Above: Zion Karasanti, Yitzhak Yifat and Haim Oshri, IDF paratroopers at Jerusalem’s Western Wall shortly after its capture. (David Rubinger / Knesset website)
Shortly after 9:15 a.m. on June 7, 1967, reservists of the Israel Defense Forces 55th Paratroopers Reserve Brigade became the first soldiers of a sovereign Jewish state to enter the Old City of Jerusalem, the historic and Biblical capital of the Jewish people, in nearly 20 centuries. The ceasefire that ended Israel’s 1948 War of Independence had left Jerusalem’s Old City under the Jordanian army’s control, and many religious Jews with strong feelings that the promise of redemption had not yet been fulfilled.
The night before, the unit had sustained high casualties in hand-to-hand fighting against Jordanian Army infantry in the surrounding hillsides. Israeli Defense Minister Moshe Dayan questioned whether modern Israel even needed what he dismissively called “this Vatican,” but ultimately relented to the pressure of Israel’s Chief Rabbi and the political Right. However, the conquest was easier than anticipated: Unknown to the IDF, Jordanian forces had slipped away under cover of night, so when approval came that Wednesday morning to take the Old City, soldiers of the 55th broke through the Lion’s Gate and reached the Temple Mount and Western Wall in short order. In a scene eerily foreshadowing the triumphal image 36 years later of an American soldier draping the stars and stripes across a statue of Saddam Hussein, someone fastened an Israeli flag atop the Dome of the Rock—Islam’s third holiest site—prompting an appalled Dayan to order it taken down immediately.
Over the course what became known as the Six Day War, the territory under Israeli control tripled, its borders expanded to the banks of the River Jordan, the Suez Canal and the heights of Golan, encompassing not only all of Jerusalem, but the holy historical sites of Hebron, Jericho and Bethlehem. What had begun as a defensive war for national existence had ended in an occupation of conquest.
The consequences of that transformation over the next five decades are vividly, and at times heartbreakingly, recounted in American-born Israeli journalist Yossi Klein Halevi’s excellent and exquisitely written new book, Like Dreamers: The Story of The Israeli Paratroopers Who Reunited Jerusalem and Divided a Nation. Through the intertwining personal histories of seven reservists of the 55th Brigade— who range from pork-eating, Yom Kippur-breaking kibbutzniks to kashrus-observing, kippot-wearing seminarians—Halevi provides a comprehensive, insightful and richly accessible portrayal of the competing utopian visions of modern Zionism: one secular, the other messianic. Understanding these competing visions is central to finding a just and enduring resolution to the competing claims dividing what both Arabs and Jews call the Holy Land.
To kibbutzniks, the founding elite of the modern Jewish state, Stalin-era Red Army songs came more easily than the most elementary Hebraic prayers. They believed the aim of Zionism was to build a democratic socialist country in the ancient Jewish homeland that would claim its place among the other sovereign secular democracies of the world, a nation among nations.
Religious Zionists, not interested in building what Halevi characterizes as “another Belgium,” sought to create a Jewish state that remained true to Biblical prophecy and borders, included the holy sites of Jerusalem, Jericho and Hebron, observed Jehovah’s rituals and commandments, and served as a beacon and moral example to all the nations. Halevi quotes a 21-year-old seminarian and corporal exclaiming at the liberation of the Temple Mount, “Two thousand years of exile are over.” Another tells an officer, “We are writing the next chapter of the Bible.”
But with unfolding of events—the Yom Kippur War; the founding, expansion, and dismantling of settlements; the incursion into Lebanon; the Camp David and Oslo Accords; the Rabin assassination; the massacre at the Mosque of Abraham; successive intifadas and failure to reach agreement at the second Camp David meeting in 2000—worldviews change, as did the former paratroopers who held them. In following the stories of these paratroopers and their comrades, Halevi masterfully demonstrates the fluidity, complexities, inconsistencies and contradictions that propel national, cultural and geopolitical, as well as personal, history. Of the seven paratroopers:
Two kibbutzniks—Meir Ariel, who becomes a rock musician and Avital Geva, who earns international acclaim as a conceptual artist—were involved in founding of Peace Now, the political movement dedicated to ending the occupation and reaching a just two-state solution with the Palestinians. Brought up in secular socialist kibbutzim where the kitchens weren’t kosher and the Sabbath was just another work day, Ariel and Geva in middle age separately come to embrace ritual prayer and the Study of Torah.
