Those of us old enough to have been active on the student and petty-bourgeois left in the 1970′s will remember the various Maoist sects who then infected that milieu. Us Trotskyists may sometimes have looked and sounded a bit wacky, and one or two of the ‘Trot’ sects (ie: the WRP and the Sparts) were downright sinister. But it was the various ultra-Stalinist Maoist sects (whose names invariably ended with the initials ‘M L’) who really brought the left into disrepute with their ludicrous slogans, bizarre posturing and denunciations of “revisionists,” “social fascists,” “running dogs of imperialism” etc, etc (believe me: I am not joking).
As Comrade Coatesy points out, the “slavery” case is in many respects a dreadful tragedy. There is also, of course, the risk that it will put serious young people off the idea of becoming involved with the organised left. And the idea that these Maoist lunatics had anything to do with Marxism is, of course, preposterous.
Some reactions today from comrades who remember these crackpots:
* ”These people were total fruitcakes (if I may use that term). I recall them appearing at a Tim Wohlforth meeting where their speaker said that Chairman Hua, Mao’s successor, could control the weather and was responsible for blizzards then raging on the coast of the USA. They also claimed the British fascist police unjustly persecuted one of their members driving through a red light (red meant go on Chinese roads during the Cultural Revolution). As Coatesy says, tragic and also dangerous for the rest of the left after Martin Smith, etc.”
* “Oh, the Workers Institute of Marxism-Leninism Mao Zedong Thought … I had actually concluded, looking back on them, that they must have been a joke. Aside from a leaflet I was once handed promising that the ‘day of revolutionary victory is nigh’ because the Chinese CP was digging a tunnel from which the Red Army would triumphantly emerge (soon) in London, I remember a campaign in defence of ‘Comrade Norman Rajeeb’ (maybe this was the guy who drove through the traffic light). As I recall he denounced not only the imperialists but ‘revisionists of all hues’ from the dock, and you could ‘literally see the representatives of the fascist imperialist state quaking in their shoes.’ Okay, these are quotes from memory and it was a long time ago, but, well, I laughed so long and hard it sort of stuck, I think.”
* “I presume they split from the CPE(ML) because of the Albanian turn of the latter. I think the avant garde composer Cornelius Cardew may have had something to do with them at one point. Cardew himself (who wrote the legendary book ‘Stockhausen Serves Imperialism’) moved away from Maoism towards the end, and then was killed in a road accident, which of course fuelled all sorts of conspiracy theories on the Maoist ‘left.’”
Above: the Tsarnaev brothers (Tamerian on right) immediately before the bombs went off
There’s something thoroughly distasteful about the way elements of both left and right attempt to use terrorist incidents to bolster their predetermined agendas. Fox News (etc) will immediately point the finger at Islamists. Socialist Worker (UK) and their ilk will respond by reminding us that it’s not always Islamists who do these things, usually name-checking Timothy McVeigh and/or Anders Behring Breivik and concentrating upon the dangers of “Islamophobia.” As far as I’m aware, the “blowback” explanation/justification for terrorism is the exclusive preserve of a certain kind of leftist but I may even be wrong about that.
So I’m not about to draw sweeping conclusions from the revelation (to be aired on BBC Panorama tonight) that one of the (suspected) Boston bombers was simultaneously a militant Islamist and a subscriber to publications espousing white supremacy and anti-government conspiracy theories.
According to the BBC, Tamerian Tsarnaev possessed articles arguing that both 9/11 and the 1995 Oklahoma bombing were US government conspiracies, and another on “the rape of our gun rights.”
He also possessed material condemning US drone attacks and the plight of Guantanamo Bay prisoners.
I opened by criticising those who use terrorist outrages to justify a simplistic political agenda, so I’ll try to avoid doing that myself. The motives of the Tsarnaev brothers are not obvious, and mental health may well be a factor. They were not members of any Islamist network. As ethnic Chechens, they spent their early years in a troubled and violent region. In the US, Tamerian lived a relatively comfortable and apparently conventional life, but seems to have become a militant Islamist when his boxing ambitions were frustrated due to his lack of citizenship.
The BBC quotes a friend of the brothers, saying: “He (Tamerian) just didn’t like America. He felt like America was just basically attacking all Middle Eastern countries…you know, trying to take their oil.”
