After being disgraced for plagiarism and sock puppetry Johann Hari has resurfaced again with a new book. A very good piece here by Jeremy Duns sets out how he has not changed his slipshod ways and that he is still being accepted at face value when he should be treated with caution.
Hari has now published audio extracts on his website of his interviews, to waylay fears he is still cutting corners. Sounds good!
But due diligence isn’t simply ‘Oh, there are loads of endnotes – it must be well-researched, then.’ Or ‘Oh, he has posted the audio clips of his interviews: he’s reformed. Phew.’ Sorry, but it isn’t. That is laziness of the kind that allowed Hari to get away with being a plagiarist for so long. You have to follow the endnotes and check that the sources say what is being claimed. You have to listen to the audio and check that the quotes accurately reflect them. Hari himself gave this as a reason for posting audio: ‘so that everyone can hear them and verify they were said directly to me.’ But in just a few minutes of listening to the audio he has posted, I found several alarming problems.
Some of the quotes aren’t even in the articles he claims they are in, which suggests a certain level of carelessness. Some present challenges in that he was interviewing people through a translator, but by and large he seems to have been reasonably fair with these, although I think he cleans up rather more infelicities than I would. ..
We don’t know the full extent of what Hari did in his journalism for ten years, because he refuses to say and nobody has bothered to look. But what about his new journalism? What about his book? Presumably, as per his promise, he will publish all the audio for his quotes for it on his website. Presumably, Bloomsbury has already checked them to make sure, despite not having any record of what he got up to for a decade, that he is now scrupulously honest and accurate in his work.
But I have my doubts. Hari lied in 2011, and he is still lying now. The reasons why nobody has bothered to do anything about it should depress you.
Read the whole piece – it’s good not only about Hari but about standards of journalism in general.
Guest post Pink Prosecco.
On Socialist Unity I have just read what struck me as a sensible and sympathetic review by Phil B C of Laurie Penny’s new book Cybersexism.
Before long John Wight (above – note left hand), scourge of moralisers, is muscling in below the line:
“There is nothing wrong with a good filthy fuck. Men and women are primal animals and lust is both healthy and entirely natural.
What is unnatural is the demonisation of sex.
I think this latest moral panic over porn is exactly that: an artificially whipped up moral panic with a political objective at its heart.”
Actually, Wight has said many stupider things, and this made me laugh:
“I don’t [know] about you, but the last thing I think about while approaching orgasm are “workers’ rights”.”
Then I noticed that there were no (identifiable) women commenting on this lively thread. I had a look at all the other posts currently in play, ten in total, attracting (so far) 182 comments and there were no identifiable women commenting there either. Funny that.
For many years the writer Michael Rosen has been a fairly uncritical fellow-traveller of the SWP. Now, he’s broken with them over the ‘Comrade Delta’ affair, and has had this exchange with SWP loyalist John Rose and others:
Michael Rosen (above) writes
My old friend John Rose has asked me to put this letter up on my blog. Here it is:
You and I have been good friends for years – more or less since that great year of ’68. You have not only been a trusted friend – but a trusted comrade as well, even if your disagreement with our ‘Leninist’ model of organising inhibited you from joining us. Your close and critical reading of all of the chapters before publication for my book The Myths of Zionism helped guarantee its success.We recently spoke together at the Bookmarks Holocaust Day event at Bookmarks, the Socialist Bookshop on the subject of the 70th anniversary of the Warsaw Ghetto uprising. Bookmarks tell me that you have kindly offered to help promote the new 70th anniversary edition The Ghetto Fights by Marek Edelman which I/we launched at our Marxism Festival last week. Over the last few months you and I have had furious e mail and text exchanges about the swp’s internal developments. More recently in the light of important changes that are now underway in the organisation which address all the issues that you raise, I offered to meet you and discuss them. I pointed out to you that only a face to face discussion can clarify matters in a way that is simply not possible by relying on e mail and text exchanges, given the proper necessity of respecting principles of confidentiality. For reasons best known to yourself, you have felt unable to do so, but I be obliged if you would let readers of your blog know that that my offer remains open. Many thanks John
My reply: Hi John
Thanks for this.