Arik Achmon, the brigade’s intelligence officer and the son-in-law of the founder of the leading left-wing kibbutz movement becomes a corporate executive, union buster and influential proponent of unilateral withdrawal from Gaza, while at the same time favoring construction of a security barrier separating most of the West Bank and Gaza from Israel proper, concluding that for Israel, ending the occupation is a more urgent priority than making peace.
Yoel Bin-Nun, former seminarian and corporal in the paratroopers, who becomes a rabbi, teacher, and founder of two settlements beyond Israel’s 1967 borders, similarly concludes when “confronted with the unbearable choice between preserving the intactness of the people of Israel and the intactness of the land of Israel,” the Jewish hierarchy of values places people first, then Torah and then land. Anguished by the religious Right’s growing participation in, and tolerance for, violence against other Israelis and Israeli institutions, he quits the settlement he founded, and at the age of 58, votes Labor for the first time in his life.
Yisrael Harel, the only non-sabra of the seven, is a child refugee of the Shoah who, as a leader and top organizer of the settler movement, goes on to meet clandestinely with PLO representatives in an effort to find a framework for agreement on Palestinian sovereignty that preserves established Jewish settlements. Harel’s colleague Hanan Porat, also a former seminarian, becomes the first West Bank settler to win election to the Knesset as a strong proponent of expanded settlement by both legal and extralegal means. When during the elections of 1992 hard Right parties attack Labor Prime Minister candidate Yitzhak Rabin for suffering an emotional breakdown on the eve of the 1973 Yom Kippur war, Hanan Porat publically comes to the defense of his former commander.
Former kibbutznik and paratrooper Udi Adiv becomes increasingly estranged from what he comes to see as “Zionist imperialism” and “the fiction of progressive Zionism.” While a left-wing radical at the University of Haifa, he asks an Israeli Palestinian to put him in touch with the PLO. Ultimately, Adiv becomes involved with a Syrian sponsored anti-Zionist terror network. Arrested in Israel three months following the massacre of Israeli Olympic athletes in Munich, he is convicted of espionage and sentenced to 17 years in prison. While imprisoned Adiv asks to be confined with the Arab prisoners, but grows disillusioned when they exhibit more solidarity with nationhood and Islam than with class. He is returned by request to the general prison population, comprised mostly of Sephardic poor and working-class Jews. Released after serving 12 years, he tours the destroyed Arab village on whose land his own kibbutz expanded and thinks, “Every nation carries its legacy of injustice… . To correct the injustices of the past meant imposing new injustices.” Nearly two decades following his arrest, one of his former interrogators casually tells him during a chance encounter that “all of us”—meaning the intelligence service— “are in favor of an agreement with the Palestinians.” The kibbutznik takes it as a vindication of sorts.
None of these lives played out neatly. Some bent toward behavior and ideologies they never would have imagined, others experimented with various philosophies and careers, while others pressed the limits of messianic certainty. In them, we see that progress marches not so much in a straight dialectic as rambles in gradual zigs, abrupt zags, and occasional reverses—something Hegel and Marx and Yeats never quite got.
Halevi’s narrative includes a number of tactical and strategic lessons for contemporary progressives seeking justice for Palestinians. Boycott, Divesture and Sanctions proponents might remember that the most powerful consequence of the 1975 United Nations “Zionism is racism” resolution, was to incense Israelis and sway Israeli public opinion to support—or at least not oppose—the expansion of settlements in Judea and Samaria. Arafat’s last minute hardening of position and retreat from an agreement at the 2000 Camp David talks, under which Israel would have withdrawn from more than 90 percent of the West Bank and would have established a Palestinian capital in East Jerusalem, led to the resumption of the intifada and the surprise election months later of hardliner Ariel Sharon as prime minister, thereby prolonging the misery of occupation and postponing indefinitely the prospects for establishing a two-state solution and the redress of Palestinian grievances.
Yossi Klein Halevi’s eye for detail and character, and ear for complexity and nuance, create an authoritative narrative with the intensity and sweep of an epic novel. From now on, no understanding of the history and currents shaping the prospects for a just peace between Israelis and Palestinians will be complete without Halevi’s remarkable and compelling book.
