Terry Glavin (at Faccebook) writes:
The polls have been open only for a few hours now but the verdict is in, barring some practically unimaginable eventuality: Afghanistan has won the election. The Afghan people are triumphant. Congratulations are owed to the resilient, courageous, long-suffering people of Afghanistan. Hambestagi!
This image seems to be picking up speed all over Afghanistan. A message to the Taliban and to all the enemies of a sovereign and democratic Afghan republic. The universal gesture of defiance:
Honouring an anti-fascist hero and woman of incredible courage:
Sorry folks: I missed the 50th anniversary of Peter Lorre’s death (23rd March, 1964).
I feel a particular closeness to this great character-actor, because he was one of the film stars that my dad (like many people of his generation) did impersonations of (the others, in my Dad’s case, being Sydney Greenstreet, Humphrey Bogart, Edward G. Robinson, James Cagney and Walter Brennan):
Here’s Lorre in a typical role
Here’s his best ‘serious’ performance in Germany before he fled fascism for the US and ended up in Hollywood::
…and my personal favourite:
Finally: the ultimate accolade:
Author: Volodymyr Ischenko
Ukrainian leftist Volodymyr Ishchenko has written a blast against Russia’s military intervention in his country and against the new government there.
I hate! On war in Ukraine
Writing from a critical position is not something to be widely appreciated in turmoil times. For some hysterical idiots I’ve succumbed to the fascists, for others–betrayed the Fatherland. Time is now precious and to be used efficiently. This is why I respond to all in a single post.
I hate the Euroidiots who started all this because of their little ticks and cultural chauvinism.
I hate the bastard who clung to power despite dozens of deaths and who now wants to return to the country on foreign tanks.
I hate the former opposition, who became today’s authorities, and who found nothing better than to “save the Ukrainian language” [by restricting Russian], populate the government with fascists, and promise unpopular social measures.
I hate Crimean authorities, who are so afraid for their places that they would happily serve as the doormat of an occupying administration.
I hate the tyrant in the Kremlin, who needs a little victorious war to strengthen the rouble and his own, almost unlimited power.
I hate all these “deeply concerned” EU and US bureaucrats, which introduce sanctions only when the government is all but toppled and give aid under conditions resembling daylight robbery.
I hate Ukrainian and Russian fascists, who cannot get used to the reality of a multicultural and multilingual country, and are ready to destroy it.
I hate those “liberals,” who were ready to cover for and never distanced themselves from the the fascists present on the Maidan to give a chance for truly all-Ukrainian democratic movement rather than pushing the country to a Civil War.
I hate myself and other leftists for spending most of our time in mutual recriminations rather than the building of a powerful political organization. Divided, we could influence little the Maidan or the anti-Maidan. Part of the blame lies with us.
But I am for the world peace. I send these flowers from Wallonia. Snowdrops against the background of green leaves from last year. I hope this is not the last time we see them. I just returned to my divided country and pray that all it will all end with a Second Crimean rather than Third World War. Because this war won’t grow into a world revolution (the chances for that are much less than 100 years ago) but in a nuclear holocaust.
Russian comrades, go to the central squares of your cities so that you could stop the intervention into Ukraine.
Ukrainian comrades, let’s think what we could do. It’s clear that signing up in the Right Sector [which has issued a call for mobilization] is not an option.
David Rich has a very good, and very depressing article on Dieudonne and his kind:-
“Making common cause” between Holocaust deniers, neo-fascists, the pro-Palestinian left, and the revolutionary Islamists of Iran is precisely what Dieudonné has spent the past decade trying to achieve. Originally from the political left, he has moved via anti-Israel rhetoric and the fascist Front National (FN) to the establishment of his own Parti Anti Sioniste (PAS, or Anti-Zionist Party). Alongside him in the PAS is essayist and filmmaker Alain Soral, who underwent a similar journey from the Marxist left to the FN before finding a political home with Dieudonné.
There are not many political movements that can embrace the neo-fascist right, the anti-capitalist left, and Iranian revolutionary Islamism. Dieudonné is close to FN leaders—Jean Marie Le Pen is godfather to one of his children—while also attracting fans who consider themselves to be left-wing radicals. He was a guest in Tehran of Iranian President Mahmoud Ahmadinejad and received Iranian funding for a film project. Historically, movements that successfully pulled off this kind of balancing act have tended to rely on anti-Semitism as their glue, expressed through the lingua franca of conspiracist anti-Zionism, and PAS is no different.
