By Camila Bassi (at Anaemic On A Bike)
“[…] Orientalism was ultimately a political vision of reality whose structure promoted the difference between the familiar (Europe, the West, “us”) and the strange (the Orient, the East, “them”).” (Said, 43)
Edward Said’s book Orientalism (1977) is a retort to his conceptualisation of a dual camp schema of the world called Orientalism, which effectively inverts this dual camp and with a method devoid of class politics. He opens his book with a quote by Karl Marx:
“They cannot represent themselves; they must be represented.”
The tone is thus set for a necessary antidote to a paternalistic and patronising Western system of political representation and domination, of which Marxism is an inevitable part.
Said attributes Orientalism to three interdependent meanings: firstly, the academic discipline of Orientalism and its research on the Orient and the Occident; secondly, a particular style of thought that differentiates, ontologically (on the nature of being) and epistemologically (on the theory of knowledge), ‘the Orient’ and ‘the Occident’; and finally, commencing from around the late eighteenth century, the corporate institution that deals with the Orient “by making statements about it, authorizing views of it, describing it, by teaching it, settling it, ruling over it” (Said, 3). With this threefold definition in mind, Said reviews Orientalism as a Western-style discourse employed first by British and French imperialisms and later by US imperialism, to dominate, restructure, and have authority over the Orient.
Orientalism is seen to be heavily imbued with geography, that is, imaginary spatial prejudices infused with power and exploitation, and a Western-centric notion of development and progress. Said goes as far as describing Orientalism as a delusion of exaggerated self-importance:
“Psychologically, Orientalism is a form of paranoia, knowledge of another kind, say, from ordinary historical knowledge. These are a few of the results, I think, of imaginative geography and of the dramatic boundaries it draws.” (Said, 72-73)
This paranoid form of knowledge, Said argues, ennobled British, French, and later US imperial projects:
“The important thing was to dignify simple conquest with an idea, to turn the appetite for more geographical space into a theory about the special relationship between geography on the one hand and civilized or uncivilized peoples on the other.” (Said, 216)
Thanks to the Guardian (and how often do we say that here?) for reminding us of this remarkable Mickey Rooney performance from 1935:
The Graun even manages to find a Karl Marx connection;
In 1935 the late Mickey Rooney played Puck in Max Reinhardt’s movie of A Midsummer Night’s Dream. Critical opinion was mixed – as it was for the audacious casting of James Cagney as Bottom. But, in his indomitable way, Rooney captured the manic mischief of a character who has one of the Bard’s great lines – “Lord, what fools these mortals be” – and who should be taken more seriously than he sometimes is. Shakespeare’s is only the most famous incarnation of one of English folklore’s great creations, “the oldest Old Thing in England” as Kipling’s Puck describes himself. As Puck, the Hobgoblin or Robin Goodfellow, the laughing sprite is a great subversive, as Karl Marx recognised when he wrote about “our brave friend, Robin Goodfellow, the old mole that can work in the earth so fast, that worthy pioneer – the Revolution”. It’s not often you get Mickey Rooney and Karl Marx in the same sentence, but Puck makes all things possible.
Above: excerpt from John Akomfrah’s film ‘The Stuart Hall Project’
The death yesterday of Stuart Hall, aged 82, robs the British left of a major intellect, an energetic organiser and a warm, charismatic human being. I should declare an interest: in the early 1970′s Stuart was one of my tutors at Birmingham University (where he was director of the Centre for Contemporary Studies) and, together with Dorothy Thompson in the History department, was instrumental in ensuring that I wasn’t chucked out and eventually obtained a degree (albeit an ‘Ordinary’). So I owe him a great deal: I only wish I’d got to know him better and found out, for instance, that we shared a love of jazz (although, I learned from Desert Island Discs, his favourite musician was Miles Davis, so even that might have generated some disagreement).
So I hope it’s clear that I liked and respected Stuart Hall a great deal, and if the articles reproduced below, in his memory, are quite sharply critical of aspects of his politics (particularly his rejection of the centrality of the working class to the struggle for socialism), that’s because serious, honest people can (or, at least, ought to be able to) disagree and still hold one another in high regard.
Paving the way for New Labour
By Matt Cooper (2013)
Cinema documentary has undergone a renaissance in recent years, with fine examples exploring subjects as diverse as sushi in Jiro Dreams of Sushi (2011) and death squads in 1960s Indonesia in The Act of Killing (2012).
Nonetheless, a film about the semi-Marxist cultural theorist Stuart Hall is unexpected. Hall was born in Jamaica in 1932, went to Oxford as a Rhodes Scholar in 1952 and was the founding editor of New Left Review (NLR) in 1960. This was a journal which explicitly adopted a “third way” approach between Soviet Communism and social democracy, but was ambivalent about the working class and its revolutionary potential.
After resigning as editor of NLR in 1962, Hall became a leading radical academic joining the Centre for Contemporary Cultural Studies at Birmingham University in 1964 and becoming its director from 1968 to 1979. Cultural studies grew out of the New Left interest in the culture of the working class, which had largely been ignored by academia, and was part of a rise in a form of academic radicalism that mixed some real insights in an overly abstract and obtuse theoretical carapace and, like the New Left, often had little relationship with real struggles.
The last phase of Hall’s career commenced after 1979, when, despite his earlier rejection of both Stalinism and social democracy, he was one of the key theorists of bringing the two together. Through the pages of Marxism Today (the journal of the right wing of the Communist Party), and his own books, Hall argued that Labour needed to form a new progressive alliance in tune with “new times” where the organised working class was a diminishing force.
The problem with Akomfrah’s film is that it fails to address the development of Hall’s thought. It is strongest on his part in the formation of the New Left, and here hints at the weakness of this approach. While Hall’s co-thinkers were well established in Oxford and London, he reports that he was perplexed by an early encounter with the northern working class in Halifax. Like much else in the film, which is straitjacketed by its choice to use only the words from radio and TV appearances by Hall, this is left undeveloped.
Similarly, the film moves briefly over Hall’s work in the 1970s and fails to communicate what was specific about Hall’s understanding of culture — particularly his work on the moral panic over mugging in Policing the Crisis (1978).
Worst of all, the film entirely misses out Hall’s analysis of Thatcherism in the 1980s and his increasingly pessimistic response about how the left should respond to it.
Strangely, the film includes a clip of the 1984-1985 miners’ strike, but there is no reference to any words from Hall to accompany it. Hall, while clearly sympathetic to the strike, thought it the doomed expression of class struggle that could no longer win. Without any clear sense of transforming society, Hall looked only to create a new more progressive ideology removed from such outdated class struggle. Unwittingly, he was preparing the ground for New Labour (which was more enthusiastically supported by many of his Marxism Today collaborators).
Without much grasp of Hall’s place in the movement away from class politics from the 1960s to the 1980s, The Stuart Hall Project ends up with a fragmented kaleidoscope of images without any clear narrative.
It neither does justice to Hall’s ideas nor shows any critical understanding of them.
“Post Fordism”: collapsing into the present
By Martin Thomas (1989)
Capitalism has changed and is changing. Vast new areas in the Third World have industrialised. The introduction of small, cheap, flexible computers is revolutionising finance, administration, retailing, manufacturing. The majority of the workforce in many capitalist countries is now “white-collar” – but white-collar work is becoming more industrial.
Dozens of other shifts and changes are underway. Which of them are basic? How are they connected? What implications do they have for socialists?
Into this debate has marched the Communist Party’s magazine “Marxism Today”, bearing a banner with a strange device – “post-Fordism”. “At the heart of New Times”, they write, “is the shift from the old mass-production Fordist economy to a new, more flexible, post” Fordist order based on computers, information technology and robotics” (Marxism Today, October 1988). These New Times call for a new politics: in place of the old class struggle, diverse alliances.
There are several issues here. Do the political conclusions really follow from the economic analysis? Is the economic analysis sound? Where does the economic analysis come from? What do the terms “Fordism” and “post-Fordism” mean? Read the rest of this entry »
Between the 1930s and 1950s the revolutionary socialist (ie Trotskyist and, later, Shachtmanite) press in the USA made use of the wit and skill of talented cartoonists such as ‘Carlo’ (Jesse Cohen). In an Era of Wars and Revolutions, a new collection of their work, gives a snapshot history of the times: the rise of the mass industrial union movement in the USA, the great strike wave of 1945-6, the fight against ‘Jim Crow’ racism, World War Two, the imposition of Stalinism on Eastern Europe, and more.
Sean Matgamna (editor of In an Era of Wars and Revolutions) writes:
That “one picture can be worth a thousand words” is true, but only up to a point. A photograph or a painting cannot properly nail down, explain or explore ideas. A complicated piece of writing has no visual equivalent.
Yet a well-done cartoon is a powerful political weapon. A few bold strokes by an artist can convey an idea more vividly and fix it more firmly in the viewer’s mind than would an editorial or an article.
A cartoon is drawn to convey an idea, a point of view, an interpretation of what it depicts, and its meaning. Cartoons by their nature simplify, caricature, exaggerate, lampoon, and play with archetypal images.
A cartoon is highly subjective, yet it draws on commonly recognised symbols. The image, idea, interpretation fuse in the drawing. Drawn to convey an idea of people, things, institutions, classes, states, and of their inter-relationships, a cartoon distills the artist’s conception of what is essential in those people, events, entities, institutions, relationships.
The cartoonist is licensed to distort everyday reality so as to bring out a view, a “seeing”, analysis, critique, historical perspective of it. Its ciphers, emblems, archetypes vary to allow for the artist’s individual slant (like, in this collection, Carlo’s characteristic rendition of the top hat-fat archetypical bourgeois laughing at the gullibility or helplessness of workers).
All of a cartoon, all its details and references, are consciously or subconsciously chosen to convey a point of view, a nailed-down perception, a historical perspective. In old socialist cartoons the worker is always bigger and stronger than his enemies. He needs only to be awakened to an awareness of his strength.
It is almost always a “he”. The socialists who drew these cartoons were, themselves and their organisations, militant for women’s rights, but little of that is in their work.
One of the difficulties with old socialist cartoons for a modern viewer is that the stereotype-capitalist wears a top hat and is stout or very fat. In some early 20th century British labour movement cartoons he is named, simply, “Fat”. Fat now, in our health-conscious days, is seen as a characteristic of lumpenised workers and other “lower orders” people.
Much contemporary comedy is a hate-ridden depiction of the poor, the disadvantaged, the excluded, the badly educated, by physical type – fat and slobby. Where most of the old racial and national caricatures have been shamed and chased into the underbrush, no longer tolerable to decent people of average good will, the old social-Darwinian racism against the poor is rampant still, unashamed and not often denounced.
Even so, the old symbols, the fat capitalist and the big powerful worker, are still intelligible. They depict truths of our times as well as of their own. These cartoons still live.
They portray US politics, governments, the class struggle, the labour movement, America’s “Jim Crow” racism, Stalinism at its zenith, Roosevelt’s New Deal, Harry Truman’s “Fair Deal”, Senator Joe McCarthy, McCarthyism. They present clean and stark class-struggle socialist politics, counterposed to both capitalism and Stalinism.
A few are from the 1920s, but mainly they cover the quarter century after the victory of Hitler in Germany in 1933. and the definitive consolidation of Stalinism in the USSR.
Across the decades, they still carry the emotional hostility to the master class and solidarity with their victims that they were drawn to convey; the socialists’ abhorrence of the Stalinist atrocities that discredited and disgraced the name of socialism (they themselves were often among the targets); the desire, hope and drive for a re-made world — a socialist world. They blaze with anger and hatred against the horrors of America’s all-contaminating Jim Crow racism.
These cartoons were of their time, and what their time and earlier times led socialists to expect of the future. They were often mistaken. Government repression during World War Two was less fierce than the severe persecution of socialists and militant trade unionists in World War One and afterwards, led them to expect.
In the later 1940s, like most observers, they saw World War Three looming. In fact, the world settled into a prolonged “balance of terror” after Russia developed an atom bomb in 1949 and the USA and Russia fought a proxy war on Korean soil which ended in stalemate. The economic collapse which the experience of the 1930s led them to expect did not come (though in fact the long capitalist upswing took off only with the Korean war boom of 1950-3). Plutocratic democracy in the USA, during the war and after it, proved far less frail than the Marxists feared it would.
Over many years I have collected photocopies of these cartoons, buried as they were in files of old publications for six, seven or eight decades. I think others will be moved by them too.
What Peadar Kearney wrote fifty years after their time of the Fenians, the left-wing Irish Republicans of the 1860s and 70s, speaks to the socialists of the era covered by this book as well:
“Some fell by the wayside
Some died ‘mid the stranger,
And wise men have told us
That their cause was a failure;
But they stood by old Ireland
And never feared danger.
Glory O, glory O,
To the bold Fenian men!”
Following Michael Gove’s bizarre article in the Mail, attacking ‘Blackadder’ and ‘Oh What A Lovely War’ (and then fellow Tory Max Hastings’ equally fatuous follow-up), I thought it might be an idea to check up on what a proper historian has to say about the First World War. Here’s the late James Joll (Emeritus Professor of the University of London and a Fellow of the British Academy), in his 1973 book Europe Since 1870:
Any single explanation for the outbreak of war is likely to be too simple. While in the final crisis of July 1914 the German government acted in a way that made war more likely, the enthusiasm with which war was greeted by large sections of opinion in all the belligerent countries and the assumption by each of the governments concerned that their vital national interests were at stake were the result of an accumulation of factors — intellectual, social, economic, and even psychological, as well as political and diplomatic — which all contributed to the situation in 1914 and which can be illustrated in the events of the last weeks before the outbreak of war.
While some people have argued — and it was a popular view in the period between the wars — that the war was the result of the ‘old diplomacy’ and of an alliance system based on secret agreements, others, and especially some of the leading German historians since the Second World War, have seen in the war a half-conscious or in some cases deliberate attempt by governments to distract attention from insoluble domestic problems by means of an active foreign policy and an appeal to national solidarity at a time of war. For Marxists the war was inherent in the nature of capitalism; the forces which drove states to expand overseas were in this view leading inevitably to a clash in which the great international cartels would no longer be able to agree on a peaceful division of the under-developed world and would force governments into war for their own economic interests. Other writers have concentrated attention on the implications of strategic decisions and on the influence of for example the naval rivalry between Germany and Britain in creating international tension, or on the effects of the German decision finally taken in 1907 that, in order to defeat the French army before turning to fight the Russians on the Eastern Front, it would be necessary to violate the neutrality of Belgium, and thus run the risk of bringing Britain into the war as a guarantor of Belgian neutrality under the treaty of 1839
If we try to account for the widespread optimism and enthusiasm with which the war was initially greeted by many people in all the belligerent countries, we have to look at many of the factors described in the preceding chapters — the belief that the doctrine of the survival of the fittest could be applied to international relations, so that war seemed to be the supreme test of a nation’s right to survive; the belief, stemming from Nietzsche, that only by a supreme shock and effort could the limitations of bourgeois life be transcended and its essence transmuted into something nobler. Or again, even if the governments of Europe did not deliberately envisage war as a way out of their internal political difficulties, the fact remains that war briefly produced a sense of national solidarity in which bitter political quarrels were forgotten: Irish Catholics and Ulster Protestants could agree to shelve their differences ‘for the duration’, as the phrase went; right-wing Catholics and socialist free-thinkers who had not spoken for years shook hands with each other in the French Chamber of Deputies, and the Kaiser gave a warm greeting to a gentleman whom he mistakenly supposed to be the Social Democratic leader Scheidemann. In Germany in particular the war seemed to create a new sense of solidarity, of belonging to a Volsgemeinschaft such as a generation of social critics had been longing for, a national community in which class antagonisms were transcended and in which the Germans felt rightly or wrongly a sense of mission and of purpose which had been lacking since the 1860s and early 1870s.
But perhaps in addition to the illusion that the war would be a short one, the illusion which received the most bitter blow, even though it was to be revived hopefully by President Wilson in 1918, was the belief that international relations could be conducted on a rational basis in which the interests of the various nations could be made to harmonise with each other without the need for armed conflict. It was this illusion that had governed Grey’s diplomacy and his attempt to mediate between the continental powers in the last days of July 1914; and it was a similar belief that inspired the leaders of the Second International when they came to Brussels in the hope of finding a way to demonstrate that the international solidarity of the European working class was stronger than the division between their capitalist rulers. The ideological assumptions on which European liberalism had rested were already breaking down before 1914. The war was going to hasten this process in the field of practical politics and everyday social and economic life. The war destroyed the political, economic, social and territorial structure of the old Europe and neither conservatism nor liberalism nor even socialism were ever going to be the same again. From the standpoint of sixty years later there is all too much truth in the prophesy made by Jean Jaures in 1905: ‘From a European war a revolution may spring up and the ruling classes would do well to think of this. But it may also result, over a long period, in crises of counter-revolution, of furious reaction, of exasperated nationalism, of stifling dictatorships, of monstrous militarism, a long chain of retrograde violence.’
I have little doubt that I shall be returning to James Joll from time to time throughout the coming year: in the meanwhile I recommend Europe Since 1870 (from which the excerpts quoted above were taken) and his The Origins of the First World War (1984, with Gordon Martel). I doubt that Michael Gove will want to read anything so objective, scholarly and challenging.
Comrade Coatesy: ‘Daily Mail Attacks My Granddad.’
Today’s Graun quite rightly praises EP Thompson’s magisterial The Making of the English Working Class, on what may or may not be the exact fiftieth anniversary of its publication. But whether the book was first published in November or December 1963 is of little importance: as the Graun states, “No historian of British society has since produced a book to match [it]…Through 900-odd pages the book crackles with energy, as it uses scraps of evidence such as popular songs and workshop rituals to paint a picture of workers’ lived ‘experience.’”
It is, however, depressingly significant that the Graun‘s one criticism is of Thompson’s negative and entirely disrespectful attitude towards religion, and Methodism in particular: “[Thompson's political commitment] led to some poor judgements (Methodism as ‘psychic masturbation’).” Such a robust attitude to religion is, of course, in stark contrast to the grovelling stance adopted by much of today’s liberal-’left’, typified by the Graun and the New Statesman.
Such pro-religion criticisms were made during Thompson’s lifetime and it’s interesting to note that in the preface to the 1980 edition, he makes a point of stating “I remain unrepentant as to my treatment of Methodism.” For those readers who do not have a copy of the book to hand, here’s a flavour of what Thompson wrote about Methodism. It’s worth noting that he attacks it not just because of its baleful effect on industrial militancy, but also because of its repression of human personality, spirit and sexuality (noting also that the two go very well together):
“Nothing was more often remarked by contemporaries of the workaday Methodist character, or of Methodist home-life, than, than its methodical, disciplined and repressed disposition. It is the paradox of a ‘religion of the heart’ that it should be notorious for the inhibition of all spontaneity. Methodism sanctioned ‘workings of the heart’ only upon the occasions of the Church; Methodists wrote hymns but no secular poetry of note; the idea of a passionate Methodist lover in these years [the late Eighteenth and early Nineteenth Centuries - JD] is ludicrous. (‘Avoid all manner of passions’, advised Wesley.) The word is unpleasant; but it is difficult not to see in Methodism in these years a ritualised form of psychic masturbation. Energies and emotions which were dangerous to social order, or which were merely unproductive (in Dr Ure’s sense) were released in the harmless in the harmless form of sporadic love-feasts, watch-nights, band-meetings or revivalist campaigns” – excerpted from Chapter 11, ‘The Transforming Power of the Cross.’