ABOUT THIS AUTHOR
Louis Nayman is a longtime union organizer. The views expressed are his own.
H/t: Roger McCarthy
From France 24:
Above: some of the bodies at the dockside
Italy has asked for help from the European Union to deal with refugee arrivals in the wake of the sinking of a boat carrying migrants off the coast of the Sicilian island of Lampedusa on Thursday, in which it is feared 300 or more people could have died.
Around 500 people, believed to be mostly Eritreans and Somalis, were aboard the 20-metre boat when it capsized and sank on Thursday morning when the vessel was around half of a mile from the island.
By Friday afternoon, 111 bodies, including at least three children and two pregnant women, had been recovered.
But with only 155 survivors plucked from the water almost 24 hours after the disaster, there were fears that the final toll could rise significantly higher in what is one of the worst migrant tragedies to strike the Mediterranean in recent years.
“Two motorboats remained in the area overnight and this morning divers resumed work but we expect to recover more than a hundred [more] bodies from the ship,” coast guard official Floriana Segreto told Reuters.
Meanwhile, a ferry arrived early on Friday with a truck carrying about 100 coffins and four hearses for the dead, who are now lined up along the floor of a hangar at the airport.
“Seeing the bodies of the children was a tragedy,” Pietro Bartolo, a local doctor, told the AFP news agency. “In many years of work here, I have never seen anything like this,” he said.
‘A European tragedy’
Italy is one of the most common destinations for refugees trying to reach Europe from northern Africa and the Middle East.
According to the UN refugee agency, UNHCR, 8,400 migrants landed in Italy and Malta in the first six months of this year, almost double the 4,500 who arrived during the first half of 2012.
Migrants frequently head for Lampedusa, just 113 km (70 miles) from the coast of Tunisia, and are often found in dangerously overcrowded boats before being taken ashore by the Italian coastguard.
There have mean numerous accidents involving migrant boats attempting to reach Italy and last year almost 500 people were reported dead or missing on the route between Sicily and Tunisia, according to UN figures.
Italy has pressed the EU for more help to fight the crisis, which it says concerns the entire 28-nation bloc.
“This is not an Italian tragedy, this is a European tragedy,” said Italy’s Interior Minister Angelino Alfano on Thursday.
“Lampedusa has to be considered the frontier of Europe, not the frontier of Italy.”
The EU’s Home Affairs Commissioner Cecilia Malmstroemn called on EU countries to do more to take in refugees, which she said would help reduce the number of perilous Mediterranean crossings.
A redoubling of efforts is needed to “fight smugglers exploiting human despair”, she said in a tweet.
‘These deaths did not need to happen’
Meanwhile, repressive policy towards illegal immigrants by Italy and other European countries could have also contributed to the tragedy, a UN official said Thursday.
François Crepeau, the UN’s special rapporteur on migrants’ rights, said that by closing their borders to refugees, European countries are only giving more power to human traffickers.
“Treating irregular migrants only by repressive measures would create these tragedies,” he told reporters. “These deaths did not need to happen.”
In Italy, migrants can work legally only if they have a work permit and a contract before they arrive – a policy pushed through by Italy’s anti-immigrant Northern League party.
Migrants who arrive in Lampedusa are processed in centres, screened for asylum and often sent back home.
Crepeau was speaking at the start of a two-day debate at the UN General Assembly on international migration.
At the start of the debate, UN Secretary-General Ban Ki-moon offered his “deep condolences” and said he hoped the Lampedusa tragedy would be a “spur to action.”
The UN chief said protecting migrants’ rights, fighting against exploitation and improving the public perception of migrants were all crucial.
Pope Francis, who visited the island in July on his first papal trip outside Rome, also expressed his sadness over the incident.
“The word that comes to mind is ‘shame’,” Francis said in unscripted remarks after a speech in the Vatican. “Let us unite our strengths so that such tragedies never happen again.”
On Friday, Italian Prime Minister Enrico Letta called for a national day of mourning and a minute of silence to be held in all schools to mark the tragedy.
