Guest post by Robin Carmody
One of the most important aspects of the Yewtree reckoning is this:- during the 2000s decade, a whole style of humour which peaked during the 1970s and had been deprecated as sexist was rehabilitated and sold to a new generation by a questionable set of “refreshingly politically incorrect” (their words, not mine) comedians and comedy writers/performers. A certain set of people could barely control their relief and joy at it. Yewtree denialists on anorak forums almost always revered Lucas & Walliams, Jimmy Carr et al for “bringing back proper comedy and pissing off those Leftie do-gooders”.
It is the main reason for the recent upsurge of blatant, casual, unthinking sexism in universities and colleges. For most of its audience, its supposed inverted commas no more existed than they would have done for most of the Benny Hill or ‘On the Buses’ audience the first time round. But even beyond that, Yewtree must surely mark the end of it, because it makes the original 1970s stuff seem nastier and creepier than ever and thoroughly justifies everything that was felt about it on the broad Left of British humour during the 1980s. It’s as if several key figures of 1960s/70s rock music had been found out just after Britpop, only a lot worse.