The film Nymphomaniac has been getting some pretty good reviews – in the serious press, you understand, because this is most emphatically not a porn movie. As the Guardian‘s Peter Bradshore tells us, “It is about the most tender, platonic relationship imaginable: a depressed and exhausted woman and an elderly, vulnerable man, played superbly by Charlotte Gainsbourgh and Stellan Skarsgård .” Sounds promising, I thought – I might even go and see it when it hits the multiplex.
But the review goes on, and suddenly bells start ringing. Writing about the film’s director, Lars von Trier, Bradshaw notes that “He playfully alludes to his earlier films Breaking the Waves and Antichrist, and is still clearly prickly about the ‘Nazi’ controversy of two years ago at Cannes. Out of nowhere Seligman [the 'elderly, vulnerable man' - JD] pointedly explains the virtue of being ‘ant-Zionist, not antisemitic'”.
Ah! This Von Trier – he must be that director chappie who upset people at the Cannes film festival with ill-advised comments about Hitler. If, like me, you can’t really remember the details, or indeed, didn’t take very much notice in the first place, this Youtube clip is worth watching:
Well, it’s certainly good to have any misunderstandings cleared up: when he said “I understand Hitler” and “OK, I am a Nazi!” Von Trier was just being playful. And now he’s got a character in his new film making the distinction between “anti-Zionist” and “antisemitic”, it’s obvious that the director cannot possibly be an antisemite. I mean, just using the words “anti-Zionist” proves that doesn’t it? And, after all, even at Cannes he stated “Israel is a pain in the ass.” So it’s OK for the Guardian and its readers to like poor, misunderstood Mr Von Trier, and his latest (“heartfelt and even passionate” – P Bradshaw) film.