I’m not Owen Jones’s biggest fan, but on this occasion I can completely understand his anger and frustration at the refusal of Sky News presenter Mark Longhurst to recognise this as a homophobic attack. Longhurst told him “you cannot say this is a worse attack than what happened in Paris”, which Jones did not say. Eventually, Jones walked out, and good for him:
The US Socialist Worker (no longer related to the UK organisation/paper of the same name) at least makes an attempt at a serious analysis, but is not entirely coherent and verges, towards the end, on a version of “blow-back”.
Donald Trump is all too predictable … and loathsome.
Owen Jones explains himself at greater length here
Leave.EU has wasted no time in cashing in:
The letter below appears in today’s Morning Star. The author, Mary Davis, is Professor of Labour History at London Metropolitan University, a former member of the University and College Union national executive and the TUC women’s committee. She is also a member of the Communist Party of Britain’s executive committee and the party’s national women’s organiser:
Dodgy Livingstone has no place in the Star
I AM writing to protest against the decision to give Ken Livingstone a regular column in the Morning Star (May 28).
I think that at the present time this is a very impolitic move on the part of the Star in view of Livingstone’s suspension from the Labour Party and Shami Chakrabarti’s inquiry into anti-semitism.
I do not know anyone who approves of Livingstone’s “Hitler supported Zionism” remarks (repeated at least twice and based on Lenni Brenner’s spurious and ahistorical evidence).
This doesn’t mean that I support John Mann’s outrageous tactics; but the issue is important in itself and one to which our paper should show great sensitivity in view of our alleged opposition to anti-semitism.
It would appear judging from his opening comments in last weekend’s paper, that Livingstone is grateful to our paper as being the only voice on the left open to him.
How will this go down among our friends on the Labour left? (I certainly do not regard the entire Labour Party as anti-semitic — the Tories win the accolade for this).
It is thus hugely embarrassing on our paper’s part to offer Livingstone this lifeline at the present moment and serves to muddy the waters among our allies while at the same time detracting from our own stated opposition to anti-semitism.
Livingstone has not been a friend of this paper in the past. He and the group supporting him did not support former Star editor John Haylett when he was wrongly sacked and furthermore he has a chequered history of making injudicious comments bordering on the anti-semitic.
I, as a communist and a Jew, am personally affronted by the privileged treatment he is receiving. I can only hope the decision to offer him a column will be reversed.
Muhammad Ali has lost his last fight, but he went down with the courage that characterised his entire life. He is now mourned and celebrated as the athlete of the century and a hero by the media and politicians in the United States and throughout the world – very often the same people who in the 1960s and ’70s villified him for his opposition to the Vietnam war and for his radical black politics. He died a celebrity, and he richly deserved his fame. But it is a bad habit of our age merely to celebrate celebrity.The late Mike Marqusee‘s Redemption Song (Verso, 1999) is by far the best book dealing with Ali’s social and political significance. Marquesee wrote:
We should look at how his celebrity was established and what it means. And I do not believe that his fame rests only on what he achieved in the ring – although if you are a sports fan you have to be awed by that. More important was what he achieved outside the ring.
We must re-insert Ali in his historical context, and that means principally his relationship to the great social movements of the 1960s. The young Cassius Clay was very much a typical patriotic, Cold War chauvinist. Representing the US in the Rome Olympics of 1960, at the age of 18, he won a gold medal in the Light Heavyweight division. And to commemorate the victory he published his first poem:
To make America the greatest is my goal,
So I beat the Russian, and I beat the Pole.
And for the USA I won the medal of Gold.
A crude start for someone who would travel a long way in the next few years. The key to understanding Ali’s movement away from this unexamined national chauvinism is the impact of the civil rights movement of the first half of the 1960s. In the years between 1960 and 1965, hundreds of thousands of young black people from precisely Muhammad Ali’s background – from working class homes in Southern American cities – took to the streets to challenge Jim Crow, America’s version of Apartheid, and to challenge a century of institutionalised racism of a type we can barely imagine today.
