Last Friday’s Guardian carried a piece by Education editor Richard Adams headlined “Ofsted Inspectors upgrade Birmingham school in ‘Trojan horse’ scandal to good”.
The piece begins “The school at the centre of the Trojan horse scandal has been given a clean bill of health by Ofsted inspectors, two years after allegations of an Islamist plot to infiltrate education made national headlines.”
The inattentive reader could be forgiven for thinking that it has now been shown that there was no Islamist plot and the allegations against senior teachers and governors at the school have been disproven. It is only when you read on, that it becomes apparent that Adams is writing about the school as it now is, under a new leadership team, the previous Islamist leadership having been removed. Even so, Adams feels it necessary to throw in one of his typical weaselling half-truths: “allegations of a city-wide plot were never substantiated and are thought to be a hoax.”
It’s time the facts of the ‘Trojan Horse’ affair that have been established beyond reasonable doubt (sources can be checked on Wikepedia, from which I’ve drawn extensively) were set out clearly, if only to counter the torrent of downright lies, half-truths and obfuscation that continues to emanate from Mr Adams, the SWP and elements within the NUT.
The ‘Operation Trojan Horse’ letter was leaked to the press in early March 2014. It is an anonymous document, purporting to be from an Islamist in Birmingham, advising a fellow Islamist in Bradford, on how to take over schools and impose an Islamist agenda. Early on, most informed commentators expressed the opinion that the letter was probably a fake, created by someone who wished to draw attention to alleged Islamist influence in Birmingham schools.
The author of the letter claimed responsibility for installing new headteachers at four schools in Birmingham, and identified 12 others in the city which would be easy targets due to large Muslim attendance and poor inspection reports. It suggests encouraging parents to complain about a school’s leadership with accusations of sex education, forced Christian prayer and mixed physical education, with the aim of obtaining a new, Islamist, leadership. It was also suggested that once successfully taken over, schools should apply for Academy status so as to have a curriculum independent of the Local Education Authority. The author described the plan as “totally invisible to the naked eye and [allowing] us to operate under the radar”.
Despite widespread doubts about the provenance of the letter, Birmingham’s education commissioner Sir Mike Tomlinson stated his belief that what the letter described was happening “without a shadow of doubt”. Read the rest of this entry »
The ‘Panama Papers’ is without doubt the biggest and most important story (so far) of the century, and Shiraz will be keeping a sharp eye, in particular, on how Putin’s fans and apologists on the supposed “left” deal with it. The Mossack Fonseca documents were initially passed to the German newspaper Süddeutsche Zeitung, which then shared them with the International Consortium of Investigative Journalists. The fact is that the Guardian is just one among 109 media organisations in 76 countries that have helped break the story – which makes this message from Deputy Editor Paul Johnson a bit of a damn cheek. I don’t think I’ll be sending them any money just yet:
The “Panama Papers” is the biggest leak in history: 11.5m documents – which would take one person 27 years to read – describing in the finest detail, for the first time, how rivers of money are moved around the world, hidden from sight by secret offshore banking operations.
The scale of the story is staggering: inside those papers 113,000 shell companies were discovered – helping hundreds of national leaders, politicians, celebrities and business people hide their money.
If the scale of the leak was enormous, the journalistic effort to bring it to full exposure was just as big: 370 journalists from 70 different countries worked in an unprecedented scale of co-operation. At the Guardian, we had five journalists dedicated to the investigation for six months, in conditions of tight secrecy, working through the dozens of stories and an exhaustive legal process.
Readers can support such journalism by making a financial contribution to the Guardian. Make a contribution here.
Today’s investigation has created a much-needed worldwide debate about tax and fairness. There are another four days of stories to come. We think they are of vital public importance. We hope you agree.
Thank you for your support and for reading the Guardian.
Paul Johnson Deputy Editor, Guardian News and Media
1) Concerning your passage:
“…If much of Quilliam’s – and now Cameron’s – positioning reflects Nawaz’s own journey, it’s reasonable to ask how representative his experience has been. Hizb-ut Tahrir, which does not advocate violence, sees the creation of a new caliphate as the solution to the Muslim world’s problems.”