(FRANCE 24 with wires)
Above: the Tsarnaev brothers (Tamerian on right) immediately before the bombs went off
There’s something thoroughly distasteful about the way elements of both left and right attempt to use terrorist incidents to bolster their predetermined agendas. Fox News (etc) will immediately point the finger at Islamists. Socialist Worker (UK) and their ilk will respond by reminding us that it’s not always Islamists who do these things, usually name-checking Timothy McVeigh and/or Anders Behring Breivik and concentrating upon the dangers of “Islamophobia.” As far as I’m aware, the “blowback” explanation/justification for terrorism is the exclusive preserve of a certain kind of leftist but I may even be wrong about that.
So I’m not about to draw sweeping conclusions from the revelation (to be aired on BBC Panorama tonight) that one of the (suspected) Boston bombers was simultaneously a militant Islamist and a subscriber to publications espousing white supremacy and anti-government conspiracy theories.
According to the BBC, Tamerian Tsarnaev possessed articles arguing that both 9/11 and the 1995 Oklahoma bombing were US government conspiracies, and another on “the rape of our gun rights.”
He also possessed material condemning US drone attacks and the plight of Guantanamo Bay prisoners.
I opened by criticising those who use terrorist outrages to justify a simplistic political agenda, so I’ll try to avoid doing that myself. The motives of the Tsarnaev brothers are not obvious, and mental health may well be a factor. They were not members of any Islamist network. As ethnic Chechens, they spent their early years in a troubled and violent region. In the US, Tamerian lived a relatively comfortable and apparently conventional life, but seems to have become a militant Islamist when his boxing ambitions were frustrated due to his lack of citizenship.
The BBC quotes a friend of the brothers, saying: “He (Tamerian) just didn’t like America. He felt like America was just basically attacking all Middle Eastern countries…you know, trying to take their oil.”
And on the all-important (but too often overlooked) distinction between Islam and Islamism, it’s worth noting the words of Nicole Mossalam, spokesperson for the mosque that Tamerian occasionally visited:
“As far as connecting with the Islamic community here, to actually praying, being involved, doing acts of charity .. all these were pretty much lacking.
“I would say he was just a Muslim of convenience.”
* Panorama – ‘The Brothers who Bombed Boston’ will be screened tonight, Monday 5 August on BBC One and then on the BBC iPlayer in the UK.
If this is true it should be more widely publicised:
Profit behind Galician train crash?
From the Basque newspaper Gara:
The disaster took place on a curve where a new high speed rail line was connected to a slow one – to save money. Drivers were supposed to slow from 220 km to 80 km. There was nearly an accident during the inauguration run.
There was no automatic braking system -to save money… Drivers had to be punctual to avoid passengers claiming compensation (and save money.) The accident train was running late.
…But of course, it’ll be the driver who carries the can.
My old Ford Focus served me well for about ten years, and if I’m honest I have to say I gave it quite a thrashing one way and the other. A couple of weeks ago it finally expired with much juddering, wheezing and agonized whining. Something called the cam belt, so I’m told. It buggers up your valves: nasty. And expensive. It would have cost more to repair than the car was worth.
Happily (or so I thought), just at that moment my employer was offering a 2007 Mondeo diesel estate for sale at what seemed a very reasonable price, so I snapped it up. Just one week after buying it, the bloody thing has broken down and I had to be towed home in ignominy late on Thursday night . It’s something called the EGR valve and it’ll cost me over £200 to put right.
Bessie Smith, back in 1925, seems to have had similar troubles with an old vehicle: “You Been a Good Ole Wagon … but You Done Broke Down” she sang, presumably about a much loved but knackered Model T. Why this automotive song should be illustrated by a female backside (albeit shapely), I’ve absolutely no idea:
Above: Charles Lindbergh puts the Stop The War case for non-intervention in WW2
BBC Radio 4′s ‘Any Questions’ is a pretty reliable barometer of middle-England, middle class opinion. These days, anyone on the panel who denounces intervention of any kind in overseas conflicts, can be guaranteed a big round of applause, regardless of whether the speaker is from the isolationist right or the ‘anti-imperialist’ left.
This week’s programme, inevitably, included a question about Syria, and the panel was unanimous in opposing the idea of arming the opposition, to the obvious approval of the audience. Right wing Tory isolationist Daniel Hannan put the non-intervention case most succinctly when he said “It’s not our business… in Syria we have no connections …we have no particular interest.”
Smug, shallow leftist commentator Mehdi Hasan (New Statesman and Huffington Post) chimed in with his familiar, sanctimonious riff along the lines of one sides’s as bad as the other … both sides have been accused of using chemical weapons … sending the rebels weapons or imposing a no-fly zone will just make matters worse…etc. etc…
Hannon, who made it clear that he agreed with Hasan’s isolationist conclusions, was honest enough to chip in with the following:
“A one-sided arms embargo is a form of intervention, as it was in Bosnia, as it was in the Spanish Civil War. If you’re allowing one side free access to global weaponry and denying the other [weapons] then you are in practice intervening.”
An important point, that the isolationist movement of both left and right rarely acknowledge. The assumption, all too often, is that only military intervention costs lives, while staying out of it saves lives. Patent nonsense, once you think about it, but that’s the presumption upon which people like the so-called Stop The War Coalition and their media stooges, expect us to accept their case.
Hopi Sen puts the contrary view very well in a recent piece on the cost of non-intervention in Syria:
The last decade has been a steady retreat from intervention.
We know why. We saw the terrible costs of intervention first hand, while the deaths of the Marsh Arabs, the repression of the Kurds, the brutality of Saddam’s regime (and yes, our real-politik driven complicity in that regime) were somehow forgotten. We even managed to forget that the cost of containment was a society trapped by sanctions, a price worth paying for the containment of a regime we did not wish to overthrow.
Yet now, in Syria, we also see the price of inaction.
I make the following comparison not to compare the loss, or the war, or the justice of either, but to compare our reaction to each.
The rate of violent death in Syria is already more than double that in the bloodiest year of the Iraq war. Around 170,000 have died in Iraq in the decade since the war. More than half that are dead in Syria already, and the violent deaths are increasing rapidly. Where is the outrage of the humanitarian left? Where are the marches and the vigils? The petitions and the disbelief? Where are the Anti-War Marches?
Further, doing nothing has increased regional instability. Already Hizbollah are killing Syrian rebels, with who knows what consequences for Lebanon. Israel is both nervous of Islamism and of an unstable Syrian government. Turkey, Iraqi Kurdistan and Jordan are having to cope with some one and a half million refugees.
These are the results of the policy we chose.
Would things have been better if we had intervened directly? Would the slaughter have been less with a No Fly zone, or airstrikes on Syrian forces mounting aggression, or if we had supported secular, moderate rebels early? Would things have been better if we had even made it clear to Russia that there was some action that we would not tolerate?
That I can’t know, just as I cannot know what would have happened in Iraq this past decade if Saddam had been left to imprison and murder his people under a sanctions regime that killed innocent civilians in order to constrain their torturers.
No-one can really know “what if“.
The awful truth is that inaction and intervention both have terrible costs, and those who decide between them cannot ever truly know what will result. Some forgot that in the last decade, choosing to believe that only intervention could have a terrible price. I don’t forget the reverse now.
Just because the policy we have pursued has become a catastrophe does not mean the policy was undoubtedly and obviously wrong.
But by God, I wish we felt more shame for what we have not done for the people of Syria.
(Read the full article here)
By Terry Teachout, in Commentary
Above: the Vienna Philharmonic under Hans Weisbach, playing in Bucharest in 1941
The Vienna Philharmonic recently issued a report by a group of independent historians in which the orchestra officially acknowledged for the first time the closeness of its relationship to the Third Reich. Not only had half its players become members of the Nazi Party by 1942, but all 13 of its Jewish players had been fired four years earlier and five of them later died in the camps. A few weeks later, Der Spiegel published a 6,000-word essay called “Wagner’s Dark Shadow: Can We Separate the Man from His Works?” in which Dirk Kurbjuweit dealt no less honestly with the continuing inability of many German music lovers to grapple with the fact that Richard Wagner was a virulent anti-Semite whose writings directly influenced Adolf Hitler.
The extent to which Hitler and his cultural commissars sought to control and shape European musical life has been chronicled in detail. But most of these books have dealt primarily or exclusively with German-speaking performers and those performing artists from other countries, France in particular, who collaborated with the Nazis. Yet the unswerving determination of the Nazis to rid Europe of what they called entartete musik (degenerate music) may well have had an even more far-reaching effect on postwar European musical culture. After all, many well-known Jewish classical performers—Fritz Kreisler, Artur Schnabel and Bruno Walter among them—managed to emigrate to America and other countries where they continued their careers without significant interruption. Not so the Jewish composers whose music was banned by the Nazis. Some of them were killed in the Holocaust, and none of those who survived succeeded in fully reconstituting their professional lives after the war.