The problem here is that I’ve become the story. I’m not the story. The story is a) the mishandling of a dispute b) the mishandling of the mishandling c) the lack of an open approach to your friends and allies in what we call the ‘movement’.
As you’ve asked for this letter to be made public, I can only think that you feel that some part of it makes a point to the outside world. I’m guessing that this is the part where you ask me, in effect, why I haven’t discussed this matter whilst ‘respecting principles of confidentiality’. Aha – surely this shows that Rosen has not been totally honest in his open letters…he could have heard the whole truth…he would then have not needed to go public about all this…etc etc.
I can explain. It is precisely because you wanted to have a ‘confidential’ talk about this that I found myself resisting your suggestion. I’ll be blunt, I don’t want to be the recipient or owner of any confidences in this matter. That’s the last thing in the world I want. The dispute has been played out in various kinds of public forums. The consequence is that many of us who’ve been involved in eg Marxism, LMHR, UAF, Respect, ANL, Stop the War etc etc feel that we are entitled to be told what’s going on – but not in terms of confidences – only in terms of why a proper procedure wasn’t followed, why the SWP couldn’t have admitted that it should have followed a proper procedure, why it couldn’t have admitted that its committees were the inappropriate means by which this dispute was heard, why it hasn’t hurried to put a proper procedure in place and why the person we call Delta went on being involved in LMHR and UAF long after the dispute was underway. And, I hasten to add, this is not because I am prejudging him as guilty. I repeat: I am not prejudging him as guilty. It is because this would have been the right way to proceed – for the benefit of all parties: the accusers, the accused, the SWP and the rest of us on the outside. I repeat, the SWP has set out its stall in relation to sexual oppression, liberation and equality. It can hardly complain if people on the outside ask how this dispute matches the principles and analysis that the SWP has put before us.
You mention ‘The Ghetto Fights’. In fact, my offer was more than the one you mention. I said to Bookmarks that if they wrote an appeal I would kick off some crowd-funding with a contribution.
Above: Rees has many faults, but seems an unlikely racist
Ex-SWP’er Anna Chen, who blogs at ‘Madam Miaow Says’ is a writer and performance artist of Chinese-British extraction. She recently wrote a piece, re-published and/or quoted on various blogs, criticising Ken Loach’s film The Spirit of ’45 for ignoring black people. My personal view is that while she has a point, she possibly overstates her case, given the film’s concentration upon the 1930s and ’40s, before large-scale black immigration into the UK. But Loach’s dismissive response on Radio 4, “That’s how it was. That’s the record of the time” does him no credit.
Anna has a Comment piece in yesterday’s Guardian (print edition) in which she again criticises Loach’s film for only showing white people, and she also makes some well-aimed criticism of Maurice Glasman and David Goodhart (both said to be influential in Labour Party thinking on race, immigration and “community”).
But Anna also makes an extraordinary allegation against ‘Counterfire’ and People’s Assembly big-wig John Rees:
“The blind spot that so irritated Orwell is alive and well on the left today: in one shocking example, John Rees – a former leading member of the SWP (and now the People’s Assembly leader) – argued that ‘it’s British workers who count, not Chinese’ soon after 58 dead Chinese migrants were found dead in a truck in 2000.”
Let’s be clear: Anna is accusing Rees of racism: there can be no other interpretation placed on her allegation. Anna does not provide the full context of Rees’s alleged words, but it’s difficult to conceive of any context that would make such words acceptable.
I have not always considered Anna an entirely reliable source of information in the past and, indeed, the Guardian piece contains at least one howler: since when has the Grunwick dispute been considered a “famous victory”?
The charge against Rees is about as serious as it gets, and presumably the Guardian‘s lawyers cleared it. But does anyone know when, where and in what context Rees is supposed to have made that comment? As regular readers will know, I don’t have much time for Rees and his degenerate ‘Counterfire’ outfit, but I have to say I find Anna’s allegation against him difficult to credit. And if she can’t back it up, she ought to withdraw it.