Unfortunately, as has become a habit with your paper, you are too soft on Hizb ut-Tahrir (HT) here. It is true that HT does not advocate terrorism. However it is not true that it does not advocate violence. All terrorism is violent, but not all violence is terrorism.
HT’s aims to come to power via military coups, these are inherently violent, even if non-terrorist, acts.
“(This would) normally be done by the Party seeking to access the military in order to take the authority…After this the military would be capable of establishing the authority of Islam. Hence a coup d’etat would be the manifestation of a political change…” (The Method to Re-establish the Caliphate and Resume the Islamic Way of Life’, Members of Hizb ut-Tahrir in Britain [al-Khilāfah Publications], pp. 105-6.)
Once in power, pretty much like ISIS, which is a group HT’s ideology played a large part in inspiring, HT advocates the use of state orchestrated massacres to further its aims.
“Hence, it is imperative to to put back this issue in its rightful place and consider it to be a vital issue, by killing every apostate even if they numbered millions”. (Abdul Qadeem Zalloom [2nd global leader for HT], How the Caliphate Was Destroyed, Khilafah Publications, p.193)
2) Concerning your passage:
“Nawaz’s powers of verbal persuasion are something even his detractors concede. There’s a strong line to take in every answer. But equally, there’s very little sense of being open to persuasion himself.”
Indeed, I must be very unopen to persuasion. This must be why – despite the fact that it cost me my marriage, proper access to my son, my home and most of my friendships – I changed my mind after nearly 13 years inside HT’s leadership, and I left that group.
3) Concerning your passage:
“Perhaps this is the Hizb-ut-Tahrir training at work, a training he says involved sitting in meetings “concocting rebuttals as defensive mechanisms’.” Read the rest of this entry »
The Daily Express appear to have deleted a story suggesting that 1.5 million British Muslims support terror group Islamic State — based on polling which apparently did not ask respondents their religion or state clearly that ISIS was a terror group.
The headline for the online version was …
“Half of British Muslims ‘support ISIS’ as fears grow over influence of terror group”
… with the strapline:
“HALF of Britain’s three million Muslims could support the Islamic State terror group, a shocking new survey has revealed.”
While Scrapbook cannot locate the new polling, the 2014 ICM surveyon behalf of Russian news agency Rossiya Segodnya only asked a single question about ISIS — which used a formulation recently condemned precisely because it conflates the beheading enthusiasts with a legitimate nation state:
“From what you know, please, tell me if you have a very favorable, somewhat favorable, somewhat unfavorable or very unfavorable opinion of the Islamic State of Iraq and the Levant otherwise known as ISIS?
When CNN International reporter Lucy Pawle stepped out of a store in London’s West End she could not believe what she was seeing. As a dutiful journo, she got out her phone and snapped away then placed a call to her station. Shortly after she was on the air breathlessly reporting her find; a black ISIS flag was on the London Gay Pride Parade! And no one seemed to have noticed!
Not being a mug, not at all, Pawle wondered if it might be that British sense of humour she’d heard so much about as the lettering appeared to be “gobbledygook”.
The CNN anchor then brought on the ‘security expert’ Peter Bergen who pondered why an ISIS flag would be there when the group hurls gays off buildings.
Pawle should have looked closer. No, scratch that, she should have used her brain. No, scratch that, her editor and the anchor and the ‘security expert’ all need eye tests.
The flag is a parody with the ‘lettering’ being images of dildos and other sex toys. I have no idea who made it and what they were trying to say (will update if I find out) but I can guess. I think they were trying to say FU to ISIS.
About an hour after the report went out and Pawle had started to get laughed at on Twitter the video got taken down by CNN, but Mediate have a copy.
Personally I think the flag parody looks hilarious and I guess that those who saw it did too since no one appears to be complaining. But I can see how some might think it disrespectful or something.
What do you think?
Edit: The artist behind the flag has now been tracked down. The non-anonymous Paul Coombes told PinkNews “the flag of ‘Dildosis’, a conceptual organisation he has set up as a counterpoint to ISIS, established for the advancement of an ecstatic state”.