At one point it was estimated that 60% of all black college students from across the South were directly involved in this mass movement. And a terrible price was paid – some were murdered, many were beaten, huge numbers were arrested. It was one of the great battles of our era. Ali was driven by the same social forces which drove his contemporaries into the streets; but he was driven in a different direction. His response to all-pervasive racism was different because – after his Olympic triumph – he met the Nation of Islam (NoI) in the streets of Miami.
Over the next few years, as a promising Heavyweight contender, travelling around the country, fighting his way up the ladder, looking for a title shot, he met many more Muslims. Most famously he met Malcolm X and formed a friendship with him. Through the NoI, this young, quite uneducated man encountered the tradition of black nationalism whose origins go back to the beginnings of the twentieth century and which flourished under Marcus Garvey. Black nationalism had enjoyed a kind of underground existence up to this point and when Cassius Clay encountered the NoI in the early ’60s it was the longest standing, wealthiest, best-organised black nationalist organisation in America (albeit a nationalism of a peculiar kind). Clay kept his interest in the NoI secret – if it had become public he would never have become the Heavyweight champion, he would never have had a chance to face Sonny Liston in the ring and we would not be discussing him today.
He got a title shot in 1964, in Miami, against Liston, who was said to be unbeatable. To the world’s surprise, at the age of 22, Cassius Clay did beat Sonny Liston and became the World Heavyweight champion. Instead of going to a big party at a luxury downtown hotel, as was expected of newly-crowned champions, Cassius Clay went back to the black motel, in the black area of Miami – at that time, effectively a segregated city – and had a quiet evening, without any drink, discussing what he would do with the title he had just won, with his friends, Malcolm X, Sam Cooke, the great gospel and R&B singer, and Jim Brown, a famous US football player who later became an actor. The next morning, after these discussions, Cassius Clay met the press – which in those days was exclusively white and male – and told them, “I don’t have to be what you want me to be, I’m free to be what I want.” In retrospect that doesn’t sound like a big deal, but, at the time it was earthshaking. Firstly because sportstars, and particularly young black sportstars, were expected to be what they were told to be; secondly because what Cassius Clay wanted to be was a public member of the NoI – probably the most reviled organisation in America at the time. And at his side was Malcolm X – probably the most reviled individual in the US at the time. In announcing his embrace of the NoI Cassius Clay was repudiating Christianity, in a predominately Christian country, at a time when Islam was an exotic and little know faith in America. He was repudiating the integrationist racial agenda, in favour of a separatist agenda, at a time when the Civil Rights movement, led by Martin Luther King, for whom “integrationism” was a central shibboleth, was at the height of its prestige and power. So Cassius Clay angered both the white and the black liberals – and, most importantly, he was repudiating his American national identity in favour of another national identity, that of a member of the Nation of Islam, a nation whose borders had nothing to do with the borders of the US.
Up till this time, no black sports star or celebrity had attempted to do or say anything like this without being crushed – as had Paul Robeson and WEB DuBois in an earlier generation. This stand was widely seen as a terrible tragedy for the young fighter. After all, he had the world at his feet and here he was, embracing an unpopular cause, thereby narrowing down his appeal. Or so it was thought. The reality is that by joining the NoI and redefining who he was, Clay was walking into a new world – ultimately presenting himself to an international constituency – which changed what he meant to people all over the world and which changed his destiny inside and outside the ring.
Shortly after the fight he went to New York and was seen everywhere with Malcolm X. But only a week later Malcolm X announced his departure from the NoI, his famous break with Elija Muhammad. Ali chose to stick with the NoI, and renounced his friendship with Malcolm. Why Cassius Clay did this is an interesting question. Malcolm was moving in a more political direction, away from the conservative and quietistic side of the NoI, towards a direct battle against racism. Ali – who had just been renamed as Ali by Elija Muhammad – was looking for a refuge from racism, and that was what he had found in the NoI. Ali was, ironically, trying to avoid political engagement by sticking to close to the NoI and staying away from Malcolm.