And on the all-important (but too often overlooked) distinction between Islam and Islamism, it’s worth noting the words of Nicole Mossalam, spokesperson for the mosque that Tamerian occasionally visited:
“As far as connecting with the Islamic community here, to actually praying, being involved, doing acts of charity .. all these were pretty much lacking.
“I would say he was just a Muslim of convenience.”
* Panorama – ‘The Brothers who Bombed Boston’ will be screened tonight, Monday 5 August on BBC One and then on the BBC iPlayer in the UK.
“The sex-pest and the anti-Semite” – JD
Now that the serial sex-pest ’Comrade Delta’ (aka Martin Smith) has finally “resigned” (or has he?) from the SWP, it seems an appropriate time to remember one of his more outspoken supporters. Now, I’m aware that it’s not always fair to damn people on the basis of those who, unbidden, speak out in their support. But in this case, you’d have thought that Mr Smith might have taken steps to publicly repudiate such foul support: to the best of my knowledge, he never has.
I reproduce the following distasteful (and, frankly, unhinged) piece from Atzmon, only because of that, and because there still seem to be some idiots about who continue to argue that the moderately talented sax player Gilad Atzmon, once promoted so vigorously by the SWP under Mr Smith’s leadership, is not an anti-Semite:
Once again leading UK AZZs , their Sabbath Goyim (Laurie Penny and Richard Seymour) and Islamophobic Hasbara outlet Harry’s Place have been caught together in bed. The exact same Judeocentric tribal coalition that, a year and a half ago, was formed to wreck my career (and failed) is now pursuing Martin Smith AKA Comrade Delta, former secretary of the UK SWP (Socialist Workers Party) who, they insist, is a ‘sex offender’.
Between 2005-10 I worked closely with Martin and the SWP. At the time I was the SWP’s official Kletzmer. I toured with Martin, performed and spoke in quite a few of those Red gatherings. I met some very nice people in the SWP, but I also came across their many Jewish gate-keepers and tribal operators. But the one thing I never detected in any of those political gathering was a trace of libidinal enthusiasm let alone sexual desire. I assumed at the time that these militant young Marxists had decided to postpone having sex until after the revolution.
However, it didn’t take long to realise that Martin Smith was not being pursued because he is a ‘sex offender’ – he surely isn’t – no, our so-called ‘progressive’ tribals chase Smith because he is a Jazz lover and an enthusiastic fan of my music. They harass him because he gave me a platform in spite of the Jewish demand to ban me. They want to bring Martin Smith down simply because he didn’t obey his tribal masters. So If anything, it is Martin who is the rape victim in this saga – he is punished because he refused to bow down to the tribal junta.
(You can read the rest here if you’ve a strong enough stomach…)
Flavorwire Interview: ‘We Steal Secrets’ Director Alex Gibney on Julian Assange and the Wikileaks Backlash to His Film
In his riveting new documentary We Steal Secrets: The Story of Wikileaks, director Alex Gibney (the prolific Oscar winner behind Taxi to the Dark Side, Enron: The Smartest Guys in the Room, and Client 9: The Rise and Fall of Elliot Spitzer) tells two stories: the thriller-like ascendency of the organization and the troubling questions it asks about government transparency, and the crumbling of Wikileaks founder Julian Assange, which plays like something out of Greek tragedy — the transformation of an admirable idealist to a paranoid propagandist, injecting his own legal woes into the lofty aims of his organization, and conflating them. Gibney was unable to procure an interview with Assange; “Julian wanted money,” Gibney explains in the film, though Assange was willing to exchange his interview for information on the other people Gibney was talking to. (UPDATE: The organization has disputed this claim. Mr. Gibney notes that they’re working from an “incomplete and inaccurate transcript based on non-final version.”) The filmmaker refused, and We Steal Secrets has been under fire from Wikileaks supporters since it was unveiled at Sundance last January. I asked Gibney about that backlash, the importance of the story, and related troubling matters of transparency in the Obama administration
Flavorwire: When and how did you first become aware of Assange and Wikileaks, and when did you decide you wanted to make this film?
Gibney: I first became aware of him through the collateral murder thing when it was posted on the website before the Afghan and Iraq war logs, and I took note of it as a kind of cool new publishing mechanism for this kind of material. I thought, “Wow, that’s interesting.” I read the piece by Raffi Khatchadourian in The New Yorker and then it really exploded, obviously, when the Afghan and Iraq war logs broke, and then the state department cables. It was after that that [producer] Marc Shmuger called me and said, “Would you be interested?” Frankly, I was busy doing some other things. I was just following it as a civilian because I was interested in it and I couldn’t resist. I said, “Yeah, sure. If you can raise the money, I will do it.” Then he went to Universal and we got the money, and off we went.
I really admire the fairness of the film — it champions what Wikileaks is about, while being deservedly critical of Assange himself, or at least the recent iteration of him. How closely does the evolution of the narrative within the film mirror how your own feelings evolved about the story?
I think it did evolve and it did change, and frankly, while we were following the story, the story changed. When we came onto it, Assange was still living in the Norfolk mansion, not yet in self-imposed exile in the Ecuadorian embassy in London, so a lot of things were yet to happen. Based on Raffi’s piece in The New Yorker and my first meeting with Assange, I liked him a lot, and I thought it was a pretty simple David and Goliath story. At the same time, it was kind of peculiar because when I came into the story, in media terms, he was becoming a kind of Goliath, he meaning Assange. He was surrounded with a number of lawyers and agents and press people that I had to wade through. It was like trying to talk to a movie star, and so that I think also was tough. I wish I’d met him when he was in Iceland.
Walk me through your communications with Assange during the production — and if you’ve had any since.
One of my executive producers, Jemima Khan, put up some of the bail money for Assange, and so that helped to plug me into his group. And so from the very start, I approached him and told him I wanted to talk to him. I think I may have put him off in the sense that most people [who] were coming to him wanted to make some kind of a deal, like, “Give me access and I’ll go raise the money to make a film about you,” and then Julian would put conditions on the access. I came to him and told him that I was making the film whether he participated or not. I didn’t put it in a crude way — I just said, “I’m doing the film now, I hope you’ll participate.”
I don’t think he liked that very much. He likes to have control. He likes to feel like he’s the puppet master, so nevertheless, I hung on and kept trying over the course of time. You know, he did agree — I have a number of emails saying, “Yeah, sure, we agree to the interview, let’s do it,” and then later on, he decided not to agree. I kept going, so I kept making the film even as I kept trying to get him to talk and [it] was very late in the game when we were close to finishing that I tried one last time and he said, “Well, let’s talk about it.” So I flew over from New York to England and went and visited him at this Norfolk estate that is owned by Vaughan Smith and we had this six-hour conversation where we explored whether or not he would do the interview.
I walked through it, but he wanted certain guarantees, like he wanted to know if he could see cuts. I said, “Look, I don’t do that. That’s not how it works. I don’t work for you.” And then he responded huffily, “Well, I don’t work for you either.” I said, “Yeah, I know, I get it!” I think he wanted a spin doctor. He wanted to be able to say or believe that he could control the message and the messenger. And while I told him that I really wanted his unvarnished views about these issues and really wanted him to dig into detail into the story… ultimately, editorial control rested with me. End of story.
Have you heard anything from him or anyone that’s still in the organization since? Read the rest of this entry »
Enemy intelligence from the Telegraph:
Charlie Veitch (above) was once one of Britain’s leading conspiracy theorists, a friend
of David Icke and Alex Jones and a 9/11 ‘truther’. But when he had a change of
heart, the threats began. He talks to Will Storr.
On a June afternoon in the middle of New York’s Times Square, Charlie Veitch took out his phone, turned on the camera and began recording a statement about the 2001 destruction of the World Trade Center.
“I was a real firm believer in the conspiracy that it was a controlled demolition,” he started. “That it was not in any way as the official story explained. But, this universe is truly one of smoke screens, illusions and wrong paths. If you are presented with new evidence, take it on, even if it contradicts what you or your group want to believe. You have to give the truth the greatest respect, and I do.”
To most people, it doesn’t sound like a particularly outrageous statement to make. In fact, the rest of the video was almost banal in its observations; that the destruction of the towers may actually have been caused by the two 767 passenger jets that flew into them. But to those who subscribed to Veitch’s YouTube channel, a channel he set up to promulgate conspiracy theories like the one he was now rejecting, it was tantamount to heresy.
“You sell out piece of s—. Rot in hell, Veitch,” ran one comment beneath the video. “This man is a pawn,” said another. “Your [sic] a f—ing pathetic slave,” shrilled a third. “What got ya? Money?” So runs what passes for debate on the internet. Veitch had expected a few spiteful comments from the so-called “Truth Movement”. What he had not expected was the size or the sheer force of the attack.
In the days after he uploaded his video, entitled No Emotional Attachment to 9/11 Theories, Veitch was disowned by his friends, issued with death threats and falsely accused of child abuse in an email sent to 15,000 of his followers. “I went from being Jesus to the devil,” he says now. “Or maybe Judas. I thought the term ‘Truth Movement’ meant that there’d be some search for truth. I was wrong. I was the new Stalin. The poster boy for a mad movement.”
Above: Alex Jones, ultra-right conspiracy-nut supreme
Charlie Veitch is not Jesus nor Judas nor the devil nor, even, Stalin. He’s currently an unemployed father-of-one who lives in a semi, in Salford, Greater Manchester, with his fiancée, Stacey. Baggily dressed and 6ft 5in, the 32-year-old looks like a student but carries himself like a philosopher, wielding aphorisms and gesticulating theatrically, as if conducting a symphony of his own sagacity.
Veitch is spellbound by ideas, but the problem is that he has two competing world views that he’s never been able to reconcile. Born in Rio de Janeiro to a Brazilian mother and a Scottish merchant seaman, Veitch inherited a Right-wing outlook from his father, a patriotic, working class Thatcherite. But his father also passed on a mistrust of authority.
“He told me, just because someone’s wearing a uniform or a fancy hat, it doesn’t mean they’re your boss,” he says.Veitch Snr was also responsible for Charlie’s peripatetic childhood.
Attending “a new school every six months”, he was bullied on many continents. “I was always birds— head, because I have a patch of white hair,” he says. At Edinburgh Academy, a private school he attended from 14, he fostered an antipathy towards “rugger buggers” who had rich fathers, became prefects and “got all the girls and all the attention”.
For a while, Veitch’s Right-wing opinions dominated his decision-making. He joined the Territorial Army and got a job in the City. But, the other narrative, of a world which pitched “second-rate citizens”, as he’d been at school, against the “rugger buggers” – the privileged elite and the heirs to power – was always there, slowly creeping up on him. And at six o’clock one morning, after a night out at a club, it pounced.
“I was absolutely spangled from the nightclub when my best friend said ‘Charlie, you know you’re Right-wing and you joined the Army? Well, they were lying to you.’ I’m like, ‘What?’ He said, ‘9/11; it wasn’t as you think.’ It was almost like an initiation into a cult, a religion. You’re being given special knowledge.”
His friend showed him the online documentary Terrorstorm: A History of Government Sponsored Terror, made by the American radio host Alex Jones. It parsed a new version of history, in which governments secretly organised terror attacks to spread fear and extend their matrices of control. From the Reichstag fire to the Gulf of Tonkin up to the present day, it writhed with apparently unassailable facts and sources.
Jones is a brilliantly effective propagandist who recently made headlines for his hostile showdown on US television with Piers Morgan, over gun control. His YouTube channel has had over 250 million views while his masterpiece, Terrorstorm, has been watched more than 7 million times Read the rest of this entry »
Remind you of anything?
This, for instance:
Socialist Worker, Sat 15 Sep 2001
The full horror of the attacks in the US was breaking as Socialist Worker went to press. Very many innocent people had been killed or injured.
Nobody knew for sure on Tuesday who was responsible. If it was people from the Middle East it will be because they believe, wrongly, that it is the only way to respond to the horrors they have suffered from the US and other governments. The tragic scenes in New York and Washington are the bitter fruits of policies pursued by the US state.
US president George Bush spoke of terrorist outrages on Tuesday. Yet the state he heads has been responsible for burying men, women and children under piles of rubble. Ten years ago his father sent hundreds of US planes to bomb Iraqi civilians night after night during the Gulf War. They killed over 100,000 civilians and conscripts—’collateral damage’ in the US’s war for oil.
Two years ago the US and NATO bombed towns and cities in Serbia and Kosovo for 78 days. Children, hospital patients, old people—all these and more had as little warning that bombs were about to drop on them as did those who died in the US this week. And the US, backed by Tony Blair, imposes a murderous embargo on the people of Iraq, backed by frequent bombing raids.
In Israel the US supports Ariel Sharon, a war criminal. Israel has murdered over 600 Palestinians in the 11 months of the intifada (uprising). Faced with the might of the US, some people can become so desperate that they try to fight back against this military giant with the limited weapons they have to hand.
They do not have Cruise missiles—so they take to turning a hijacked airliner into a suicide bomb instead. It is not a method that can break US power. Some military officials would have suffered from the explosion at the Pentagon. But many more innocent civilians were killed in New York and Washington. Tuesday’s suicide raids were born of desperation at the supreme arrogance and contempt of the rulers of the most powerful capitalist state on Earth.
In 1998 the US responded to a bomb attack on its embassies in Kenya and Tanzania by blowing up the only medicine factory in the desperately poor country of Sudan, and by bombing Afghanistan. It will be looking for similar revenge now. That will drive more people to hate the US.
It is the responsibility of everyone who is revolted at the lethal world order the US and its allies sit at the top of to offer a way forward. It needs to be based on the mass collective power of ordinary people across the world, and targeted precisely at our rulers.
Guest post by Pink Prosecco
The acronym TL:DR might have been invented for the prolix Glenn Greenwald, but I’ve decided to try to answer Jim’s challenge at the end of his post of April 23 and see what Greenwald might be getting at here. Is it, as Jim was inclined to think, just ‘incoherent gibberish’?
To my slight annoyance, I think Greenwald may have some fraction of a point. I suspect that, rather than having a well worked out and coherent definition of terrorism which we apply impartially to every possible case, many of us may decide whether or not something is a ‘terrorist’ act for less objective reasons. And it can’t be denied that the words ‘Islamic’ and ‘terrorism’ are often associated together.
It is for this reason, Greenwald argues, that people have been quicker to use the word ‘terrorism’ about the Boston bombers than about, say, the Aurora cinema shooting. He cites Ali Abunimah’s argument that the ‘terrorist’ label may not be an accurate one:
“Abunimah wrote a superb analysis of whether the bombing fits the US government’s definition of “terrorism”, noting that “absolutely no evidence has emerged that the Boston bombing suspects acted ‘in furtherance of political or social objectives’” or that their alleged act was ‘intended to influence or instigate a course of action that furthers a political or social goal.’”
But even Greenwald himself can’t avoid the evidence that at least one of the brothers was very likely influenced at some level by an ideology with clearly defined goals:
“All we really know about them in this regard is that they identified as Muslim, and that the older brother allegedly watched extremist YouTube videos and was suspected by the Russian government of religious extremism”
He tries to argue that just because someone is strongly Muslim that does not mean that the acts of violence he commits inevitably spring from his faith, asserting that “the mass murder spree by homosexual Andrew Cunanan was not evidence that homosexuality motivated the violence.” This is a pretty weak argument because there is no pattern of terrorist acts committed in the name of homosexuality, no series of YouTube videos encouraging such crimes.
But Greenwald perhaps misses a trick here:
“It’s certainly possible that it will turn out that, if they are guilty, their prime motive was political or religious. But it’s also certainly possible that it wasn’t: that it was some combination of mental illness, societal alienation, or other form of internal instability and rage that is apolitical in nature.”
It may not be appropriate to draw such a clear distinction between mental illness on the one hand and politics and religion on the other. Alienated and unstable people may be attracted to extreme ideas or ideologies
A pretty obvious focus for a disturbed young man who happens to be Muslim is jihadist extremism. Now if your focus is instead, say, the Knights Templar or fantasy role playing games and you go on a random killing spree, then no one is going to link your acts to videos preaching violence in the name of your pet obsession. So – to sum up – the unhinged actions of a deranged young Muslim are more likely to associate themselves with an ideology linked to several recent politically motivated and well organised acts of terror –and thus Greenwald may be correct, in a sense, in arguing that Muslims are more likely to be labelled terrorists.
One nation, under the gun
Just after seven-thirty on the morning of February 27th, a seventeen-year-old boy named T. J. Lane walked into the cafeteria at Chardon High School, about thirty miles outside Cleveland. It was a Monday, and the cafeteria was filled with kids, some eating breakfast, some waiting for buses to drive them to programs at other schools, some packing up for gym class. Lane sat down at an empty table, reached into a bag, and pulled out a .22-calibre pistol. He stood up, raised the gun, and fired. He said not a word.
Russell King, a seventeen-year-old junior, was sitting at a table with another junior, Nate Mueller. King, shot in the head, fell face first onto the table, a pool of blood forming. A bullet grazed Mueller’s ear. “I could see the flame at the end of the gun,” Mueller said later. Daniel Parmertor, a sixteen-year-old snowboarder, was shot in the head. Someone screamed “Duck!” Demetrius Hewlin, sixteen, was also shot in the head, and slid under the table. Joy Rickers, a senior, tried to run; Lane shot her as she fled. Nickolas Walczak, shot in his neck, arm, back, and face, fell to the floor. He began crawling toward the door.
Ever since the shootings at Columbine High School, in a Denver suburb, in 1999, American schools have been preparing for gunmen. Chardon started holding drills in 2007, after the Virginia Tech massacre, when twenty-three-year-old Seung-Hui Cho, a college senior, shot fifty-seven people in Blacksburg.
At Chardon High School, kids ran through the halls screaming “Lockdown!” Some of them hid in the teachers’ lounge; they barricaded the door with a piano. Someone got on the school’s public-address system and gave instructions, but everyone knew what to do. Students ran into classrooms and dived under desks; teachers locked the doors and shut off the lights. Joseph Ricci, a math teacher, heard Walczak, who was still crawling, groaning in the hallway. Ricci opened the door and pulled the boy inside. No one knew if the shooter had more guns, or more rounds. Huddled under desks, students called 911 and texted their parents. One tapped out, “Prayforus.”
From the cafeteria, Frank Hall, the assistant football coach, chased Lane out of the building, and he ran off into the woods.
Moments later, four ambulances arrived. E.M.T.s raced Rickers and Walczak to Chardon’s Hillcrest Hospital. Hewlin, Parmertor, and King were flown by helicopter to a trauma center at MetroHealth Medical Center, in Cleveland. By eight-thirty, the high school had been evacuated.
At a quarter to nine, police officers with dogs captured Lane, about a mile from the school.
“I hate to say it, but we trained for exactly this type of thing, a school emergency of this type,” Dan McClelland, the county sheriff, said.
Danny Parmertor died that afternoon. That evening, St. Mary’s Church opened its doors, and the people of Chardon sank to their knees and keened. At the town square, students gathered to hold a vigil. As night fell, they lit candles. Drew Gittins, sixteen, played a Black Eyed Peas song on his guitar. “People killin’, people dyin’,” he sang. “People got me, got me questionin’, Where is the love?”
Russell King had been too badly wounded. A little after midnight, doctors said that they couldn’t save him…
… Read it all here
“A well-regulated militia being necessary to the security of a free state, the right of the people to keep and bear arms shall not be infringed.” -Second Amendment, the U.S. Constitution
Whatever the merits of such notions about personal and national security (they are, to say the least, highly questionable in this day and age), it is important to note that the only kind of militia the Second Amendment expressly regards as consistent with security is a “well-regulated” militia. One may rationally and reasonably conclude that this applies both to an organized militia and an unorganized one. Otherwise, an armed citizenry consisting of men and women using guns for presumed high purpose according to their respective dictates of personal whim and political fancy is the stuff from which anarchy could result, and in turn the tyranny against which the private possession of guns is supposed to protect Americans.
The right to keep and bear arms (a term that connotes a military purpose) stems from the English common law right of self-defense. However, the possession of guns in the mother country of the common law was never an absolute right. Various conditions were imposed. Britain today has one of the strictest gun laws in the world.
There is nothing absolute about the freedoms in our own Bill of Rights. Freedom of speech is not freedom to shout “fire” in a crowded theater. Freedom of religion is not freedom to have multiple spouses, or sacrifice a lamb in the local park, as religiously sanctioned practices. Similarly, whatever right the Second Amendment protects regarding the private possession of guns, for whatever definition of “militia,” is not an absolute right. It must serve the overall public interest, including (from the preamble of the US Constitution) the need to “insure domestic tranquility, provide for the common defense and promote the general welfare.” Whatever right there is to possess firearms is no less important than the right of every American, gun owners included, to protection against the possession of guns by persons who by any reasonable standard lack the crucial credentials for responsible gun ownership.
- From a 1977 article by David J.Steinberg, Executive Director, National Council for a Responsible Firearms Policy: “Does The Second Amendment Mean What It Says?”
- Socialists debate gun control here: http://www.workersliberty.org/node/4681
Atzmon, the “liberal” establishment’s favourite self-hating Jew and anti-semite, raises his foul head again
I see that the anti-semite Gilad Atzmon, a moderately talented jazz musician, is once again receiving the plaudits of the “liberal” establishment. This foul creature is a holocaust-denier, a conspiracy theorist and an anti-semite. The fact that he was born an Israeli Jew seems to convince some stupid people that he can’t be an anti-semite. He clearly is. I always hesitate to use the term “self-hater” about Jewish people who oppose the policies (or even the very existence) of Israel. But in the case of Atzmon, the the term is one hundred per cent true and accurate. He is a now a Christian, which in itself is fair enough I suppose. But his foul propaganda (endorsed by, amongst other ultra-right wingers and neo-Nazis, David Duke of the KKK), repeats all the old Christian (and Nazi) anti-semitic conspiracy theories.
The only excuse that can be made for this sax-playing racist is that he is almost certainly mentally ill. That’s certainly the opinion of several people I’ve spoken to who know him personally.
Happily, more amd more pro-Palestinian campaigners are seeing through Atzmon and denouncing him.
Woricker simply takes at face value, Atzmon’s lying description of himself as an honest “anti-Zionist,” persecuted by his reactionary enemies. The programme even features the pro-Atzmon film’s director, Golriz Kolahi, invoking jazz’s role in the civil rights movement as though that noble cause was pretty much the same thing as Atzmon’s anti-semitic agenda.
The most laughable part of all is when Woricker suggests that Atzmon’s politics may have put at risk his musical success – as though a minor league sub-Parker jazz saxophonist would be being interviewd on the World Service if he hadn’t come out with his “controversial” views.
As a jazz loiver, I hate Atzmon mainly because in my opinion he’s betrayed the very essence of jazz with his foul racism. I wrote this following some time ago, but I think it bears republishing once again:
Atzmon, why is that you make me so angry? Maybe it’s because I love jazz. I love jazz in all its forms, including post-bop, which I don’t really understand. But even when I don’t understand or like a particular form of jazz (latter-day Miles Davis, or John Coltrane, for instance; also Jelly Roll Morton’s Red Hot Peppers) , I always respect the integrity of the musician(s), trying to do something new — which is what jazz is all about.
Actually, jazz is about something else as well: from its earliest days in and around New Orleans, it was about what would now be called “social inclusion”: at a time when blacks and whites could not mix socially, jazz began to break down the barriers.
On 17 July 1923 the (white) New Orleans Rhythm Kings recorded with the black pianist/composer Ferd “Jelly Roll” Morton. It was the very first “integrated” recording session. A few years later (1929) Eddie Condon organised a band of his favourite musicians for a recording session (‘That’s A Serious Thing’ and ‘I’m Gonna Stomp Mr Henry Lee’) that happened to include both white and black musicians. Condon thought nothing of it at the time:
“Five nights a week I went to Harlem, early or late, whether I was working or loafing. At Small’s Paradise on 135th Street I heard Charlie Johnson’s band, with Leonard Davis on trumpet, Happy Cauldwell on tenor saxophone, and George Stafford on drums. Someone, I thought, ought to put this music on records; it’s too good to miss. I went to Ralph Peer, of the Southern Music Company, a subsidiary of Victor. He looked dubious when I outlined my idea. ‘I want to use Davis, Cauldwell, and Stafford,’ I said, ‘with some friends of mine — Jack Teagarden, Joe Sullivan, and Mezzrow.’ After listening to me talk for twenty minutes about the music which would come out of such a combination, Peer gave in and set a date. ‘This will be for Victor,’ he said. ‘I hope it’s good’.
