2014 came in badly as far I was concerned: checking old friend Michael Steinman’s Jazz Lives blog, I saw that Bobby Gordon died on 31st December.
Most of you will never have heard of Bobby, who was an American jazz clarinettist who came on the scene playing Condon-style jazz and swing, just as that style was going out of fashion. Nevertheless, he played some great music and, thinking about him, I realised he’d been on many of my favourite jazz CD’s of the 1980s and ’90’s, with Marty Grosz, Keith Ingham, Rebecca Kilgore and Hal Smith. His clarinet playing reflected his personality: modest, shy, understated, but intense and very, very beautiful. Back in the early 1960’s American Decca hired him to make an album with strings, in an attempt to emulate Acker Bilk’s UK hit ‘Stranger On The Shore’ : sadly, it didn’t achieve the same kind of sales. The nearest Bobby ever came to fame and fortune was his time in the 1980’s, accompanying singer Leon Redbone – and even that brief moment of relative success involved an horrific air crash, from which both of them were lucky to survive.
Bobby was one of the many unsung greats of jazz: not many people remember him, but those who do will always appreciate his great soul and blue-tinged sad-happy improvisations. Bobby’s main inspiration and mentor was the 1930’s Chicago/New York clarinettist Joe Marsala, to whom he paid musical tribute on several occasions, including two ‘Arbors’ CD’s (Don’t Let It End and Lower Register). Another influence was Pee Wee Russell and here’s Bobby, in 2010, remembering him on Pee Wee’s Blues: