My friend Victor
Guest post by Mick Rice
Above: Saltley Gates mass picket, 1972
Vic Collard was a friend of mine. We met in the late 1960’s when the heady days of revolt embraced the young. I was a “child of 1968” when the French events demonstrated that different politics were possible. Vic was 10 years older than me and a worker intellectual of the finest calibre. As well as being widely read he was also an AEU Shop Steward! There could have only been a handful of AEU Shop Stewards who knew about Marshall McLuhan never mind being conversant with his theories. Vic knew about the Frankfurt School. He was deeply interested in philosophy and psychology. He knew about Wilhelm Reich and Herbert Marcuse.
How much different the world might have been if the Left had concentrated on perfecting the “Orgone Box”! It has, unfortunately, so far, been singularly unsuccessful in promoting world revolution.
Vic once confessed to me about his role in the Second World War. I thought I was going to be entertained by a humorous Spike Milligan type – Adolf Hitler-My role in his Downfall – story. But Vic was ashamed of his behaviour. He had gone out, with a relative, for a walk by the canal. He must have been 5 or 6 years old. Alongside the towpath a group of German prisoners-of-war were clearing overgrown vegetation. Vic, our intrepid Brit, took a run at the first German POW and kicked him in the shins. No doubt thinking the juvenile equivalent of: “Take that you dirty Hun!” The Dandy and other boys’ comics of the time have a lot to answer for as they, of course, were bastions of British Imperialism. Vic had not yet read Marx.
The poor prisoner was probably just a conscripted German worker. However, if Vic felt that he had something to atone for, he certainly made up for it in later years. In the early 1970s the Birmingham East District Committee of the AEU was considering submitting motions to the union’s National Committee. One branch had sent in a motion supporting the boycott of goods to Pinochet’s Chile. If I remember right a Scottish factory with AEU members had already blocked the export of vehicles. Ted Williams, the leading right-winger, was pouring scorn on the motion. “These do-gooders want to interfere with international trade”, he thundered. “They risk putting in jeopardy AEU jobs”. Normally the later point was the ace that floored left-wing opposition as “AEU jobs” was paramount.
Vic played a blinder which completely changed the meeting. “No doubt”, said Vic, “If Brother Williams had been a member of this committee in the 1930s’ he would have been in favour of exporting Gas Chambers to Hitler’s Germany so long as they were made by AEU members”. Yes Vic was great with words and great at thinking on his feet.
Another time the full time officer was singing the praises of equality as he proudly told us he had negotiated an agreement to allow women to work night shifts! Vic had to point out that we wanted equality up and not equality down as working nightshifts was bad for men. It could not be regarded as a giant leap forward for womankind that they were going to be subjected to the same anti-social, unhealthy working patterns!
In the mid 1960’s Vic and his friend Geoff Johnson, were members of the “Labour Loyalist” group. They would go around meetings campaigning for an end to Incomes Policy which had been introduced by the Labour Government. Of course their intention was to be entirely disloyal to the Labour Government of the day. Calling themselves “Labour Loyalists” confused their opponents and, as they explained to me, it was really the Labour Government that wasn’t being loyal to the workers! A neat strategy that put Labour apparatchiks on the back foot! Read the rest of this entry »
Despite his later reputation as a ‘luvvie’, Attenborough could do menacing, as in his role as Pinkie in John Boulting’s noirish/expressionist film adaption of Graham Green’s ‘Brighton Rock’ (1947):
Note also the presence of William Hartnell, who went on to become the first Doctor Who.
AT HIS PEAK
Attenborough established his first production company, Beaver Films, with friend and writer Bryan Forbes. Their first film, ‘The Angry Silence’ (1959), gets to the heart of Attenborough’s contradictions as a man. A long time socialist and union supporter, Attenborough not only made a sympathetic film about a man crossing a picket line, he made it by bypassing film union regulations with a system of deferred payments and profit sharing. For Attenborough there were no contradictions. He was a champion of the individual against oppression and exploitation, whether by socialists or anyone else, and the film reflects this. On the money front, ‘The Angry Silence’ went on to be a hit for the company and all involved. Beaver was wound up in 1964 but not before the company had produced the classic ‘Whistle Down The Wind’ (1961). Attenborough worked tirelessly for the muscular dystrophy campaign and many other charities.
The Guardian reports, here
The death of Lauren Bacall (pictured above with husband Humphrey Bogart leading a 1947 march against McCarthy’s witch hunt of leftists and liberals) robs us of the last great star from Hollwood’s ‘golden age’ and a brave liberal – in the best sense of the word. She described herself to TV host Larry King, in 2005, as “anti-Republican and a liberal. The L-word. Being a liberal is the best thing on earth you can be. You are welcoming to everyone when you’re a liberal. You do not have a small mind.”
I can’t resist the opportunity to show you a clip of Bacall in her first film, Howard Hawks’ 1944 ‘To Have And Have Not’, in which she sings the Hoagy Carmichael/Johnny Mercer number ‘How Little We Know’, accompanied by Hoagy himself at the piano. For many years it was thought that Bacall’s singing was dubbed by the young Andy Williams, but Hawks confirmed (in Joseph McBride’s book ‘Hawks on Hawks’) that although Williams’ voice was recorded, it was not used because he (Hawks) decided Bacall’s voice was good enough.
The late Robin Williams was, by all accounts, a good guy. He was certainly on our side:
He was … “a friend and partisan of all good causes, always ready to circulate a petition, help out a collection or get up a protest meeting to demand that wrongs be righted. The good causes, then as now, were mostly unpopular ones, and he nearly always found himself in the minority, on the side of the under-dogs who couldn’t do him any good in the tough game of making money and getting ahead. He had to pay for that […] but it couldn’t be helped. [He] was made that way, and I don’t think it ever entered his head to do otherwise or live otherwise than he did.
“That’s just about all there is to tell of him. But I thought [...], that’s a great deal. Carl Sandberg said it in this way: ‘These are the heroes then – among the plain people – Heroes, did you say? And why not? They gave all they’ve got and ask no questions and take what comes to them and what more do you want?’ “ – James P.Cannon (The Militant, June 1947)
I’ve just heard that Tom Cashman is dead.
His daughter, Ruth, got in contact to say:
My dad died yesterday. Though he had differences [...] he considered you all comrades.
We will send round details of the funeral once it has been arranged.
“For forty-three years of my conscious life I have remained a revolutionist; for forty-two of them I have fought under the banner of Marxism. If I had to begin all over again I would of course try and avoid this or that mistake, but the main course of my life would remain unchanged. I shall die a proletarian revolutionist, a Marxist, a dialectical materialist, and, consequently, an irreconcilable atheist. My faith in the communist future of mankind is not less ardent, indeed it is firmer today, than it was in the days of my youth…”
Leon Trotsky — the Last Testament of Leon Trotsky, Mexico, 27 February 1940
Tom had been ill with a brain tumour for a couple of years, so at one level his death is not a shock.
But Tom’s mental and physical strength meant that he’d hung on for much longer than would normally have been the case.
Not necessarily a good or merciful thing, but there we are.
I’ll write more about Tom shortly.
But for now, I’d just like to say:
He was about the finest and most principled person I ever knew.
He introduced me to real socialist politics.
He understood the interaction between trade unionism and socialist politics.
He – together with Graham Stevenson, who had completely different politics – devised the plan that kept union organisation intact on London buses after privatisation.
He was the voice of political sophistication and Marxism on the T&G -going into -Unite Executive, while he was on there.
Best wishes and solidarity to Ruth, Johnnie and all Tom’s friends, comrades and family.
I’ll write more soon.
Nice to know he really was a good guy (is that Nina Simone he’s holding hands with?)
Singer Jimmy Scott died Thursday morning at his home in Las Vegas at age 88, according to his booking agent, Jean-Pierre Leduc. Scott’s death was a result of complications from Kallmann’s syndrome, a lifelong affliction that prevented his body from maturing through puberty.
Scott was labeled Little Jimmy Scott by bandleader Lionel Hampton in the late 1940s. Hampton also delivered the first of many professional slights in 1949 when he left Scott’s name off on an early hit, “Everybody’s Somebody’s Fool.”
Scott’s career seemed promising after he left Hampton’s orchestra. He recorded for various independent labels and toured with a revue run by dancer Estelle “Caledonia” Young that included R&B singer Big Maybelle and comedian Redd Foxx.
Throughout the early ’50s and ’60s, Scott recorded for various indie labels including Savoy, where he was under the tight control of owner Herman Lubinsky.
According to Scott’s 2002 autobiography, The Life of Jimmy Scott (written with David Ritz), Lubinsky halted production of a 1963 album that was personally supervised by Scott fan Ray Charles for his own Tangerine label. Lubinsky used legal proceedings to halt distribution, claiming Scott was under contract to Savoy. The album was eventually rescued and released in 2003 and has been widely hailed as one of the great jazz vocal albums.
The experience of having his album shelved — not to mention the hardships he experienced being misidentified as a woman, accused of drug addiction and harassed about his sexual identity because of his voice — took a toll and Scott left the music business, moving back to his native Cleveland and becoming a hotel clerk.
Despite his absence, Scott maintained friends and fans in the music business, including legendary R&B producer Doc Pomus, who requested that Scott sing at his 1991 funeral. A record executive in attendance heard the performance and signed him to a record contract on the spot, kick-starting Scott’s second act. This time adulation came rushing in, resulting in a string of albums that received both popular and critical acclaim. He even appeared in the final episode of the singular TV hit Twin Peaks.
For most of his nearly nine decades Scott’s life and art were affected by loss: first his mother’s death when he was 13, then the personal slights and missed opportunities in his fractured career and decades of anonymity away from the record business. In 2000, The New York Times called him “perhaps the most unjustly ignored American singer of the 20th century.”
And yet in a late-career interview Scott was philosophical about the bad breaks he had caught along the way. “I’ve learned that music is such a healer,” he said. “As long as I could sing my songs, I wasn’t as angry about what had happened, about being shoved back for this or shoved back for the other. I’m a singer, and I never lost sight of that.”
From And Still I Rise, by Maya Angelou ,1978.
Source: The Complete Collected Poems of Maya Angelou (Random House Inc., 1994)