“It was, though Mezzrow and I played too. We made ‘I’m Gonna Stomp Mr Henry Lee’ and ‘That’s A Serious Thing’. The negro Joe Sullivan [NB: the pianist on the records was the white Irish-American stride and blues master, Joe Sullivan — JD] supplied us with some special introductory chords for ‘That’s A Serious Thing’. When the masters were cut Mr Peer congratulated me. ‘You were right about the music’, he said. ‘It is excellent. All in all I should say this has been an interesting experiment.’ It wasn’t untill I got out in the street that I realised what he meant. I made some inquiries: so far as I could discover we had made the first mixed recording date on any national label, using both white and negro musicians. I thought it had been done long before.”
Condon was not a political person, but he was a decent human being who loved jazz music, and so understood that catagorising people on the basis of race is simply wrong. A member of the audience once asked Condon, “Is your clarinet-player a negro?” (a reference to the light-skinned Afro-American Edmund Hall); Condon replied. “I dunno: I never asked him.”
It is that spirit that should inform jazz. It is the music of democracy, anti-racism and equality. Of course, many of the great pioneers were black Americans: Louis Armstrong, Sidney Bechet, Duke Ellington, Dizzy Gillespie, Charlie Parker, Theloneous Monk, John Coltrane, etc, etc. But plenty, too, were white — and quite a few Jewish (at a time when Jews were experiencing a milder form of the racism meted out to blacks in America): Benny Goodman, Artie Shaw, Max Kaminsky, Red Rodney, Zoot Sims, etc, etc. The fact that none of these ever made a big deal about being Jewish, is rather the point. They regarded jazz as simply music, and music that was the property of everyone — regardless of race, country of origin or skin pigmentation
Do you agree with that premise, or not, Gilad?
There is an interesting alternative story: that of Charlie and his Orchestra. Have you heard of this outfit, Gilad? It was formed during World War Two by the Nazis, when they realised that jazz and swing were a powerful propaganda tool for the Allies. So the Nazis formed their own broadcasting “swing” band — Charlie and his Orchestra — to play the hits of the day, with lyrics modified to convey Nazi propaganda. It was not a very good swing band, but its Nazi message was effective.
A few years ago I was discussing these matters on a jazz e-mail list, when someone brought up Charlie and his Orchestra, and I immediately denounced ‘Charlie’ and stated that I would never listen to it. Someone pointed out to me that quite a few of the musicians in the Charlie Orchestra were Jewish: they were playing for the Nazis in order to save their lives, and the lives of their families.
So, Gilad, when you make mock (as you do with your “Artie Fishal and the Promised Band”) of Israeli Jews simply for being Israeli Jews, and when you make statements to the effect that the “Protocols of the Elders of Zion” may be accurate in describing Jews, and that “American Jewry makes any debate on whether the ‘Protocols of the elder [sic] of Zion’ are an authentic document or rather a forgery irrelevant. American Jews do try to control the world, by proxy” (www.workersliberty.org/node/4325), what is it you think you’re saying?
And you go on to say (this is all on your website, by the way, so I presume you won’t be denying any of it): “The Jews are the ultimate Chamelions, they can be whatever they like so long as it serves some expedient…not only can’t they win…they can’t lose either, they can never be defeated…They move forwards and backwards, from left to right, from right to left, from spirituality into materialism, from orthodox Marxism into hard capitalism…”
You may not realise it, Gilad, but this kind of stuff is classic European and Russian anti-semitism: the Jews as both Bolsheviks and Rothschild capitalists: the ultimate conspirators. Your stupid, ignorant “Artie Fishal” routine is worse than Charlie and his Orchestra: at least the Jews in that band played anti-semitic material because they had no choice; you do it because you want to. Because you revel in baiting your homeland, which you wish to see destroyed.
You are free, of course, to bait Israel and to spout your antisemitic filth. The degenerate ex-Marxists of the SWP are free to promote you [*] and your band (though why, exactly, they should allow you to speak on the politics of the Middle East, remains a mystery).
But, as a jazz-lover, I have to say that I hate your racism. Jazz is the music of integration, of humanity and equality. Your racism has no place in our music.
[* Since the Open Letter was written, the SWP have fairly obviously broken with Atzmon, though they have not accounted for their dalliance with him].