Strikingly, for a party that calls itself anti-Zionist, PAS’s political program makes no direct mention of Israel or Palestine. This is parochial, patriotic anti-Zionism, in which Zionism is portrayed primarily as a subversive, corrupting presence in French society.
Radio 4′s The Report had the journalist Helen Grady interviewing Dieudonne’s friends and followers. Sometimes they said “Zionist” where they obviously meant “Jewish” and sometimes they said, “I’m not antisemitic but Jews run everything”. Also, Dieudonne gave them the thrill of saying, or just hinting at, the forbidden. – not just “you don’t say that” but “you can’t say that” because it’s illegal in a state with laws against Holocaust denial. This was interpreted as special treatment for Jews while other minorities are fair game.
I was sorry the reporter didn’t ask them to explain who these Zionists are and what are these utterances that are so dammed by the laws – not that I agree with Holocaust denial laws or anti free speech and expression laws in general. In fact I would like to know how much these laws exacerbate the sense of resentment that is one of the emotional bases of Fascism. Certainly breaking them, or hinting that you were, gave the audience a lovely outsider frisson.
Some of these gagged folk came from immigrant communities – their parents from North Africa say – and they had good words to say of the Front National – at least they’re honest when the rest are hypocrites.
It was your worst gibbering blog thread taking flesh, with hideous whiffs of the 1930s, in all their bizarre irrationality.
Rich concludes with a warning for those who think It Can’t Happen Here:-
. .it would be complacent to assume that Dieudonné’s anti-establishment appeal, expressed through angry, transgressive satire and political stunts, could not find a British audience. The personal followings of Nigel Farage MEP and George Galloway MP demonstrate the appetite in the UK for charismatic, populist anti-politics. .. A Francophone comic with a taste for the surreal is likely to have trouble finding a mass audience in Britain; but his populist anti-politics, carrying a coded anti-Semitism and transmitted via social media, may have better luck in finding an audience..
The anti-establishment comedian who thinks all political institutions are a waste of time is Russell Brand, but to do him justice, he is nothing like as malevolent as Dieudonne, and I can’t see him doing Holocaust jokes or chumming up with David Irving. I can’t see him getting in bed with UKIP either, which is the closest thing here to the Front National. I don’t keep up with popular culture, and there may be obvious candidates for the Dieudonne role that I’ve missed.
Respect was a party that pulled in some of the political groups that are attracted to Dieudonne:- the pro-Palestinian Left and Islamists, and no doubt Holocaust deniers would pop up in such a crowd. Gilad Atzmon would be the obvious entertainer, but he’s not a man of any great charisma or the popular touch. However, it’s hard to think of the neo-Fascist right finding a home there, and Respect is now mostly a fantasy in Galloway’s head.
The death, reported today, of Pete Seeger, reminded me that he publicly broke with Stalinism back in 2007 (some say he’d privately broken with it some years previously).
I wrote the following at the time, in a deliberately provocative style intended to infuriate folkies. Nevertheless, I hope it’s suitably respectful towards a brave and principled man:
Pete Seeger changes his tune: finger removed from ear
I’ve never particularly liked folk music, with its whining three-chord “tunes”, its anachronistic and lachrymose lyrics and the sheer musical incompetence of most of its performers – including the famous ones like Bob Dylan.
Having said that, I have to admit that most of the folkies I’ve met over the years have been thoroughly decent people, often stalwarts of left-wing campaigns, strike-support activity and international solidarity. But for some unexplained reason, these admirable people almost invariably turn out to be Stalinists of one variety or another: what is it about the music or the “scene” that brings this about? Delightful, sandle-wearing, hirsute do-gooders turn out to be apologists for some of the most monstrous regimes and genocidal crimes in human history!
Pete “If I Had a Hammer” Seeger always struck me as the spritual progenitor of the finger-in-the-ear school of folkie Stalinism (the finger being in the ear to prevent the truth about Uncle Joe’s crimes ever being heard): he was (and is) a very good and brave human being, so far as I can judge. Certainly, he had the courage to defy the House Committee on Un-American Activities, rather than betray his friends and comrades, and spent a year in jail as a result. On a less serious note, I’ve also always harboured a sneaking admiration for his legendary attempt to take an axe to Bob Dylan’s microphone cable at the 1965 Newport Folk Festival. But still, this admirable figure remained an unremitting, unreconstructed Stalinist [*]…
…Until now. According to Nicholoas Wapshott in the New Statesman, the 88 year-old Seeger says he has “‘been thinking what Woody (Guthrie - JD) might have written had he been around” to see the end of the Soviet Union. In a letter responding to (a) complaint that he had repeatedly sung about the Nazi Holocaust but failed to acknowledge the millions killed in Stalin’s death camps, he (Seeger) wrote: “I think you’re right – I should have asked to see the gulags when I was in (the) USSR”.
So now Pete has written a new song, ‘The Big Joe Blues’, which goes: “I’m singing about old Joe, cruel Joe./He ruled with an iron hand./He put an end to the dreams/Of so manyin every land./He had a chance to make/A brand new start for the human race./Instead he set it back/Right in the same nasty place./I got the Big Joe Blues./(Keepyour mouth shut or you will die fast.)/I got the Big Joe Blues./(Do this job, no questions asked.)/I got the Big Joe Blues”.
According to Wapshott, Pete now acknowledges that, “if by some freak of history communism (I think he really means Stalinism – JD) had caught up with this country, I would have been one of the first people thrown in jail”. So the finger’s well and truly out of the ear. At long last.
Above: despite my prejudice against folk music, I think this is great! Pete with Sonny Terry and Brownie McGhee in the mid-60s
* Addendum: BTL comments (below) would seem to confirm that my statement that PS remained “an unremitting, unreconstructed Stalinist” (until 2007) was incorrect. It would also seem to be the case (sadly) that the story of the axing of Dylan’s electric cable at Newport in 1965 is apocryphal.
Between the 1930s and 1950s the revolutionary socialist (ie Trotskyist and, later, Shachtmanite) press in the USA made use of the wit and skill of talented cartoonists such as ‘Carlo’ (Jesse Cohen). In an Era of Wars and Revolutions, a new collection of their work, gives a snapshot history of the times: the rise of the mass industrial union movement in the USA, the great strike wave of 1945-6, the fight against ‘Jim Crow’ racism, World War Two, the imposition of Stalinism on Eastern Europe, and more.
Sean Matgamna (editor of In an Era of Wars and Revolutions) writes:
That “one picture can be worth a thousand words” is true, but only up to a point. A photograph or a painting cannot properly nail down, explain or explore ideas. A complicated piece of writing has no visual equivalent.
Yet a well-done cartoon is a powerful political weapon. A few bold strokes by an artist can convey an idea more vividly and fix it more firmly in the viewer’s mind than would an editorial or an article.
A cartoon is drawn to convey an idea, a point of view, an interpretation of what it depicts, and its meaning. Cartoons by their nature simplify, caricature, exaggerate, lampoon, and play with archetypal images.
A cartoon is highly subjective, yet it draws on commonly recognised symbols. The image, idea, interpretation fuse in the drawing. Drawn to convey an idea of people, things, institutions, classes, states, and of their inter-relationships, a cartoon distills the artist’s conception of what is essential in those people, events, entities, institutions, relationships.
The cartoonist is licensed to distort everyday reality so as to bring out a view, a “seeing”, analysis, critique, historical perspective of it. Its ciphers, emblems, archetypes vary to allow for the artist’s individual slant (like, in this collection, Carlo’s characteristic rendition of the top hat-fat archetypical bourgeois laughing at the gullibility or helplessness of workers).
All of a cartoon, all its details and references, are consciously or subconsciously chosen to convey a point of view, a nailed-down perception, a historical perspective. In old socialist cartoons the worker is always bigger and stronger than his enemies. He needs only to be awakened to an awareness of his strength.
It is almost always a “he”. The socialists who drew these cartoons were, themselves and their organisations, militant for women’s rights, but little of that is in their work.
One of the difficulties with old socialist cartoons for a modern viewer is that the stereotype-capitalist wears a top hat and is stout or very fat. In some early 20th century British labour movement cartoons he is named, simply, “Fat”. Fat now, in our health-conscious days, is seen as a characteristic of lumpenised workers and other “lower orders” people.