But the 1960s did not allow Ali the luxury of avoiding politics. As the years went by he was drawn deeper into political controversy. Ali went to Africa in 1964, at a time when no American sportstar – of any colour – had even noticed that continent’s existence. He went to Ghana where he was greeted by the President, Kwame Nkrumah, famous anti-colonialist and founder Pan African movement. Nkrumah was the first head of state to shake Ali’s hand. It was to be another eleven years before a US President would deign to shake Ali’s hand (since then, of course, they all want to shake his hand). In Ghana tens of thousands poured out to welcome Ali. They chanted his new name. Observers on this trip say that this was the moment Cassius Clay really became Muhammad Ali. Why did so many Ghanaians came to greet him – after all very few spoke English, almost none had access to a television? Why did they come to see Ali? First, boxing was popular there.
The Heavyweight championship of the world was a pretty transparent idea and people were pleased that such an eminent figure had recognised their newly independent country. More importantly, Ali was a an African American world champ who had repudiated his American identity and taken on an Islamic name and embraced his African patrimony. The Ghanaian masses knew that this was something new and exciting. They understood the meaning of this transformation long before it became apparent to American commentators.
The impact of this trip on Ali was tremendous. It was during this trip that Ali came to understand that he was accountable to a broader, international constituency, a constituency of the oppressed, and this new sense of accountability was to guide him over the next turbulent decade.
The test of his new identity came over Vietnam. By early 1966, the US was finding it difficult to impose its will on the Vietnamese and the draft call was expanded; the Heavyweight champion of the world was reclassified as 1A, eligible for military service. Ali was told the news at a training camp in Miami and, badgered all day by the press, he came out with the line: “I ain’t got no quarrel with them Viet Cong.” It may have been a spontaneous remark, but he stuck to it over the following years and even turned it into a poem:
Keep asking me, no matter how long,
On the war in Vietnam, I’ll still sing this song:
I ain’t got no quarrel with no Viet Cong.
At the time the critics asked: what does Muhammad Ali know about Vietnam? Read the rest of this entry »
By Champagne Charlie
Last Friday’s Guardian carried a piece by Education editor Richard Adams headlined “Ofsted Inspectors upgrade Birmingham school in ‘Trojan horse’ scandal to good”.
The piece begins “The school at the centre of the Trojan horse scandal has been given a clean bill of health by Ofsted inspectors, two years after allegations of an Islamist plot to infiltrate education made national headlines.”
The inattentive reader could be forgiven for thinking that it has now been shown that there was no Islamist plot and the allegations against senior teachers and governors at the school have been disproven. It is only when you read on, that it becomes apparent that Adams is writing about the school as it now is, under a new leadership team, the previous Islamist leadership having been removed. Even so, Adams feels it necessary to throw in one of his typical weaselling half-truths: “allegations of a city-wide plot were never substantiated and are thought to be a hoax.”
It’s time the facts of the ‘Trojan Horse’ affair that have been established beyond reasonable doubt (sources can be checked on Wikepedia, from which I’ve drawn extensively) were set out clearly, if only to counter the torrent of downright lies, half-truths and obfuscation that continues to emanate from Mr Adams, the SWP and elements within the NUT.
The ‘Operation Trojan Horse’ letter was leaked to the press in early March 2014. It is an anonymous document, purporting to be from an Islamist in Birmingham, advising a fellow Islamist in Bradford, on how to take over schools and impose an Islamist agenda. Early on, most informed commentators expressed the opinion that the letter was probably a fake, created by someone who wished to draw attention to alleged Islamist influence in Birmingham schools.
The author of the letter claimed responsibility for installing new headteachers at four schools in Birmingham, and identified 12 others in the city which would be easy targets due to large Muslim attendance and poor inspection reports. It suggests encouraging parents to complain about a school’s leadership with accusations of sex education, forced Christian prayer and mixed physical education, with the aim of obtaining a new, Islamist, leadership. It was also suggested that once successfully taken over, schools should apply for Academy status so as to have a curriculum independent of the Local Education Authority. The author described the plan as “totally invisible to the naked eye and [allowing] us to operate under the radar”.
