which had been introduced by the Labour Government. Of course their intention was to be entirely disloyal to the Labour Government of the day. Calling themselves “Labour Loyalists” confused their opponents and, as they explained to me, it was really the Labour Government that wasn’t being loyal to the workers! A neat strategy that put Labour apparatchiks on the back foot! Read the rest of this entry »
Despite his later reputation as a ‘luvvie’, Attenborough could do menacing, as in his role as Pinkie in John Boulting’s noirish/expressionist film adaption of Graham Green’s ‘Brighton Rock’ (1947):
Note also the presence of William Hartnell, who went on to become the first Doctor Who.
AT HIS PEAK
Attenborough established his first production company, Beaver Films, with friend and writer Bryan Forbes. Their first film, ‘The Angry Silence’ (1959), gets to the heart of Attenborough’s contradictions as a man. A long time socialist and union supporter, Attenborough not only made a sympathetic film about a man crossing a picket line, he made it by bypassing film union regulations with a system of deferred payments and profit sharing. For Attenborough there were no contradictions. He was a champion of the individual against oppression and exploitation, whether by socialists or anyone else, and the film reflects this. On the money front, ‘The Angry Silence’ went on to be a hit for the company and all involved. Beaver was wound up in 1964 but not before the company had produced the classic ‘Whistle Down The Wind’ (1961). Attenborough worked tirelessly for the muscular dystrophy campaign and many other charities.
The Guardian reports, here
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