A turning point in our understanding of the effects of Nazism on European classical composition came in the 1990s when Decca/London began to release a series of albums called “Entartete Musik” containing some 30-odd works by such celebrated Jewish composers as Erich Wolfgang Korngold, Franz Schreker, Arnold Schoenberg, and Kurt Weill, all of whom had their music banned. After the series came to an end, Michael Haas, its producer, decided to devote himself to further study of the subject. Now he has written a book called Forbidden Music: The Jewish Composers Banned by the Nazis (Yale, 352 pp.). It is, amazingly, the first full-length history of what happened to the composers who ran afoul of the Nazi regime.
Though Haas is not a historian by training, Forbidden Music is still an outstandingly fine piece of work, one that not only tells the story of what happened to these composers but also places it in the historical context without which we cannot fully understand their sufferings. For the history of entartete musik is in large part a tale of Jewish assimilation and its discontents—and of Wagner, whose own mad obsession with Judaism had much to do with the fate of the composers who later felt Hitler’s wrath.
Prior to the social emancipation of Jewry that followed the establishment of Austria-Hungary’s dual monarchy in 1867 and the German Reich in 1871, it was all but impossible for German-speaking Jewish classical composers to achieve success in their native lands. The most important ones either emigrated (like Jacques Offenbach) or spent large parts of their career in other countries (like Felix Mendelssohn).
Given the extent to which Austro-German musical culture dominated classical music throughout the 19th century, it stands to reason that emancipation should have inspired many Jewish composers not merely to assimilate socially but to embrace a new cultural identity for which they had longed so intensely. It was, Haas writes, “the long-awaited entry [of the Jews] into the most élite, educated and cultivated ‘club’ on earth.” Arnold Schoenberg, the least “clubbable” of men, went so far as to proclaim that his invention of the 12-tone method of atonal composition would (in his oft-quoted words) “ensure the supremacy of German music for the next hundred years.”
Not surprisingly, many of these composers sought to expunge all recognizably Jewish elements from their music, hoping thereby to compose in the “true” Germanic tradition. Those who, like Karl Goldmark, failed to purge their styles with sufficient thoroughness were attacked for that very reason by such assimilated Jewish critics as Vienna’s Eduard Hanslick, who complained in a review of one of Goldmark’s operas of his “musical transliteration of Jewish Orientalism….It’s even used when general human feelings are called for rather than anything specifically Jewish.”
Despite their fondest hopes, these musicians were never able to escape the blight of anti-Semitism. Part of the problem was that their success led to growing envy on the part of less accomplished Gentile musicians. Just as important, though, was the emergence of a specifically racial brand of anti-Semitism of which Richard Wagner was the first major proponent. In Judaism in Music and Other Essays (1850) and other writings, Wagner proclaimed his “instinctive repugnance against the Jew’s prime essence” and decried “the be-Jewing of modern art,” going so far as to claim that Judaism threatened German culture itself, since Jews were “the purest of all races and it matters not with whom they mix: the Jewish race always dominates.”
Wagner’s race-based anti-Semitism became an accepted part of the cultural conversation in fin-de-siècle Europe, and it may have had an inhibiting effect on at least some of the Jewish composers of the period. The vast majority of German-speaking Jewish composers of the post-emancipation era were so determined to emphasize their “Germanness” that their music became derivative. Some favored Wagner’s hyper-romanticism, others the conservative traditionalism of Johannes Brahms, but whatever their choice, the result was a body of work that is—with good reason—almost totally forgotten today.
Not until Gustav Mahler, whose First Symphony was performed in 1889, did a Jewish composer of profound, even radical, originality appear on the scene. Yet Mahler’s relationship to his Jewish heritage was complex in the extreme. On the one hand, he unhesitatingly incorporated Jewish elements into his music—the slow movement of the First Symphony, for instance, contains a section that evokes the pungent sound of what would come to be called klezmer. At the same time, though, Mahler was, as Haas explains, equivocal about his background. Not only did he convert to Roman Catholicism to facilitate his appointment as director of the Vienna Hofoper (later the Vienna State Opera), but he “shuddered at the sight of kaftan-wearing, bearded Jews from Eastern Europe and refused to identify with them.”