Despite widespread doubts about the provenance of the letter, Birmingham’s education commissioner Sir Mike Tomlinson stated his belief that what the letter described was happening “without a shadow of doubt”. Read the rest of this entry »
Above: from the Guardian’s front page today
The ‘Panama Papers’ is without doubt the biggest and most important story (so far) of the century, and Shiraz will be keeping a sharp eye, in particular, on how Putin’s fans and apologists on the supposed “left” deal with it. The Mossack Fonseca documents were initially passed to the German newspaper Süddeutsche Zeitung, which then shared them with the International Consortium of Investigative Journalists. The fact is that the Guardian is just one among 109 media organisations in 76 countries that have helped break the story – which makes this message from Deputy Editor Paul Johnson a bit of a damn cheek. I don’t think I’ll be sending them any money just yet:
The “Panama Papers” is the biggest leak in history: 11.5m documents – which would take one person 27 years to read – describing in the finest detail, for the first time, how rivers of money are moved around the world, hidden from sight by secret offshore banking operations.
The scale of the story is staggering: inside those papers 113,000 shell companies were discovered – helping hundreds of national leaders, politicians, celebrities and business people hide their money.
If the scale of the leak was enormous, the journalistic effort to bring it to full exposure was just as big: 370 journalists from 70 different countries worked in an unprecedented scale of co-operation. At the Guardian, we had five journalists dedicated to the investigation for six months, in conditions of tight secrecy, working through the dozens of stories and an exhaustive legal process.
Readers can support such journalism by making a financial contribution to the Guardian. Make a contribution here.
Today’s investigation has created a much-needed worldwide debate about tax and fairness. There are another four days of stories to come. We think they are of vital public importance. We hope you agree.
Thank you for your support and for reading the Guardian.
Deputy Editor, Guardian News and Media
Battle of Britain commemoration, St Paul’s; outrageous disrespect:
Nelson Mandela’s funeral; highly respectful:
Maajid Nawaz, of the Quilliam Foundation, has clinically dissected the Grauniad‘s dishonest hatchet-job on himself (a supposed “interview” by one David Shariatmadari published in yesterday’s G2: Maajid Nawaz: how a former Islamist became David Cameron’s anti-extremism adviser):
My reply to Mr Shariatmadari of the Guardian:
Dear Mr Shariatmadari, I do wonder what exactly about me made you feel so insecure?
Anyway, below are some reflections of mine, and a bit of fact-checking for you, on your rather personalised hatchet-job of me in the Guardian http://www.theguardian.com/…/maajid-nawaz-how-a-former-isla…
1) Concerning your passage:
“…If much of Quilliam’s – and now Cameron’s – positioning reflects Nawaz’s own journey, it’s reasonable to ask how representative his experience has been. Hizb-ut Tahrir, which does not advocate violence, sees the creation of a new caliphate as the solution to the Muslim world’s problems.”
Unfortunately, as has become a habit with your paper, you are too soft on Hizb ut-Tahrir (HT) here. It is true that HT does not advocate terrorism. However it is not true that it does not advocate violence. All terrorism is violent, but not all violence is terrorism.
HT’s aims to come to power via military coups, these are inherently violent, even if non-terrorist, acts.
“(This would) normally be done by the Party seeking to access the military in order to take the authority…After this the military would be capable of establishing the authority of Islam. Hence a coup d’etat would be the manifestation of a political change…” (The Method to Re-establish the Caliphate and Resume the Islamic Way of Life’, Members of Hizb ut-Tahrir in Britain [al-Khilāfah Publications], pp. 105-6.)
Once in power, pretty much like ISIS, which is a group HT’s ideology played a large part in inspiring, HT advocates the use of state orchestrated massacres to further its aims.
“Hence, it is imperative to to put back this issue in its rightful place and consider it to be a vital issue, by killing every apostate even if they numbered millions”. (Abdul Qadeem Zalloom [2nd global leader for HT], How the Caliphate Was Destroyed, Khilafah Publications, p.193)
2) Concerning your passage:
“Nawaz’s powers of verbal persuasion are something even his detractors concede. There’s a strong line to take in every answer. But equally, there’s very little sense of being open to persuasion himself.”
