Above Coleridge, about 15 years ago, playing along to one of his records with Django Reinhardt
“During the mid-thirties jazz in Britain was enriched by the presence of West Indian musicians like trumpeters Dave Wilkins and Leslie Hutchinson; saxophonists Bertie King, George Roberts, George Tyndale, Louis Stephenson and Freddie Grant; pianist Erroll Barrow; bassist Coleridge Goode; drummer Clinton Maxwell and guitarist Lauderick Caton. They were often joined, in various combinations, by the Cardiff-born blacks, Joe and Frank Deniz, on guitar” – Jim Godbolt, Jazz in Britain 1950-70 (Quartet Books, 1989).
The late Jim Godbolt’s tribute to black musicians on the early British jazz scene was as welcome as it was unusual in 1989. Sadly, all the players he mentions are now long gone – with one exception: bassist Coleridge Goode who is still with us and celebrates his 100th birthday tomorrow, Saturday 29th November. Coleridge has had an amazing career: he worked with Stephane Grappelli and Django Reinhardt when they were in London in the 1940’s, in Ray Ellington’s Quartet (regulars on the Goon Show), and in the late ’50s began working with fellow West Indian Joe Harriott in a pioneering group playing free-form jazz and then, in the ’60s, Indo-jazz fusions.
He continued playing until only a few years ago, and was a regular at veteran bebop drummer Laurie Morgan’s jam sessions at the Kings Head in Crouch End, London (which I believe, are still going on) in the 1990s. At 100 years old, he remains an avuncular and inspiring presence on the British jazz scene.
Happy birthday, Coleridge!
2005: from left: Coleridge Goode, Tommy McQuater, Jim Godbolt and Frank Deniz