A number of prominent individuals from the British film and arts world have signed a letter, published in yesterday’s Guardian, calling on cinemas to boycott the London Israeli Film and Television Festival:
The festival is co-sponsored by the Israeli government via the Israeli embassy in London, creating a direct link between these cinemas, the festival screenings and Israeli policies. By benefiting from money from the Israeli state, the cinemas become silent accomplices to the violence inflicted on the Palestinian people. Such collaboration and cooperation is unacceptable. It normalises, even if unintentionally, the Israeli government’s violent, systematic and illegal oppression of the Palestinians.
The signatories – some of whom are Jewish – include Peter Kosminsky, Mike Leigh, John Pilger, Ken Loach and Miriam Margolyes.
“Our festival is a showcase for the many voices throughout Israel, including Arab Israelis and Palestinians, as well as religious and secular groups. These are highly talented film-makers and actors, working together successfully, to provide entertainment and insight for film and television lovers internationally.
“Freedom of expression in the arts is something that the British have worked so hard to defend. An attempt to block the sharing of creative pursuits and the genuine exchange of ideas and values is a disappointing reaction to a festival that sets out to open up lines of communication and understanding.”
There are, I would suggest, two problems with the boycott call. First, it is based on confusion between the Israeli government and the Israeli state. Clearly, the two are not entirely separate but a distinction can be made between the government (that is the policy making executive) and the state more generally. The state obviously includes some institutions that socialists would wholeheartedly oppose: the military (as we do that of any other state, including our own), Mossad and institutions that reflect religious particularlism.
The Israeli state prioritises the rights of Jewish Israelis over Arab Israelis (and many other states, including Britain, have racist biases), but there are many things that the Israeli state does that are not directly linked to this, such as arts funding. To a degree, arts funding reflects the character of the state which is often not good (and this includes the British state). Nonetheless, many of those on the list are happy to take funding from the British state. So looking down the list: Mike Leigh for many years made dramas for the state-funded and ultimately stated-controlled BBC, and currently has a production of The Pirates of the Penzance running of the English National Opera (state funded through the Art Council); John Brissenden works for the state (Bournemouth University) and presumably accepts its funding for his PhD; Gareth Evans works curates at the Whitechapel Gallery which receives state funding, again via the Arts Council. I am sure the similar points could be made about most of the signatories.
No doubt the boycotters would reply that they are not “silent accomplices” of the state (as those participating in the London Israeli Film and Television festival are styled in this letter), and their work is not a form of “collaboration” with it. They would argue, I guess, their work is not compromised by this funding, or at least that they fight against the states restrictions: is a reasonable defence. The arts and academic research frequently rely on a degree of support from the state, and this is in many ways preferable to the being reliant on the free market. But it would appear that the boycotters are not prepared to extend the same arguments to Israeli film makers whose work would be unlikely to be seen in this country without the sponsorship of the Israeli arts establishment (which means state support). The boycotters accept the sponsorship of their own (racist, militarist etc.) state but do not think that others (or uniquely, those in Israel) have the right to do the same.
The second question is: what are these people boycotting? The point is not whether anyone who opposes the policies of the Israeli state in Gaza and the West Bank would agree with all of the films being offered here. A socialist and consistent democrat should never be a left-wing censor allowing only views that they endorse to be aired. The only possible grounds for a supporter of free speech to oppose a cultural festival such as this is that it constitutes propaganda that is the cultural front of oppression (and even then, calling for it to be boycotted would be questionable approach). Looking at the brochure for the festival it is clearly not such a form of propaganda – even Fauda, a drama about Israeli undercover commandoes targeting a Hamas militant, runs with the current fashion of moral ambiguity rather than being a gung-ho adventure.
Other items on the programme more obviously address the human dimension of the Israeli-Palestine conflict (Dancing with Arabs, East Jerusalem/West Jerusalem) and the influence of religion on aspects of Israeli life, although many other offerings are more mainstream films and TV dramas.