Indeed, I must be very unopen to persuasion. This must be why – despite the fact that it cost me my marriage, proper access to my son, my home and most of my friendships – I changed my mind after nearly 13 years inside HT’s leadership, and I left that group.
3) Concerning your passage:
“Perhaps this is the Hizb-ut-Tahrir training at work, a training he says involved sitting in meetings “concocting rebuttals as defensive mechanisms’.” Read the rest of this entry »
For the record, I’m not sure what to make of this, or how significant it is – JD.
From Political Scrapbook:
The Daily Express appear to have deleted a story suggesting that 1.5 million British Muslims support terror group Islamic State — based on polling which apparently did not ask respondents their religion or state clearly that ISIS was a terror group.
The headline for the online version was …
“Half of British Muslims ‘support ISIS’ as fears grow over influence of terror group”
… with the strapline:
“HALF of Britain’s three million Muslims could support the Islamic State terror group, a shocking new survey has revealed.”
While Scrapbook cannot locate the new polling, the 2014 ICM survey on behalf of Russian news agency Rossiya Segodnya only asked a single question about ISIS — which used a formulation recently condemned precisely because it conflates the beheading enthusiasts with a legitimate nation state:
“From what you know, please, tell me if you have a very favorable, somewhat favorable, somewhat unfavorable or very unfavorable opinion of the Islamic State of Iraq and the Levant otherwise known as ISIS?
While the piece is still available in search engine caches, visitors to the original link are now greeted with ‘Page Missing Mystery’:
What is more of a mystery is how the Express can justify such a headline.
Paul Canning reports:
When CNN International reporter Lucy Pawle stepped out of a store in London’s West End she could not believe what she was seeing. As a dutiful journo, she got out her phone and snapped away then placed a call to her station. Shortly after she was on the air breathlessly reporting her find; a black ISIS flag was on the London Gay Pride Parade! And no one seemed to have noticed!
Not being a mug, not at all, Pawle wondered if it might be that British sense of humour she’d heard so much about as the lettering appeared to be “gobbledygook”.
The CNN anchor then brought on the ‘security expert’ Peter Bergen who pondered why an ISIS flag would be there when the group hurls gays off buildings.
Pawle should have looked closer. No, scratch that, she should have used her brain. No, scratch that, her editor and the anchor and the ‘security expert’ all need eye tests.
The flag is a parody with the ‘lettering’ being images of dildos and other sex toys. I have no idea who made it and what they were trying to say (will update if I find out) but I can guess. I think they were trying to say FU to ISIS.
About an hour after the report went out and Pawle had started to get laughed at on Twitter the video got taken down by CNN, but Mediate have a copy.
Personally I think the flag parody looks hilarious and I guess that those who saw it did too since no one appears to be complaining. But I can see how some might think it disrespectful or something.
What do you think?
Edit: The artist behind the flag has now been tracked down. The non-anonymous Paul Coombes told PinkNews “the flag of ‘Dildosis’, a conceptual organisation he has set up as a counterpoint to ISIS, established for the advancement of an ecstatic state”.
More about the very brave Coombes at his website http://www.paulcoombs.co.uk/
Largely written by Comrade Matt C, edited by JD:
A number of prominent individuals from the British film and arts world have signed a letter, published in yesterday’s Guardian, calling on cinemas to boycott the London Israeli Film and Television Festival:
The festival is co-sponsored by the Israeli government via the Israeli embassy in London, creating a direct link between these cinemas, the festival screenings and Israeli policies. By benefiting from money from the Israeli state, the cinemas become silent accomplices to the violence inflicted on the Palestinian people. Such collaboration and cooperation is unacceptable. It normalises, even if unintentionally, the Israeli government’s violent, systematic and illegal oppression of the Palestinians.
The signatories – some of whom are Jewish – include Peter Kosminsky, Mike Leigh, John Pilger, Ken Loach and Miriam Margolyes.
The festival’s organisers reply:
“Our festival is a showcase for the many voices throughout Israel, including Arab Israelis and Palestinians, as well as religious and secular groups. These are highly talented film-makers and actors, working together successfully, to provide entertainment and insight for film and television lovers internationally.