My friend and comrade Sean Matgamna has lately been the target of an ignorant and/or malicious campaign of largely synthetic outrage and accusations of “racism” (described and analysed here) from sections of the “left” who don’t like his militant secularism and anti-clericalism. The following short piece (from 2002) explains some of the background to Sean’s stance:
The Communist Party with Catholic Irish immigrants then, and the Left with Muslims now
There are striking parallels between the conventional Left’s attitude to Islam now and the way the Communist Party used to relate to Irish Catholic immigrants in Britain. I had some experience of that.
For a while, over forty years ago, I was involved in the work of the Communist Party among Irish people of devout Catholic background in Britain, people from the nearest thing to a theocracy in Europe, where clerics ruled within the glove-puppet institutions of a bourgeois democracy.
Hundreds of thousands of us came to Britain from small towns, backward rural areas, from communities of small commodity-producers that were very different from conditions we encountered in Britain. We spoke English and were racially indistinguishable from the natives, but we brought with us the idea of history as the struggle of the oppressed against oppression and exploitation, derived from what we had learned from teachers, priests, parents and songs, and from reading about Ireland’s centuries-long struggle against England.
Such ideas had very broad implications. It needed only a small shift – no more than a refocusing of those ideas on the society we were now in, and which at first we saw with the eyes of strangers not inclined to be approving – for us to see British society for the class-exploitative system it is, to see our place in it, and to reach the socialist political conclusions that followed from that.
Vast numbers of Irish migrants became part of the labour movement. Quite a few of us became socialists of varying hues, a small number revolutionary socialists. Catholicism was the reason why large numbers of Irish immigrants, whose mindset I have sketched above, did not become communists.
The CPGB ran an Irish front organisation, the Connolly Association. Instead of advocating socialism and secularism and working to organise as communists those being shaken loose from the dogmatic certainties we had learned in a society ruled by Catholic “fundamentalists”, the Connolly Association disguised themselves as simple Irish nationalists. They purveyed ideas not seriously different from those of the ruling party in Dublin, Fianna Fail, except for occasional words in favour of Russian foreign policy.
The real history of 20th century Ireland, and the part played by the Catholic Church and the Catholic “Orange Order”, the Ancient Order of Hibernians, in creating the conditions that led to Partition, were suppressed by these supposed Marxists. Instead, they told a tale in which only the Orange bigots and the British were villains. The concerns and outlook of narrow Catholic nationalism were given a pseudo-anti-imperialist twist. All that mattered was to be “against British imperialism”.
The CPGB thus, for its own manipulative ends, related to the broad mass of Irish Catholic immigrants – who, in the pubs of places like South Manchester, bought the Connolly Association paper Irish Democrat, in large numbers – by accommodating to the Catholic nationalist bigotries we had learned from priests and teachers at home and battening on them.
We had, those of us who took it seriously, a cultural and religious arrogance that would have startled those who did not see us as we saw ourselves – something that, I guess, is also true of many Muslims now. The CPGB did not challenge it. (If this suggests something purely personal to me, I suggest that the reader takes a look at James P Cannon’s review of the novel Moon Gaffney in Notebook of an Agitator.)
For the CPGB this approach made a gruesome sense entirely absent from the SWP’s antics with Islam, because Moscow approved of Dublin’s “non-aligned” foreign policy, which refused NATO military bases in Ireland. Russian foreign policy, and the wish to exploit Irish nationalism against the UK – that was the CPGB leader’s first and main concern.
In this way the Connolly Association and the CPGB cut across the line of development of secularising Irish immigrants: large numbers became lapsed Catholics, but without clearing the debris of religion from their heads. It expelled from its ranks those who wanted to make the Connolly Association socialist and secularist. Instead of helping us move on from middle-class nationalism and the Catholic-chauvinist middle-class interpretation of Irish history, it worked to lock us back into those ideas by telling us in “Marxist” terms that they were the best “anti-imperialism”. What mattered, fundamentally, to the CP leaders was who we were against – Russia’s antagonist, Britain.
(from the Workers Liberty website)