NB: I see that the online version of Anna’s article (linked to above) omits the alleged quote from Rees and carries the following disclaimer:
• This article was amended on 17 July 2013 following a complaint from John Rees, an organiser of the People’s Assembly and a former member of the SWP, to remove remarks which he denies making.
I’ve just returned from a weekend in London, at the AWL’s Ideas For Freedom event. An excellent couple of days of vigorous debate and informed discussion. It meant, of course, that I wasn’t at the so-called ‘People’s Assembly’ but I’ll do my best to obtain a report on that in the very near future. In fact, anyone who was at it is welcome to send in a comment.
Talking of comments, old blogging (and drinking) chums Dave Osler and Ms Stroppy were both at IFF and we managed to have a bit of a chat. Dave complained that he’s tried to comment here on several occasions recently and has been unable to, due to being asked for a username and password. I understand that other would-be commenters have experienced the same problem. Rosie has promised to try to rectify this and various other technical glitches over the summer, but in the meanwhile there is a way round the problem, but I can only share it at the moment with people I know personally and trust.
Dave, of course, is a fellow jazz lover, though his tastes tend to be a bit more advanced than mine. I hope both he and Stroppy enjoy this 1939 Lionel Hampton recording, featuring the saxes of Leon ‘Chu’ Berry, Coleman Hawkins, Ben Webster and Benny Carter plus Charlie Christian on guitar, and (just about audible right at the end) a promising 21-year-old trumpeter called Dizzy Gillespie:
“I note that the Socialist Unity blog has just carried a piece denouncing Britain’s “blood soaked” role in Syria. Strangely enough, the article did not use a similar adjective to describe the Russian role. I pointed out this double standard in a comment which is currently “awaiting moderation”. It will be interesting to see whether it is printed.”
From commenter Paul Fauvet
In the unlikely event that such a neoliberal piece of pro-imperialist pleading is allowed on Socialist Unity, Paul should purchase this T-shirt:-
In his increasingly undignified rightward belly-crawl from the SWP, via Respect, into a sort of incoherent Labourite Stalinism whilst playing the role of tame anti-Trot witch-hunter for unspecified audiences, Andy Nooman at least provides some entertainment this festive season. I was about to say “harmless” entertainment, but his latest ranting on his “Socialist Unity” blog, about the revolutionary left (in this case, the AWL/ Alliance for Workers Liberty) is, by his own account “a redacted version of something I wrote for another audience.” I wonder who that “other audience” might be?
Above: Stroppybird’s cat
Nooman’s sub-political tirade is avowedly based upon John Sullivan’s ‘When This Pub Closes’ which is poor stuff but at least evinces some political grasp of its subject(s). In fact, Nooman, whether he knows it or not, is more in the tradition of the rank Stalinist ignoramous Denver Walker’s student union-level, scummy little tome ‘Quite Right Mr Trotsky.’
Anyway, there is much to be enjoyed in Nooman’s bile against the revolutionary left and his grovelling to the Labour/TU bureaucracy, but sadly he doesn’t let us link to “Socialist Unity,” so you’ll have to use Google, or copy/paste socialistunity.com/the-alliance-for-workers-liberty-the-dynamics-of-a-malignant-cult/
The comments are most entertaining as well, including:
* 23. How inept do you have to be in order to pen a hatchet job that embarrasses yourself more than anybody else? – Patrick Smith
* 123. EDUCATION? DEMOCRACY? ACTIVITY? What a DISGRACE to the left. A disgrace to socialist countries/union leaders/students.
I’m really glad you’ve outed them about all that sexual impropriety.m Who needs facts when you’ve got pure conjecture? I bet they’re all a bunch of filthy deviants. Oh and yes, I heard that Sheffield was particularly bad too. Need castrating, the lot of them – RHuzzah
* 142. Until this article was posted I’d never heard of the AWL, and from reading all the heated posts about occult meetings sexual impropriety and filthy deviants I only have one question.