It is certainly possible to criticise both the selection of material to be shown at the festival and the Israeli media industry behind it since there are no films, as far as I can see, made by Arab-Israeli film makers. But this is hardly the point. Rather, those who call for a boycott demand (it would seem, uniquely) that film makers from Israel should only be allowed to show their productions in Britain if they do so without any association with the state in which they live. Given the nature of cultural production and its reliance on state support, this is a call for a boycott of all but the most independent of film and TV producers and, in reality, amounts to a total boycott of all Israeli films and art. It is a ridiculous, reactionary stance that will do the Palestinian cause no practical good whatsoever, while alienating mainstream Jewish opinion in Britain and fuelling an insidious form of anti-Semitism that is becoming more and more “acceptable” in British liberal-left Guardianista circles. In truth, this boycott call (like the entire BDS campaign) only makes political sense if you wish for the ‘delegitimisation’ and, indeed, destruction, of the Israeli state: something that most of the signatories would, I’m pretty sure, deny they advocate.
Rima Karaki is a Lebanese TV host who isn’t afraid of a fight.
Things got heated Monday when Karaki was interviewing Hani Al-Seba’i about the phenomenon of Christians joining Islamic groups like ISIS. Al-Seba’i is a Sunni scholar who fled to London after he was sentenced in an Egyptian court to 15 years in prison for being a part of the Egyptian Islamic Jihad. The United Nations considers the group to be an affiliate of al Qaeda.
But despite Al-Seba’i’s extreme ties, Karaki didn’t back down when he disrespected her on Al-Jadeed TV after she politely tried to redirect his historical tangent. Instead of taking his guff, she cut off his microphone when she decided she’d had enough.
The video was shared by MEMRI, a Middle East media watchdog [sometimes accused of being unreliable because of its pro-Israeli stance – JD].
To give you some context, here is a comment Al-Siba’i made on Al Jazeera TV in the wake of Osama Bin Laden’s death.
“Let me tell you: I love Sheikh Osama bin Laden as a Muslim. I am not glorifying or extolling anything. I am simply telling it as it is – Sheikh Osama is loved by millions of Muslims. Sheikh Osama is a hymn in the hearts of the downtrodden – from Jakarta to the Hindu Kush Mountains, to the villages and rural areas of Egypt… Ask those downtrodden and poor people, and they will tell you that they are grieving for Sheikh Osama bin Laden.
Sheikh Osama bin Laden fought occupation forces. He never killed civilians, and he never said he did. On the contrary, he extended his hand in peace to Europe and the West, and they were the ones who rejected it.”
Karaki, for her part, is a strong female figure in a country where women’s rights are still commonly ignored. Human Rights Watch released a 114-page report in January called “Women’s Rights under Lebanese Personal Status Laws” that found that women were not considered equals, especially when it came to divorce.
“Not only are Lebanese citizens of various religions treated unequally under the law, but women are treated unfairly across the board, and their rights and security go unprotected. Passage of an optional civil marriage code, alongside badly needed reforms to existing personal status laws and religious courts, are long overdue.” -Nadim Houry, deputy Middle East and North Africa director
It’s quite surprising that Karaki is not more of a household name. Before she made it in TV, she held a successful position at Lebanon’s central bank. In a recent interview with Fit’n Style magazine, she said her family considered her move to media “an irrational act.”
Her ethos seems to be one of power and strength, as demonstrated in the Al-Seba’i interview.
Some accuse me of being “disrespectful,” since I was the only one to omit my guests’ titles and address them with their first names no matter who they were; I see it as more respectful in fact because we don’t need all the poetry to introduce them.
Others say that I have no limits in my questions; I see this as an added value. Some say that I am not objective; I call it honesty. For those who describe me as “Not being loyal to or not following any political group,” I see it as cleanness.
Karaki is setting an example not only for Lebanese women, but for everyone in the media who could use a refresher on practicing what they preach.
Zineb El Rhazoui, a surviving columnist at Charlie Hebdo magazine who worked on the new issue, said the cover was a call to forgive the terrorists who murdered her colleagues last week, saying she did not feel hate towards Chérif and Saïd Kouachi despite their deadly attack on the magazine, and urged Muslims to accept humour.
“We don’t feel any hate to them. We know that the struggle is not with them as people, but the struggle is with an ideology,” she told BBC Radio 4’s Today programme.