“Freedom of expression in the arts is something that the British have worked so hard to defend. An attempt to block the sharing of creative pursuits and the genuine exchange of ideas and values is a disappointing reaction to a festival that sets out to open up lines of communication and understanding.”
There are, I would suggest, two problems with the boycott call. First, it is based on confusion between the Israeli government and the Israeli state. Clearly, the two are not entirely separate but a distinction can be made between the government (that is the policy making executive) and the state more generally. The state obviously includes some institutions that socialists would wholeheartedly oppose: the military (as we do that of any other state, including our own), Mossad and institutions that reflect religious particularlism.
The Israeli state prioritises the rights of Jewish Israelis over Arab Israelis (and many other states, including Britain, have racist biases), but there are many things that the Israeli state does that are not directly linked to this, such as arts funding. To a degree, arts funding reflects the character of the state which is often not good (and this includes the British state). Nonetheless, many of those on the list are happy to take funding from the British state. So looking down the list: Mike Leigh for many years made dramas for the state-funded and ultimately stated-controlled BBC, and currently has a production of The Pirates of the Penzance running of the English National Opera (state funded through the Art Council); John Brissenden works for the state (Bournemouth University) and presumably accepts its funding for his PhD; Gareth Evans works curates at the Whitechapel Gallery which receives state funding, again via the Arts Council. I am sure the similar points could be made about most of the signatories.
No doubt the boycotters would reply that they are not “silent accomplices” of the state (as those participating in the London Israeli Film and Television festival are styled in this letter), and their work is not a form of “collaboration” with it. They would argue, I guess, their work is not compromised by this funding, or at least that they fight against the states restrictions: is a reasonable defence. The arts and academic research frequently rely on a degree of support from the state, and this is in many ways preferable to the being reliant on the free market. But it would appear that the boycotters are not prepared to extend the same arguments to Israeli film makers whose work would be unlikely to be seen in this country without the sponsorship of the Israeli arts establishment (which means state support). The boycotters accept the sponsorship of their own (racist, militarist etc.) state but do not think that others (or uniquely, those in Israel) have the right to do the same.
The second question is: what are these people boycotting? The point is not whether anyone who opposes the policies of the Israeli state in Gaza and the West Bank would agree with all of the films being offered here. A socialist and consistent democrat should never be a left-wing censor allowing only views that they endorse to be aired. The only possible grounds for a supporter of free speech to oppose a cultural festival such as this is that it constitutes propaganda that is the cultural front of oppression (and even then, calling for it to be boycotted would be questionable approach). Looking at the brochure for the festival it is clearly not such a form of propaganda – even Fauda, a drama about Israeli undercover commandoes targeting a Hamas militant, runs with the current fashion of moral ambiguity rather than being a gung-ho adventure.
Other items on the programme more obviously address the human dimension of the Israeli-Palestine conflict (Dancing with Arabs, East Jerusalem/West Jerusalem) and the influence of religion on aspects of Israeli life, although many other offerings are more mainstream films and TV dramas.
It is certainly possible to criticise both the selection of material to be shown at the festival and the Israeli media industry behind it since there are no films, as far as I can see, made by Arab-Israeli film makers. But this is hardly the point. Rather, those who call for a boycott demand (it would seem, uniquely) that film makers from Israel should only be allowed to show their productions in Britain if they do so without any association with the state in which they live. Given the nature of cultural production and its reliance on state support, this is a call for a boycott of all but the most independent of film and TV producers and, in reality, amounts to a total boycott of all Israeli films and art. It is a ridiculous, reactionary stance that will do the Palestinian cause no practical good whatsoever, while alienating mainstream Jewish opinion in Britain and fuelling an insidious form of anti-Semitism that is becoming more and more “acceptable” in British liberal-left Guardianista circles. In truth, this boycott call (like the entire BDS campaign) only makes political sense if you wish for the ‘delegitimisation’ and, indeed, destruction, of the Israeli state: something that most of the signatories would, I’m pretty sure, deny they advocate.
Next page »