Where do I sign up? – CJB
* 161. Ok. John [John Wight, Nooman's antisemitic sidekick - JD] couldn’t care less about someone writing for this blog or its standing among people who used to advocate for it. Andy completely agrees with him. Egal.
A narrowing of vision accompanied by a growing climate of intolerance, abuse and bullying — I for one have seen this movie a couple of times before And know well the last reel.
So no song and dance, just ciao — bella – Kevin Ovenden [former Socialist Unity contributor - JD]
P.S: Check out the attacks on Yours Truly: Nooman can’t even get this attempt at “humour” right, and work out whether I’m Father Ted or Father Jack…
In my experience, most lefties dislike Westerns, and it’s not difficult to understand why. Almost by definition, the genre is a celebration of white settlers in confrontation with native peoples. Sometimes the portrayal of the natives is condescending and/or downright racist. It’s also the most macho of cinematic genres, with women rarely playing significant roles except as home-makers and/or romantic ideals (I leave aside, of course, the bordello girls). Westerns also tend to be morally simplistic, good-against-evil stories that leave little room for nuance, socio-economic background or understanding of the “other.”
Well, that’s what a lot of people on the left tend to think. Actually, the best Westerns explore the human condition and individual weakness in the face of hostile, relentless forces, as few other film genres do (the ‘noir’ detective films also do it, but they’re really just updated Westerns anyway). Some Westerns (and not just recent ones) even explore the position of women (Johnny Guitar) and Native Americans (The Searchers). It’s been suggested, also, that High Noon is, at least in part, about McCarthyism.
Butch Cassidy and the Sundance Kid (George Roy Hill, 1969)
Duel at Diablo (Ralph Nelson, 1966)
Gunfight at the OK Corral (John Sturges, 1957)
Man of the West (Anthony Mann, 1958)
My Darling Clementine (John Ford, 1946)
One-Eyed Jacks (Marlon Brando, 1960)
Rio Bravo (Howard Hawks, 1959)
Shane (George Stevens, 1953)
Unforgiven (Clint Eastwood, 1992)
The Wild Bunch (Sam Peckinpah, 1969)
…but has been (imho) quite rightly denounced for not including the film that many of us consider The Greatest Western Of All Time..
My list would probably include High Noon (Fred Zinnemann, 1952), The Man Who Shot Liberty Valance (John Ford, 1962), Johnny Guitar (Nicholas Ray, 1954), Red River (Howard Hawks, 1948), The Ox-Bow Incident (William Wellman, 1943), Shane (George Stevens, 1953), Bad Day at Black Rock (John Sturges, 1955), Stagecoach (John Ford, 1939), and Rio Bravo (Howard Hawks, 1959).
But, as I said, this is the best of them all:
Guest post by Pink Prosecco
I have seen a number of left-liberal bloggers linking, either with implicit or
explicit approval, to Ayaan Hirsi Ali’s recent Newsweek/Daily Beast piece on the
violence triggered (supposedly) by ‘The Innocence of Muslims’. Now Hirsi Ali
seems to have every reason and certainly has every right to loathe her religion,
and any attempt to limit our freedoms in its name should be resisted – as
Charlie Hebdo is doing.
But if you are a law abiding American who values that country’s freedoms, including
the First Amendment, you might not care to read in the cover story of a
mainstream, fairly liberal, publication your religion described in these
‘Islam’s rage reared its ugly head again last week.’
Islam is presented as something both frightening and monolithic, rather than a belief
system which is followed in numerous different ways. No punches are pulled – the
title of the piece is ‘Muslim Rage’, the photo illustrates that title pretty
graphically, and the strap line reads ‘How I survived it. How we can end it.’
Now once you get into it, the article calms down quite quickly and
there is plenty to agree with – yes Islamism is a problem, yes girls should not
be married off at a very young age, and yes the treatment of Salman Rushdie by
too many who should have known better was a disgrace.
But it’s the message on the cover which has most impact, and feeds the fears of those who are already inclined to distrust all Muslims. But Muslims have been fighting back a
bit – some with irony rather than rage.