Whatever his personal feelings about Judaism, Mahler was the key figure in the development of the next generation of post-emancipation Jewish composers. For those who were convinced that Wagner’s all-encompassing romanticism was a dead end—a “debilitating condition” (as the musicologist Alfred Einstein put it) that threatened to smother Austro-German musical culture—Mahler’s symphonically oriented style, at once more acerbic and more linear, offered budding modernists such as Schoenberg a much-needed alternative to the stodgy conservatism of the Jewish composers of the late 19th century.
Schoenberg soon found himself in the vanguard of musical modernism, though he and his followers, Jewish and otherwise, were outnumbered by other composers who still looked to Wagner or Brahms for guidance. But whatever their musical allegiance, these men all followed the path of assimilation, for they were true believers in Austro-German musical culture who wanted to preserve or (in Schoenberg’s case) improve it. It never occurred to them that their passport to that culture could be revoked.
How would Austro-German musical culture have evolved had Jewish composers continued to play a part in its development? The question, while provocative, is unanswerable, for starting in 1933 Adolf Hitler removed them from the scene. Read the rest of this entry »
Exactly 100 years ago, Emily Davison was trampled by King George V’s horse Anmer when she burst onto the track at the Epsom Derby. She died four days later from a fractured skull and internal injuries caused by the incident.
She was a courageous campaigner for women’s suffrage, who had already shown herself willing to put her life on the line in the course of the struggle for women’s votes. She’d been imprisoned no less than nine times, force-fed, her cell flooded by the authorities, and flung herself down a staircase in Holloway prison.
On the night of the 1911 census, Davison hid in a cupboard in the Palace of Westminster overnight so that on the census form her place of residence that night would be recorded as “The House of Commons.” In 1999 a plaque to commemorate that event was set in place by Tony Benn.
But her very courage has allowed detractors over the years to brand her as a suicidal obsessive, not the principled and courageous campaigner that she was.
Now, a detailed analysis of the film from the three newsreel cameras that recorded the incident, has shown that Davison did not deliberately martyr herself, but was almost certainly trying to attach a ’votes for women’ sash to the bridle of the King’s horse.
The film of that day still has the power to shock, 100 years on:
The fatal incident occurs at about 6.08, but it’s well worth watching the entire film.
PS: We should also remember the jockey, Herbert Jones. He suffered mild concussion in the incident, but was “haunted by that poor woman’s face” for the rest of his life. In 1928, at the funeral of Emmeline Pankhurst, Jones laid a wreath “to do honour to the memory of Mrs Pankhurst and Miss Emily Davison”. In 1951, Jones committed suicide in a gas-filled kitchen.
The kneejerk reaction to violent crime often seems to be a call for illiberal restrictions on freedoms. Arguing against such responses can be difficult, particularly when the crime is the sickening murder of a small child. But the message in the Guardian editorial (31.05.13 in print edition) does, I think, need to be firmly resisted.
“Internet pornography is usually abusive and often violent. Mark Bridger, convicted yesterday of the murder of April Jones, had compiled a store of it. Pornography is easily and freely accessible, and at most requires only a credit card.”
The editorial goes on to describe the apparent link between pornography and violence. There are correlations between all kinds of activities and negative outcomes, but that doesn’t mean a ban is always the answer. Pornography comes in many different forms. Either the content or the production may be exploitative, certainly. It would be good to tackle the factors which drive people to seek work which exploits them – which is not to say that all who are involved in the industry are exploited (or exploiting). To claim that pornography, all pornography, is an ‘incitement to hate’ seems over the top. (Otherwise surely there’d be a lot more hate around the place.)
Taking measures to prevent children accessing pornography is fine, and obviously child pornography should be clamped down on ruthlessly. But measures such as those suggested in the Guardian’s editorial – such as preventing UK credit cards being used to view pornography on line – seem like a massive over-reaction.
NB: since the print version of the Guardian editorial appeared, it has been amended online, and the following addendum has been posted:
• This article was amended on 31 May 2013 to clarify that the intention of the editorial was to propose restrictions on violent and abusive pornography, as opposed to pornography in general. The original also incorrectly stated that it was Dutch members of the Pirate party who brought down attempts to insert a proposed ban on pornography into European equal rights legislation.