Much contemporary comedy is a hate-ridden depiction of the poor, the disadvantaged, the excluded, the badly educated, by physical type – fat and slobby. Where most of the old racial and national caricatures have been shamed and chased into the underbrush, no longer tolerable to decent people of average good will, the old social-Darwinian racism against the poor is rampant still, unashamed and not often denounced.
Even so, the old symbols, the fat capitalist and the big powerful worker, are still intelligible. They depict truths of our times as well as of their own. These cartoons still live.
They portray US politics, governments, the class struggle, the labour movement, America’s “Jim Crow” racism, Stalinism at its zenith, Roosevelt’s New Deal, Harry Truman’s “Fair Deal”, Senator Joe McCarthy, McCarthyism. They present clean and stark class-struggle socialist politics, counterposed to both capitalism and Stalinism.
A few are from the 1920s, but mainly they cover the quarter century after the victory of Hitler in Germany in 1933. and the definitive consolidation of Stalinism in the USSR.
Across the decades, they still carry the emotional hostility to the master class and solidarity with their victims that they were drawn to convey; the socialists’ abhorrence of the Stalinist atrocities that discredited and disgraced the name of socialism (they themselves were often among the targets); the desire, hope and drive for a re-made world — a socialist world. They blaze with anger and hatred against the horrors of America’s all-contaminating Jim Crow racism.
These cartoons were of their time, and what their time and earlier times led socialists to expect of the future. They were often mistaken. Government repression during World War Two was less fierce than the severe persecution of socialists and militant trade unionists in World War One and afterwards, led them to expect.
In the later 1940s, like most observers, they saw World War Three looming. In fact, the world settled into a prolonged “balance of terror” after Russia developed an atom bomb in 1949 and the USA and Russia fought a proxy war on Korean soil which ended in stalemate. The economic collapse which the experience of the 1930s led them to expect did not come (though in fact the long capitalist upswing took off only with the Korean war boom of 1950-3). Plutocratic democracy in the USA, during the war and after it, proved far less frail than the Marxists feared it would.
Over many years I have collected photocopies of these cartoons, buried as they were in files of old publications for six, seven or eight decades. I think others will be moved by them too.
What Peadar Kearney wrote fifty years after their time of the Fenians, the left-wing Irish Republicans of the 1860s and 70s, speaks to the socialists of the era covered by this book as well:
“Some fell by the wayside
Some died ‘mid the stranger,
And wise men have told us
That their cause was a failure;
But they stood by old Ireland
And never feared danger.
Glory O, glory O,
To the bold Fenian men!”
This, from Hope not hate, seems like a sensible initial response to this remarkable development:
posted by: Nick Lowles | on: Tuesday, 8 October 2013, 11:18
Above: Robinson with Quilliam’s Maajid Nawaz, today
We are reacting with cautious optimism to news from the Quilliam Foundation that English Defence League (EDL) leaders ‘Tommy Robinson’ (Stephen Lennon) and his cousin Kevin Carroll are leaving the EDL.
In its statement, Quilliam announces that Robinson and Carroll can “no longer keep extremist elements at bay” from the group they founded in Luton in 2009.
However, what is less clear at this stage is whether Robinson and Carroll are renouncing the racism, Islamophobia and violence that they promoted, or for the anti-Muslim hatred that followed in their wake.
Since Robinson/Lennon descended with 100 supporters in a drunken riot on the night Drummer Lee Rigby was murdered in Woolwich, there has been a large spike in anti-Muslim incidents – including mosque arsons, bombings (with the alleged perpetrator also accused of murdering a Muslim grandfather), desecration of Muslim graves and the Metropolitan Police recording a sharp rise in Islamophobic crimes in the capital.
There are still many questions over the future of the EDL post-Robinson/Carroll, and what happens to all the thugs they have so gleefully whipped up.
Said HOPE not hate director, Nick Lowles: “We celebrate Quilliam’s efforts here, but only a complete renunciation of the violence and hatred the EDL leaders have promoted, and a turning away from the anti-Muslim rhetoric they have championed, will be enough for the many thousands who have suffered from the EDL’s ugly actions over the past three years.
