I’m ashamed to admit that I came late to Phil Woods and have only been listening intently to his superb playing since news of his death, aged 83, came through earlier this week.
He played his final gig on September 4th using an oxygen mask and, before the final number announced that due to emphysema, he was retiring with immediate effect. Due to his extensive work as a session man on pop records, many people who are not particularly into jazz, will have heard his playing without knowing it: he plays the sax solo on Billy Joel’s Just The Way You Are, for instance.
But it is as one of the greatest of post-Parker altoists that he will be properly remembered. Here he is on a live recording from 1976 (‘Live From the Showboat’), in truly magisterial form on ‘Cheek To Cheek’, a difficult song not obviously suited to jazz improvisation – but Woods makes it all sound so easy:
Phil Woods (alto) with Harry Leahey, guitar Mike Melillo, piano Steve Gilmore, drums
H/t: Pete Neighbour, who wrote on facebook, “This is one of ‘THE’ Phil Woods tracks… I remember playing this endlessly when I first got it on vinyl; desperately trying to get somewhere near this masterful performance – and failing dismally I hasten to add. My mind struggling with the harmonic complexities that Phil found in this standard….. desperately trying not to copy…but wanting… so, so wanting to be influenced and to let some of his genius seep through my playing. Today, with everyone seemingly accorded ‘superstar status’ to listen to this brings home the meaning of true musical genius. I know all this sounds ‘gushing’……..but….if it does…..I don’t care!”