“EDL supporters have called for mosques to be burned, holy books to be destroyed, Muslims to be deported, they have cost us £10m in policing bills, brought disorder to our streets, and many, many more have been sentenced for acts of violence, gun possession, paedophilia and other crimes.
“To claim they represented working class Britons was laughable: HOPE not hate and others have worked closely with unions, faith groups and the real working class of Britain to oppose the blind hatred and violence promoted via the EDL and its counter-jihadist backers. What happens now to those wealthy individuals who have backed the EDL leaders to the hilt? We doubt they, or Lennon/Carroll, will disappear so quickly from the scene.
“Merely setting up a new party or anti-Muslim organisation will not be enough to convince anti-hate campaigners, and those interested in democratic government, that Lennon and Carroll have truly renounced their ways. We hope they have. Well done to Quilliam but many questions still remain.”
For more information, please contact 07951237721 or 020 7681 8660
From When the Crisis hit the Fan
A new type of civil war
posted on 18 September 2013
I’m getting fed up of these numb mornings. I usually wake up in the morning, I prepare my coffee and sit on my computer to read the news and check the newspaper headlines. This morning my entire electronic universe was filled with the story 34-year old rapper Killah P (known as Pavlos Fyssas) who was killed by a fascist in Amfiali, Keratsini district, near Piraeus.
The victim, a singer known in the area for his anti-fascist lyrics and activism, was watching last night’s Champions League match with his friends at a coffee shop. During one of their discussions they said something (bad) about Golden Dawn. Someone from the crowd, obviously a Golden Dawn member (not just a voter), has called his fellow neonazi thugs and, after the match, the singer was ambushed, attacked and stabbed to death in front of his girlfriend and another couple.
Here’s one of his songs (you can activate English captions for the lyrics).
Can you be something less than immensely furious about this? I can’t.
Some days ago, another group of about 50 neonazi thugs have attacked a team of 30 communists who were wheatpasting on walls posters for the coming Communist Youth Festival. Eight communists were injured in the event that also took place near Piraeus, at Perama district. It was, once more, one of those mornings.
To tell you the truth, I didn’t expect a serious escalation of anti-leftist violence from Golden Dawn, despite the stated hatred from both sides. There was a very popular quote that was often appearing in my facebook timeline:
First they came for the immigrants, but I wasn’t an immigrant and I didn’t speak. Then they came for the communists, but I wasn’t a communist…
I was quickly scrolling down when I’d see this. But I am now afraid that the violence between Golden Dawn and anything Leftist is not an accidental confrontation in a battle to claim the streets but a rise in planned incidents.
One year ago, Golden Dawn MP Ilias Panayotaros has given an interview to BBC’s Paul Mason. Sitting comfortably, he said that Greece is in a state of civil war. Paul Mason, a connoisseur of modern Greek History, insisted on the phrase “civil war” and Panayotaros explained:
Greek society is ready, even though no one likes it, to have a fight, a new type of civil war. One the one side there will be nationalists, like us and Greeks who want our country to be as it used to be and on the other side there will be illegal immigrants and anarchists…
Watch the video here (go to 01:55 for the Panayotaros segment)
Last week Golden Dawn was involved in tension during two events that commemorated some ugly moments of the Greek Civil War. One was at Meligalas and the other was at Giannitsa. There were no immigrants involved, just leftists and nationalists.
There have been hundreds of attacks against immigrants, leftists, homosexuals and others and the Golden Dawn party has always denied involvement. There was never a denouncing of the event itself because there were seldom enough proofs (for Justice) to incriminate them. This morning, the killer of Pavlos Fyssas has been arrested and, unofficial police sources say that, he was a supporter of Golden Dawn. Was he an official member? Does it make a difference? Of course not. He was definitely a member of a circle of thugs who have answered the phone call at the coffee shop before the end of the football match.
Not only the killer himself has now blood in his hands. The person who made the phone call also has blood in hands. Golden Dawn MPs, like Panayotaros, who have used hate speech against all non-nationalists, who have made anything they could to polarize the Greek society, they all have blood in their hands. And all those who have voted for Golden Dawn should now feel the thick red liquid in their hands too.
The Golden Dawn ballot is now wet and it’s not black anymore. It’s bloody red.
Update: I just found this great poster made back in 2012 by b-positive:
“You’ve armed their hands with your vote”
H/t: Roger McCarthy